mick laBriola

Jessie Hill (December 9, 1932 – September 17, 1996) was an American R&B and Louisiana blues singer and songwriter, best remembered for the classic song “Ooh Poo Pah Doo“.

Hill was born in New Orleans, Louisiana, United States. By his teens he was playing drums in local bands, and in 1951 he formed his own group, the House Rockers. After periods performing as drummer with Professor Longhair and then Huey “Piano” Smith, Hill formed a new version of the House Rockers in 1958, which enabled him to focus on singing with the band. He is the grandfather of James and Troy Andrews.

The origins of “Ooh Poo Pah Doo” were apparently created from a tune played by a local pianist, who was known only as Big Four. Hill wrote the lyrics and melody, later expanding the work with an intro taken from Dave Bartholomew. It was further honed on stage, before Hill recorded a demo that he shopped to local record labels, finally recording a session at Cosimo Matassa‘s studio produced by Allen Toussaint.

Upon its 1960 release on Minit Records, “Ooh Poo Pah Doo” emerged as a favorite at Mardi Gras, selling 800,000 copies and reaching #3 on the Billboard R&B chart and No. 28 in the Billboard Hot 100 pop chart. There have been over 100 cover versions of “Ooh Poo Pah Doo” recorded and performed live over the years by other popular musicians, most notably The Shirelles and Ike and Tina Turner.

His follow-up “Whip It On Me” reached No. 91 on the Billboard Hot 100 in 1960. Further recordings in New Orleans were less successful, and he moved to California to work with fellow New Orleans musiciansincluding Harold Battiste and Mac Rebennack. In this period, he wrote songs recorded by Ike and Tina Turner, Sonny and Cher, and Willie Nelson.

A 1972 solo album was unsuccessful, and he began to suffer financial difficulties exacerbated by a drinking problem. These problems continued after his return to New Orleans in 1977, and several benefit gigs did little to revive his personal or professional fortunes.

The Hubble Space Telescope and the Cassini spacecraft monitored Saturn’s North Pole simultaneously during Cassini’s final orbits around the gas giant in September 2017. During this time, Saturn‘s tilt caused its North Pole to be clearly visible from Earth. The featured image is a composite of ultraviolet images of auroras and optical images of Saturn’s clouds and rings, all taken by Hubble. Like on Earth, Saturn’s northern auroras can make total or partial rings around the pole. Unlike on Earth, however, Saturn’s auroras are frequently spirals — and more likely to peak in brightness just before midnight and dawn. In contrast to Jupiter’s auroras, Saturn’s auroras appear better related to connecting Saturn’s internal magnetic field to the nearby, variable, solar wind. Saturn’s southern auroras were similarly imaged back in 2004 when the planet’s South Pole was clearly visible to Earth. 896 million miles distant.

Gregory LeNoir Allman (December 8, 1947 – May 27, 2017) was an American musician, singer and songwriter. He was known for performing in the Allman Brothers Band. Allman grew up with an interest in rhythm and blues music, and the Allman Brothers Band fused it with rock music, jazz, and country. He wrote several of the band’s most popular songs, including “Whipping Post“, “Melissa“, and “Midnight Rider“. Allman also had a successful solo career, releasing seven studio albums. He was born and spent much of his childhood in Nashville, Tennessee, before relocating to Daytona Beach, Florida and then Macon, Georgia.

He and his brother Duane Allman formed the Allman Brothers Band in 1969, which reached mainstream success with their 1971 live album At Fillmore East, but shortly thereafter, Duane was killed in a motorcycle crash. The band continued, and released Brothers and Sisters, which became their most successful album, in 1973. Allman began a solo career with Laid Back the same year. He gained some additional fame for his 1975 to 1978 marriage to pop star Cher. He had an unexpected late-career hit with his cover of the song “I’m No Angel” in 1987, and his seventh solo album, Low Country Blues (2011), saw the highest chart positions of his career. Throughout his life, Allman struggled with alcohol and substance use, which formed the basis of his memoir My Cross to Bear (2012). His final album, Southern Blood, was released posthumously on September 8, 2017.

Allman performed with a Hammond organ and guitar, and was recognized for his soulful voice. For his work in music, Allman was referred to as a Southern rock pioneer and received numerous awards, including one Grammy Award; he was inducted into the Rock and Roll Hall of Fame and the Georgia Music Hall of Fame. His distinctive voice placed him 70th in the Rolling Stone list of the “100 Greatest Singers of All Time”.

Frederick Nathaniel “Toots” Hibbert, OJ (8 December 1942 – 11 September 2020) was a Jamaican singer and songwriter who was the lead vocalist for the reggae and ska band Toots and the Maytals. A reggae pioneer, he performed for six decades and helped establish some of the fundamentals of reggae music. Hibbert’s 1968 song “Do the Reggay” is widely credited as the genesis of the genre name reggae. His band’s album True Love won a Grammy Award in 2005. Hibbert was born on 8 December 1942 in May Pen, Jamaica, the youngest of his siblings. Hibbert’s parents were both strict Seventh-day Adventist preachers so he grew up singing gospel music in a church choir. Both parents died young and, by the age of 11, Hibbert was an orphan who went to live with his brother John in the Trenchtown neighborhood of Kingston. While working at a local barbershop, he met his future bandmates Raleigh Gordon and Jerry Matthias.

Hibbert, a multi-instrumentalist, formed Toots and the Maytals in 1961. He could play every instrument used in his band and would later cite Otis Redding, Ray Charles, Wilson Pickett, and James Brown as key influences. According to Hibbert, Maytals is a reference to the Rastafari term for “do the right thing”. There are also statements attributing the source of the name to Hibbert’s hometown of May Pen. The band was originally a trio with Gordon and Mathias, and later added Jackie Jackson and Paul Douglas.

Much of Hibbert’s early recorded output, such as “Hallelujah” (1963), reflects his Christian upbringing. He was also known to write about Rastafarian religious themes, and in an early Maytals song, “Six And Seven Books of Moses” (1963), he addressed the folk magic of obeah and its use of the occult literature of Biblical grimoires, such as the Sixth and Seventh Books of Moses.

The Maytals became one of the more popular vocal groups in Jamaica in the mid-1960s, recording with producers Coxsone Dodd, Prince Buster, Byron Lee, Ronnie Nasralla, and Leslie Kong. This success included winning Jamaica’s National Popular Song Contest three times with songs Hibbert wrote: in 1966 with “Bam Bam”, which won a national song competition, 1969 with “Sweet and Dandy” and 1972 with “Pomps & Pride”.

Jean Sibelius (Finland Swedish; born Johan Julius Christian Sibelius; 8 December 1865 – 20 September 1957) was a Finnish composer of the late Romantic and early modernperiods. He is widely regarded as his country’s greatest composer, and his music is often credited with having helped Finland develop a stronger national identity when the country was struggling from several attempts at Russification in the late 19th century.

The core of his oeuvre is his set of seven symphonies, which, like his other major works, are regularly performed and recorded in Finland and countries around the world. His other best-known compositions are Finlandia, the Karelia Suite, Valse triste, the Violin Concerto, the choral symphony Kullervo, and The Swan of Tuonela (from the Lemminkäinen Suite). His other works include pieces inspired by nature, Nordic mythology, and the Finnish national epic, the Kalevala; over a hundred songs for voice and piano; incidental music for numerous plays; the one-act opera The Maiden in the Tower; chamber music, piano music, Masonic ritual music, and 21 publications of choral music.

Sibelius composed prolifically until the mid-1920s, but after completing his Seventh Symphony (1924), the incidental music for The Tempest (1926), and the tone poem Tapiola (1926), he stopped producing major works in his last 30 years—a retirement commonly referred to as the “silence of Järvenpää” (the location of his home). Although he is reputed to have stopped composing, he attempted to continue writing, including abortive efforts on an eighth symphony. In later life, he wrote Masonic music and re-edited some earlier works, while retaining an active but not always favourable interest in new developments in music. Although this ‘silence’ has often perplexed scholars, in reality, Sibelius was clear: he felt he had written enough.

The Finnish 100 mark note featured his image until 2002, when the euro was adopted. Since 2011, Finland has celebrated a flag flying day on 8 December, the composer’s birthday, also known as the Day of Finnish Music. In 2015, in celebration of the 150th anniversary of Sibelius’s birth, a number of special concerts and events were held, especially in Helsinki, the Finnish capital.

“The Eyes are the Gateway to the Soul”!               My beautiful grand babies Sadie & Hendrix  

“After silence, that which comes nearest to expressing the inexpressible is music.” ~Aldous Huxley, Music at Night and Other Essays