mick laBriola

Carlton “Carly” Barrett (17 December 1950 – 17 April 1987) was a Jamaican musician best known for being the long-time drummer for Bob Marley & The Wailers. Recognized for his innovative style, which featured a highly syncopated, broken triplet pattern on the hi-hat, and for his dazzling drum introductions, Barrett’s prolific recordings with Marley have been internationally celebrated. He is credited with popularising the One Drop rhythm.

Carlton Barrett was born in Kingston, Jamaica in 1950, the son of Wilfred and Violet Barrett. As a teenager, he built his first set of drums out of empty paint cans he found on the street. Along with his contemporaries, drummers Sly Dunbar, Leroy “Horsemouth” Wallace, Style Scott and Carlton “Santa” Davis, Barrett was heavily influenced by Lloyd Knibb of The Skatalites.

In the 1960s, Barrett began performing with his brother Aston “Family Man” Barrett, under the names The Soul Mates, The Rhythm Force and eventually The Hippy Boys, a line-up that featured Max Romeo on vocals, Leroy Brown, Delano Stewart, Glen Adams and Alva Lewis. In 1969, the brothers joined The Wailers (later Known as Bob Marley and The Wailers). During his years with Marley, Barrett continued to record for many of Jamaica’s most well known artists and is featured on solo albums by Bunny Wailer (Blackheart Man) and Peter Tosh(Legalize It and Equal Rights) as well as many others. On 17 April 1987, a gunman shot and killed Barrett outside his home at 12 Bridgemount Park Avenue in Kingston, Jamaica. He was 36.

Paul Vaughn Butterfield (December 17, 1942 – May 4, 1987) was an American blues harmonica player, singer and bandleader. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.

In 1963, he formed the Paul Butterfield Blues Band, which recorded several successful albums and was popular on the late-1960s concert and festival circuit, with performances at the Fillmore West in San Francisco, the Fillmore East in New York City, the Monterey Pop Festival, and Woodstock. The band was known for combining electric Chicago blues with a rock urgency and for their pioneering jazz fusionperformances and recordings. The band was also among the first racially integrated blues groups. After the breakup of the group in 1971, Butterfield continued to tour and record with the band Paul Butterfield’s Better Days, with his mentor Muddy Waters, and with members of the roots-rock group the Band. While still recording and performing, Butterfield died in 1987 at age 44 of an accidental drug overdose.

Music critics have acknowledged his development of an original approach that places him among the best-known blues harp players. In 2006, he was inducted into the Blues Hall of Fame. Butterfield and the early members of the Paul Butterfield Blues Band were inducted into the Rock and Roll Hall of Fame in 2015. Both panels noted his harmonica skills and his contributions to bringing blues music to a younger and broader audience. On May 4, 1987, at age 44, Paul Butterfield died at his apartment in the North Hollywood district of Los Angeles. An autopsy by the county coroner concluded that he was the victim of an accidental drug overdose, with “significant levels of morphine (heroin), … codeine, the tranquilizer Librium and a trace of alcohol.

James Carroll Booker III (December 17, 1939 – November 8, 1983) was an American New Orleans rhythm and blues keyboardist. Flamboyant in personality and style, and possessing extraordinary technical skill on the piano, he was dubbed “the Black Liberace“.

His 1960 recording “Gonzo” reached No. 43 on the Billboard magazine record chart and No. 3 in R&B, and he toured internationally in the 1970s. After being mainly a rhythm and blues artist, Booker later fused this genre with jazz and with popular music such as that of the Beatles, playing these in his signature backbeat. His influence is profound in the New Orleans music scene, where his renditions and originals are most often performed. Booker died aged 43 on November 8, 1983, while seated in a wheelchair in the emergency room at New Orleans’ Charity Hospital, waiting to receive medical attention. The cause of death, as cited in the Orleans Parish Coroner’s Death Certificate, was renal failure related to chronic abuse of heroin and alcohol.

Robben Lee Ford (born December 16, 1951) is an American blues, jazz, and rock guitarist. He was a member of the L.A. Express and Yellowjackets and has collaborated with Miles Davis, Joni Mitchell, George Harrison, Larry Carlton, Rick Springfield, Little Feat, and Kiss. He was named one of the “100 Greatest Guitarists of the 20th Century” by Musician magazine.

Robben Ford was born in Woodlake, California, and raised in Ukiah, California. He began playing the saxophone at age 10 and the guitar at age 14. Robben and two of his brothers (Patrick and Mark) created the Charles Ford Blues Band in honor of and named after their father. A fourth brother died in the Vietnam conflict.

John Laird Abercrombie (December 16, 1944 – August 22, 2017) was an American jazz guitarist. His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios. John Abercrombie was born on December 16, 1944, in Port Chester, New York. Growing up in the 1950s in Greenwich, Connecticut he was attracted to the rock and roll of Chuck Berry, Elvis Presley, Fats Domino, and Bill Haley and the Comets. He also liked the sound of jazz guitarist Mickey Baker of the vocal duo Mickey and Silvia. He had two friends who were musicians with a large jazz collection. They played him albums by Dave Brubeck and Miles Davis. The first jazz guitar album he heard was by Barney Kessel.

John Robert “Johnny Hammond” Smith (December 16, 1933 – June 4, 1997) was an American soul jazz and hard bop organist. Born in Louisville, Kentucky, he was a renowned player of the Hammond B-3organ so earning “Hammond” as a nickname, which also avoided his being confused with jazz guitarist Johnny Smith though this could lead to him being confused with Jimmy Smith (musician), another Hammond great.

Smith played with Paul Williams and Chris Columbo before forming his own group. His bands featured singers Etta Jones, Byrdie Green, saxophonists Houston Person, Earl Edwards, guitarists Eddie McFadden, Floyd Smith, James Clark, vibist Freddie McCoy. His career took off as he was serving as accompanist to singer Nancy Wilson. One of his last accomplishments also included Nancy Wilson. He wrote the song “Quiet Fire” for her Nancy Now! release in 1988.

Curtis DuBois Fuller (December 15, 1932 – May 8, 2021) was an American jazz trombonist. He was a member of Art Blakey‘s Jazz Messengers and contributed to many classic jazz recordings.

Fuller was born in Detroit on December 15, 1932. His father had emigrated from Jamaica and worked in a Ford automobile factory, but he died from tuberculosis before his son was born. His mother, who had moved north from Atlanta, died when he was 9. He spent several years in an orphanage run by Jesuits. He developed a passion for jazz after one of the nuns there brought him to see Illinois Jacquet and his band perform, with J. J. Johnson on trombone.

Barry Doyle Harris (December 15, 1929 – December 8, 2021) was an American jazz pianist, bandleader, composer, arranger, and educator. He was an exponent of the bebop style. Harris was born on December 15, 1929, in Detroit, Michigan, to Melvin Harris and Bessie as the fourth of their five children. Harris took piano lessons from his mother at the age of four. His mother, a church pianist, asked him if he was interested in playing church music or jazz. Having picked the latter, he was influenced by Thelonious Monk and Bud Powell. In his teens, he learned bebop largely by ear, imitating solos by Powell. He described Powell’s style as being the “epitome” of jazz. He performed for dances in clubs and ballrooms. He was based in Detroit through the 1950s and worked with Miles Davis, Sonny Stitt, and Thad Jones, and substituted for Junior Mance in the Gene Ammons band. In 1956, he toured briefly with Max Roach, after Richie Powell, the band’s pianist and younger brother of Bud Powell, died in a car crash.

Buleria dance accompaniemnt includes several distinct moments of interaction between a guitarist and dancers:

• Entrada: when the dancer comes on stage
• Llamada: from the verb “llamar,” to call. The dancer calls to the other people on stage that something is about to happen, for example a new verse or section of footwork
• Desplante: a “display,” a short section of footwork
• Letras: dance that traditionally accompanies passages of singing. Chord progressions suggesting the letra may be included even when a singer is not present.
• Escobilla: long passages of footwork (though not too long – in buleria in particular this is frowned upon)
• Cierre: a closing dance pattern, often one moving across the stage