mick laBriola

The Orion Nebula is arguably the finest of all nebulae within the Milky Way visible from the Northern Hemisphere. With a gaseous repository of 10,000 suns, and illuminated by a cluster of hot young stars, the clouds of Messier 42 — as it is also known — glow with fantastic colours and shapes, giving us a bird’s eye view of one of the greatest star forming nurseries in our part of the Milky Way. Messier 42 is a complex of glowing gas, mostly hydrogen but also helium, carbon, nitrogen, and oxygen in decreasing amounts, located 1,500 light-years away. At its very heart, we find the Trapezium, a group of four very hot stars that illuminate the nebula. They are the brightest of an extended cluster of several thousand young stars many of which lie unseen within the opaque gas and dust. Amazingly, whilst the Orion Nebula is easy to identify with the unaided eye, there is apparently no written record of its existence before the 17th century.

This image is based on data acquired with the 1.5 m Danish telescope at the ESO La Silla Observatory in Chile, through three filters (B: 60 s, V: 30 s, R: 21 s). East is at the upper right corner and North is at the lower right.

Stanley Clarke (born June 30, 1951) is an American bassist and founding member of Return to Forever, one of the first jazz fusion bands. He has composed music for films and television and has worked with musicians in many genres. Like Jaco Pastorius, Clarke gave the bass guitar a prominence it lacked.

Clarke was born in Philadelphia. His mother sang opera around the house, belonged to a church choir, and encouraged him to study music. He started on accordion, then tried violin. He was introduced to the bass as a schoolboy when he arrived late on the day instruments were distributed to students, and acoustic bass was one of the few remaining selections. He took lessons on double bass at the Settlement Music School in Philadelphia, beginning with five years of classical music. He picked up bass guitar in his teens so that he could perform at parties and imitate the rock and pop bands that girls liked. He cites as influences Ron Carter and Charles Mingus.

Andrew Hill (June 30, 1931 – April 20, 2007) was an American jazz pianist and composer.

Jazz critic John Fordham described Hill as a “uniquely gifted composer, pianist and educator” although “his status remained largely inside knowledge in the jazz world for most of his career.”His most-lauded work was recorded for Blue Note Records, spanning nearly a decade and a dozen albums that featured his cerebral interpretation of post-bop, often described as avant garde but uniquely Hill’s own style that shared little in common with free jazz of the 1960s.

Andrew Hill was born in Chicago, Illinois (not in Port-au-Prince, Haiti, nor was he born in 1937, as was reported by many earlier jazz reference books), to William and Hattie Hille. He had a brother, Robert, who was a singer and classical violin player. Hill took up the piano at the age of thirteen, and was encouraged by Earl Hines. As a child, he attended the University of Chicago Experimental School. He was referred by jazz composer Bill Russoto Paul Hindemith, with whom he studied informally until 1952.

Nicolas Kasanda wa Mikalay (7 July 1939 – 22 September 1985), popularly known as Docteur Nico, was a guitarist, composer and one of the pioneers of soukous music. He was born in Mikalayi in the Belgian Congo. He graduated in 1957 as a technical teacher, but inspired by his musical family, he took up the guitar and in time became a virtuoso soloist.

Unlike most entries in Charles Messier’s famous catalog of deep sky objects, M24 is not a bright galaxy, star cluster, or nebula. It’s a gap in nearby, obscuring interstellar dust clouds that allows a view of the distant stars in the Sagittarius spiral arm of our Milky Way galaxy. When you gaze at the star cloud with binoculars or small telescope you are looking through a window over 300 light-years wide at stars some 10,000 light-years or more from Earth. Sometimes called the Small Sagittarius Star Cloud, M24’s luminous stars fill the left side of this gorgeous starscape. Covering about 4 degrees or the width of 8 full moons in the constellation Sagittarius, the telescopic field of view contains many small, dense clouds of dust and nebulae toward the center of the Milky Way, including reddish emission from IC 1284 near the top of the frame.

Gilberto Passos Gil Moreira (born 26 June 1942), known professionally as Gilberto Gil (Brazilian Portuguese: [ʒiɫˈbɛxtu ʒiɫ] or [ʒiu̯ˈbɛɾtʊ ʒiu̯]), is a Brazilian singer, guitarist, and songwriter, known for both his musical innovation and political activism. From 2003 to 2008, he served as Brazil’s Minister of Culture in the administration of President Luiz Inácio Lula da Silva. Gil’s musical style incorporates an eclectic range of influences, including rock, Brazilian genres including samba, African music, and reggae.

Gil started to play music as a child and was a teenager when he joined his first band. He began his career as a bossa nova musician and grew to write songs that reflected a focus on political awareness and social activism. He was a key figure in the Música popular brasileira and tropicáliamovements of the 1960s, alongside artists such as longtime collaborator Caetano Veloso. The Brazilian military regime that took power in 1964 saw both Gil and Veloso as a threat, and the two were held for nine months in 1969 before they were told to leave the country. Gil moved to London, but returned to Bahia in 1972 and continued his musical career, as well as working as a politician and environmental advocate

Julian Priester (born June 29, 1935 in Chicago) is an American jazz trombone player and composer. He is sometimes credited as Julian Priester Pepo Mtoto.

He has played with many artists including Sun Ra, Max Roach, Duke Ellington, John Coltrane and Herbie Hancock.

Priester attended Chicago’s DuSable High School, where he studied under Walter Dyett. In his teens he played with blues and R&B artists such as Muddy Waters, and Bo Diddley, and had the opportunity to jam with jazz players like saxophonist Sonny Stitt.

World Music on Flamenco Fridays with Paco de Lucia

Performing Bulerias

https://www.youtube.com/watch?v=0UxHi3SIrPg

Sh2-106 is an emission nebula and a star formation region in the constellation Cygnus. It is a H II region estimated to be around 2,000 ly (600 pc) from Earth, in an isolated area of the Milky Way

In the center of the nebula is a young and massive star that emits jets of hot gas from its poles, forming the bipolar structure. Dust surrounding the star is also ionized by the star. The nebula spans about 2 light-years across.

The central star, a source of infrared radiation usually referred to as S106 IR or S106 IRS 4, is believed to have been formed only 100,000 years ago. It is a massive star, approximately 15 solar masses. Two jets of matter streaming from its poles heat surrounding matter to a temperature of around 10,000 °C.Dust that is not ionized by the star’s jets reflect light from the star. With an estimated surface temperature of 37,000°K, it is classified as a type O8 star. It loses around 10⁻⁶ per year in solar winds, ejecting material at around 100 km/s

Anthony John Medeski (born June 28, 1965) is an American jazz keyboards player and composer. Medeski is a veteran of New York’s 1990s avant-garde jazz scene and is known popularly as a member of Medeski Martin & Wood. He plays the acoustic piano and an eclectic array of keyboards, including the Hammond B3 organ, melodica, mellotron, clavinet, ARP String Ensemble, Wurlitzer electric piano, Moog Voyager Synthesizer, Wurlitzer 7300 Combo Organ, Vox Continental Baroque organ, and Yamaha CS-1 Synthesizer (a “kids’ toy”), among others. When playing acoustic piano, Medeski usually plays the Steinway piano and is listed as a Steinway Artist.

Medeski was born in Louisville, Kentucky, and grew up in Florida. After studying piano as a child (starting when he was five years old), he began as a teenager to perform with musicians such as Mark Murphy and Jaco Pastorius. He attended Pine Crest School. In 1983, after graduating from high school, he began studying piano at the New England Conservatory in Boston, where he performed as a sideman with Dewey Redman, Billy Higgins, Bob Mintzer, Alan Dawson. Medeski attributes his early interest in playing improvised music and jazz to listening to Oscar Peterson.

David “Honeyboy” Edwards (June 28, 1915 – August 29, 2011) was a Delta blues guitarist and singer from Mississippi.

Edwards was born in Shaw, Mississippi. At the age of 14, he left home to travel with the bluesman Big Joe Williams, beginning life as an itinerant musician, which he maintained through the 1930s and 1940s. He performed with the famed blues musician Robert Johnson, with whom he developed a close friendship. Edwards was present on the night Johnson drank the poisoned whiskey that killed him, and his story has become the definitive version of Johnson’s demise. Edwards also knew and played with other leading bluesmen in the Mississippi Delta, including Charley Patton, Tommy Johnson, and Johnny Shines.

The band was formed in 2014, it is composed of experienced musicians from Łódź, who deal with various genres on a daily basis: from improvised music, through alternative rock scene to traditional Polish music. The common denominator for the band members was music from the Opoczno region. Trying to preserve the most raw and original sound, and at the same time to reach their own musical roots, the group wants to combine contemporary improvisation with the spontaneity of village music.

These excerpts are small sections from a new VLT Survey Telescope (VST) image of the Lagoon Nebula. This giant cloud of gas and dust is creating intensely bright young stars, and is home to young stellar clusters. These data form part of a huge treasure trove of publicly available images from the ESO survey telescopes.

The Lagoon Nebula (catalogued as Messier 8 or M8, NGC 6523, Sharpless 25, RCW 146, and Gum 72) is a giant interstellar cloud in the constellation Sagittarius. It is classified as an emission nebula and as an H II region.

The Lagoon Nebula was discovered by Giovanni Hodierna before 1654 and is one of only two star-forming nebulae faintly visible to the eye from mid-northern latitudes. Seen with binoculars, it appears as a distinct oval cloudlike patch with a definite core. Within the nebula is the open cluster NGC 6530.

The Lagoon Nebula is estimated to be between 4,000-6,000 light-years from the Earth. In the sky of Earth, it spans 90′ by 40′, which translates to an actual dimension of 110 by 50 light years. Like many nebulas, it appears pink in time-exposure color photos but is gray to the eye peering through binoculars or a telescope, human vision having poor color sensitivity at low light levels. The nebula contains a number of Bok globules(dark, collapsing clouds of protostellar material), the most prominent of which have been catalogued by E. E. Barnard as B88, B89 and B296. It also includes a funnel-like or tornado-like structure caused by a hot O-type star that emanates ultraviolet light, heating and ionizing gases on the surface of the nebula. The Lagoon Nebula also contains at its centre a structure known as the Hourglass Nebula (so named by John Herschel), which should not be confused with the better known Hourglass Nebula in the constellation of Musca. In 2006 the first four Herbig–Haro objects were detected within the Hourglass, also including HH 870. This provides the first direct evidence of active star formation by accretion within it.

Johnny “Big Moose” Walker (June 27, 1927 – November 27, 1999) was an American Chicago blues and electric blues pianist and organist. He worked with many blues musicians, including Ike Turner, Sonny Boy Williamson II, Lowell Fulson, Choker Campbell, Elmore James, Earl Hooker, Muddy Waters, Otis Spann, Sunnyland Slim, Jimmy Dawkins and Son Seals.^[2]

Walker was primarily a piano player but was also proficient on the electronic organ and the bass guitar (he played the bass guitar when backing Muddy Waters). He recorded solo albums and accompanied other musicians in concert and on recordings.

John Mayon Walker was born in the unincorporated community of Stoneville, Mississippi, partly of Native American ancestry. He acquired his best-known stage name in his childhood in Greenville, Mississippi, derived from his long, flowing hair. He learned to play several instruments, including the church organ, guitar, vibraphone and tuba.

St. Elmo Sylvester Hope (June 27, 1923 – May 19, 1967) was an American jazz pianist, composer, and arranger, chiefly in the bebop and hard bopgenres. He grew up playing and listening to jazz and classical music with Bud Powell, and both were close friends of another influential pianist, Thelonious Monk.

Hope survived being shot by police as a youth to become a New York-based musician who recorded with several emerging stars in the early to mid-1950s, including trumpeter Clifford Brown, and saxophonists John Coltrane, Lou Donaldson, Jackie McLean, and Sonny Rollins. A long-term heroin user, Hope had his license to perform in New York’s clubs withdrawn after a drug conviction, so he moved to Los Angeles in 1957. He was not happy during his four years on the West Coast, but had some successful collaborations there, including with saxophonist Harold Land.

More recordings as leader ensued following Hope’s return to New York, but they did little to gain him more public or critical attention. Further drug and health problems reduced the frequency of his public performances, which ended a year before his death, at the age of 43. He remains little known, despite, or because of, the individuality of his playing and composing, which were complex and stressed subtlety and variation rather than the virtuosity predominant in bebop.

Elmo Hope was born on June 27, 1923, in New York City. His parents, Simon and Gertrude Hope, were immigrants from the Caribbean, and had several children. Elmo began playing the piano aged seven. He had classical music lessons as a child, and won solo piano recital contests from 1938. Fellow pianist Bud Powell was a childhood friend; together, they played and listened to jazz and classical music. Hope attended Benjamin Franklin High School, which was known for its music program. He developed an excellent understanding of harmony, and composed jazz and classical pieces at school.