mick laBriola

The Whirlpool Galaxy Galaxy (M51), is an interacting grand-design spiral galaxy in the constellation Canes Venatici. It is estimated to be 23-million light-years away. The Whirlpool Galaxy is located at the coordinates  RA 13h 29m 53s | Dec +47° 11′ 43″. It can be spotted in a pair of binoculars by moving from the bright star Alkaid in Ursa Major, towards Cor Caroli in Canes Venatici.  Messier 51 is a northern hemisphere deep-sky object that is bright enough to observe in amateur telescopes. It is a popular choice for amateur astrophotographers during galaxy season.

Bernard Lee “Pretty” Purdie (born June 11, 1941) is an American drummer, and an influential R&B, soul and funk musician. He is known for his precise musical time keeping and his signature use of triplets against a half-time backbeat: the “Purdie Shuffle.” He was inducted into the Modern Drummer Hall of Fame in 2013.

Purdie recorded Soul Drums (1968) as a band leader and although he went on to record Alexander’s Ragtime Band, the album remained unreleased until Soul Drums was reissued on CD in 2009 with the Alexander’s Ragtime Band sessions. Other solo albums include Purdie Good! (1971), Soul Is… Pretty Purdie (1972) and the soundtrack for the blaxploitation film Lialeh (1973).

In the mid-1990s he was a member of The 3B’s, with Bross Townsend and Bob Cunningham.

Purdie was born on June 11, 1941 in Elkton, Maryland, US, the eleventh of fifteen children. At an early age he began hitting cans with sticks and learned the elements of drumming techniques from overhearing lessons being given by Leonard Heywood. He later took lessons from Heywood and played in Heywood’s big band. Purdie’s other influences at that time were Papa Jo Jones, Buddy Rich, Gene Krupa, Joe Marshall, Art Blakey, as well as Cozy Cole, Sticks Evans, Panama Francis, Louis Bellson, and Herbie Lovelle.

In 1961, he moved from his home town of Elkton, Maryland, to New York City. There he played sessions with Mickey and Sylvia and regularly visited the Turf Club on 50th and Broadway, where musicians, agents, and promoters met and touted for business. It was during this period that he played for the saxophonist Buddy Lucas, who nicknamed him ‘Mississippi Bigfoot’. Eventually Barney Richmond contracted him to play session work.

Purdie was contracted by arranger Sammy Lowe to play a session with James Brown in 1965 and recording session records also show that Purdie played on “Ain’t That A Groove” at the same session. Purdie is credited on the James Brown’s albums Say It Loud – I’m Black and I’m Proud (1969) and Get on the Good Foot (1972).

Richard Georg Strauss ; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.

Strauss’s compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was Don Juan, and this was followed by other lauded works of this kind, including Death and Transfiguration, Till Eulenspiegel’s Merry Pranks, Also sprach Zarathustra, Don Quixote, Ein Heldenleben, Symphonia Domestica, and An Alpine Symphony. His first opera to achieve international fame was Salome which used a libretto by Hedwig Lachmann that was a German translation of the French play Salomé by Oscar Wilde. This was followed by several critically acclaimed operas with librettist Hugo von Hofmannsthal: Elektra, Der Rosenkavalier, Ariadne auf Naxos, Die Frau ohne Schatten, Die ägyptische Helena, and Arabella. His last operas, Daphne, Friedenstag, Die Liebe der Danae and Capriccio used libretti written by Joseph Gregor, the Viennese theatre historian. Other well-known works by Strauss include two symphonies, lieder (especially the Four Last Songs), the Violin Concerto in D minor, the Horn Concerto No. 1, Horn Concerto No. 2, his Oboe Concerto and other instrumental works such as Metamorphosen.

A prominent conductor in Western Europe and the Americas, Strauss enjoyed quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire. He was chiefly admired for his interpretations of the works of Liszt, Mozart, and Wagner in addition to his own works. A conducting disciple of Hans von Bülow, Strauss began his conducting career as Bülow’s assistant with the Meiningen Court Orchestra in 1883. After Bülow resigned in 1885, Strauss served as that orchestra’s primary conductor for five months before being appointed to the conducting staff of the Bavarian State Opera where he worked as third conductor from 1886 to 1889. He then served as principal conductor of the Deutsches Nationaltheater und Staatskapelle Weimar from 1889 to 1894. In 1894 he made his conducting debut at the Bayreuth Festival, conducting Wagner’s Tannhäuser with his wife, soprano Pauline de Ahna, singing Elisabeth. He then returned to the Bavarian State Opera, this time as principal conductor, from 1894 to 1898, after which he was principal conductor of the Berlin State Opera from 1898 to 1913. From 1919 to 1924 he was principal conductor of the Vienna State Opera, and in 1920 he co-founded the Salzburg Festival. In addition to these posts, Strauss was a frequent guest conductor in opera houses and with orchestras internationally.

In 1933 Strauss was appointed to two important positions in the musical life of Nazi Germany: head of the Reichsmusikkammer and principal conductor of the Bayreuth Festival. The latter role he accepted after conductor Arturo Toscanini had resigned from the position in protest against the Nazi Party. These positions have led some to criticize Strauss for his seeming collaboration with the Nazis. However, Strauss’s daughter-in-law, Alice Grab Strauss [née von Hermannswörth], was Jewish and much of his apparent acquiescence to the Nazi Party was done in order to save her life and the lives of her children (his Jewish grandchildren). He was also apolitical, and took the Reichsmusikkammer post in order to advance copyright protections for composers, attempting as well to preserve performances of works by banned composers such as Mahler and Felix Mendelssohn. Further, Strauss insisted on using a Jewish librettist, Stefan Zweig, for his opera Die schweigsame Frau which ultimately led to his firing from the Reichsmusikkammer and Bayreuth. His opera Friedenstag, which premiered just before the outbreak of World War II, was a thinly veiled criticism of the Nazi Party that attempted to persuade Germans to abandon violence for peace. Thanks to his influence, his daughter-in-law was placed under protected house arrest during the war, but despite extensive efforts he was unable to save dozens of his in-laws from being killed in Nazi concentration camps. In 1948, a year before his death, he was cleared of any wrongdoing by a denazification tribunal in Munich.

This colorful telescopic field of view features a trio of interacting galaxies almost 90 million light-years away, toward the constellation Virgo. On the right two spiky, foreground Milky Way stars echo the extragalactic hues, a reminder that stars in our own galaxy are like those in distant island universes. With sweeping spiral arms and obscuring dust lanes, the dominant member of the trio, NGC 5566, is enormous, about 150,000 light-years across. Just above it lies smaller, bluish NGC 5569. Near center a third galaxy, NGC 5560, is apparently stretched and distorted by its interaction with massive NGC 5566. The trio is also included in Halton Arp’s 1966 Atlas of Peculiar Galaxies as Arp 286. Of course, such cosmic interactions are now appreciated as part of the evolution of galaxies.

Charnett Moffett (June 10, 1967 – April 11, 2022) was an American jazz bassist.

Moffett began playing bass in the family band, touring the Far East in 1975 at the age of eight. In the mid-1980s, he played with Wynton Marsalis and Branford Marsalis. In 1987 he recorded his debut album Netman for Blue Note Records. He worked with Art Blakey, Ornette Coleman, Pharoah Sanders, Dizzy Gillespie, Ellis Marsalis, Sonny Sharrock, Stanley Jordan, Wallace Roney, Arturo Sandoval, Courtney Pine, David Sanborn, David Sánchez, Dianne Reeves, Frank Lowe, Harry Connick, Jr., Herbie Hancock, Joe Henderson, Kenny Garrett, Kenny Kirkland, Kevin Eubanks, Lew Soloff, Manhattan Jazz Quintet, Melody Gardot, Mulgrew Miller and Tony Williams.

Charnett Moffett attended Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York City and later studied at Mannes College of Music and the Juilliard School of Music. In 1983, he played on saxophonist Branford Marsalis‘ debut as a leader, Scenes in the City, and the following year he joined trumpeter Wynton Marsalis’ quintet, appearing on 1985’s Grammy-winning Black Codes (From the Underground). During the 1980s, Moffett also worked with Stanley Jordan, appearing on the guitarist’s best-selling 1985 Blue Note debut, Magic Touch, as well as two Blue Note albums with drummer Tony Williams’ quintet: 1987’s Civilization and 1988’s Angel Street. In 1987, Moffett signed with Blue Note and debuted as a leader that year with his first of three albums for the label, NetMan (1987) which featured Michael Brecker, Kenny Kirkland and Al Foster. His second Blue Note release, Beauty Within (1989) was a family affair featuring his father Charles Moffett on drums, older brothers Mondre Moffett on trumpet, Charles Moffett, Jr on tenor sax, Codaryl Moffett on drums, and his sister Charisse on vocals. Also featured were Kenny Garrett on alto saxophone, and Stanley Jordan on guitar. HIs third Blue Note release, Nettwork (1991), produced by Kenny Kirkland, especially focused on Moffett’s piccolo bass and electric bass work.

Raul Matthew Rekow (June 10, 1954 – November 1, 2015) was an American rock musician. From 1976 until 2013 he played congas, bongos and other percussion instruments with Santana.

Raul Matthew Rekow was born on June 10, 1954, in San Francisco, California. The family name Rekow stems from his German grandfather, who came from Coburg, Germany. As a youngster, Raul started playing trumpet and french horn, but eventually preferred playing drums. In 1967, he saw a performance of the Santana Blues Band at Cow Palace in San Francisco. This show and the sound of Santana inspired him to switch to the congas. From then on, it was his dream to play with Santana.

At the age of 15, he covered Santana songs with a band named Soul Sacrifice. In 1970, he joined Malo, the band of Carlos Santana’s younger brother Jorge. From 1972 until 1976, Rekow played with Sapo, another Latin band in the thriving Bay Area music scene.

In 1976, Raul Rekow was called to participate in the recording sessions for the album Festivál by Santana, to replace Armando Peraza who had taken ill. With the exception of an interruption of two years (1988/89), he then stayed a permanent member of Santana until the summer of 2013. Armando Peraza, who had already been a highly recognized percussionist in Latin Jazz before joining Santana, became mentor and teacher for Rekow in the Santana band until the late 1990s.

During his tenure with Santana, he found occasions to collaborate with other musicians such as John Lee Hooker, Aretha Franklin, Patti LaBelle, Whitney Houston, Tremaine Hawkins and Herbie Hancock. In 1985, he participated in a project named “R.O.A.R.”, together with Armando Peraza and other band members of Santana. In 1999, Rekow was part of the highly successful Santana album Supernatural, which was recognized with eleven Grammy Awards.

Raul Rekow was recognized as a highly acclaimed conga player worldwide and developed a signature series of congas and bongos, for the instrument manufacturer Latin Percussion.

https://www.youtube.com/watch?v=IKUVgbi1e2U

Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known professionally as Howlin’ Wolf, was a Chicago blues singer, guitarist, and harmonica player. Originally from Mississippi, he moved to Chicago in adulthood and became successful, forming a professional rivalry with fellow bluesman Muddy Waters. With a booming voice and imposing physical presence, he is one of the best-known Chicago blues artists.

The musician and critic Cub Koda noted, “no one could match Howlin’ Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.” Producer Sam Phillips recalled, “When I heard Howlin’ Wolf, I said, ‘This is for me. This is where the soul of man never dies.'” Several of his songs, including “Smokestack Lightnin’“, “Killing Floor” and “Spoonful“, have become blues and blues rock standards. In 2011, Rolling Stone magazine ranked him number 54 on its list of the “100 Greatest Artists of All Time“.

Chester Arthur Burnett was born on June 10, 1910, in White Station, Mississippi to Gertrude Jones and Leon “Dock” Burnett. He would later say that his father was “Ethiopian”, while Jones had Choctaw ancestry on her father’s side. He was named for Chester A. Arthur, the 21st President of the United States. His physique garnered him the nicknames “Big Foot Chester” and “Bull Cow” as a young man: he was 6 feet 3 inches (191 cm) tall and often weighed close to 300 pounds (21st 6lb, 136 kg).

The name “Howlin’ Wolf” originated from Burnett’s maternal grandfather, who would admonish him for killing his grandmother’s chicks from reckless squeezing by warning him that wolves in the area would come and get him; the family would continue this by calling Burnett “the Wolf”. The blues historian Paul Oliver wrote that Burnett once claimed to have been given his nickname by his idol Jimmie Rodgers.

This image was obtained with the wide-field view of the Mosaic camera on the Mayall 4-meter telescope at Kitt Peak National Observatory. WR 134 is the brightest star below the center of the image. It is a Wolf-Rayet star, which is a very hot, massive star that is blowing off its outer layers. The layers are blown off at very high speeds. Part of these layers can be seen as the blue arc in the upper-left part of the image. The arc was created when the outer layer collided with the ambient nebula surrounding the star. The image was generated with observations in Hydrogen alpha (red) and Sulphur [SII] (blue) filters. In this image, North is left, East is down.

Lester William Polsfuss (June 9, 1915 – August 12, 2009), known as Les Paul, was an American jazz, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid-body electric guitar, and his prototype, called the Log, served as inspiration for the Gibson Les Paul. Paul taught himself how to play guitar, and while he is mainly known for jazz and popular music, he had an early career in country music. In the 1950s, he and his wife, singer and guitarist Mary Ford, recorded numerous records, selling millions of copies.

Paul is credited with many recording innovations. His early experiments with overdubbing (also known as sound on sound), delay effects such as tape delay, phasing, and multitrack recording were among the first to attract widespread attention His licks, trills, chording sequences, fretting techniques, and timing set him apart from his contemporaries and inspired many guitarists of the present day.

Among his many honors, Paul is one of a handful of artists with a permanent exhibit in the Rock and Roll Hall of Fame. He is prominently named by the music museum on its website as an “architect” and a “key inductee” with Sam Phillips and Alan Freed. Paul is the only inductee in both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame.

Paul was born Lester William Polsfuss in Waukesha, Wisconsin, to George and Evelyn (Stutz) Polsfuss, both of German ancestry. His only sibling, Ralph, was seven years older. Paul’s mother was related to the founders of Milwaukee’s Valentin Blatz Brewing Company and the makers of the Stutz automobile. His parents divorced when he was a child. His mother simplified their Prussian family name first to Polfuss, then to Polfus, although Les Paul never legally changed his name. Before taking the stage name Les Paul, he performed as Red Hot Red and Rhubarb Red.