Blog
Earl Charles Barrington May (September 17, 1927 – January 4, 2008) was an American jazz bassist. He was “one of the most prodigious and prolific bassists of the postwar era”.
May was born in New York City on September 17, 1927. As a child, he played the drums, and changed to the acoustic bass at the age of 14.[1] He “played left-handed on an instrument strung for a right-handed player”.
Until 1951, May had a job in insurance while playing in clubs at night. During this period, he played with Miles Davis, Lester Young, Gene Ammons, Sonny Stitt, and Mercer Ellington. He was also taught by Charles Mingus in the early 1950s. Through most of the 1950s he played in a trio with Billy Taylor, and also worked in the late 1950s with John Coltrane and Chet Baker.
more...Lalgudi Gopala Jayaraman (17 September 1930 – 22 April 2013) was an Indian Carnatic violinist, vocalist and composer. He is commonly grouped with M.S. Gopalakrishnan and T.N.Krishnan as part of the violin-trinity of Carnatic Music. He was awarded Padma Bhushan by the Government of India in 2001.
His disciples included his two children Lalgudi G. J. R. Krishnan, Lalgudi Vijayalakshmi, his sister Lalgudi Srimathi Brahmanandam, former composer-conductor of All India Radio’s Vadya Vrinda National Orchestra P. Purnachander Rao, renowned musician S P Ramh (grandson of Shri. G.N. Dandapani Iyer), renowned Harikatha exponent Vishaka Hari, leading carnatic vocalist Saketharaman, Vittal Ramamurthy, Dr. N. Shashidhar, Film Music Composer Girishh G, Padma Shankar, Kanchan Chandran, Raghuram Hosahalli, renowned violinist from London – Shri A.G.A.Gnanasundaram, Srinivasamurthy, Pakkala Ramdas, Sankari Krishnan, Yamini Ramesh, Mumbai Shilpa, Shreya Devnath, Krithika Natarajan, Salem Sisters, the leading Vainika Srikanth Chary and the Academy Award-nominated Bombay Jayashri Ramnath.
more...Eugene McDuff (September 17, 1926 – January 23, 2001), known professionally as “Brother” Jack McDuffor “Captain” Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break.
Born Eugene McDuffy in Champaign, Illinois, McDuff began playing bass, appearing in Joe Farrell’s group.Encouraged by Willis Jackson in whose band he also played bass in the late 1950s, McDuff moved to the organ and began to attract the attention of Prestige while still with Jackson’s group. McDuff soon became a bandleader, leading groups featuring a young George Benson on guitar, Red Holloway on tenor saxophone and Joe Dukes on drums.
McDuff recorded many classic albums on Prestige, including his debut solo Brother Jack in 1960; The Honeydripper (1961), with tenor saxophonist Jimmy Forrest and guitarist Grant Green; Brother Jack Meets The Boss (1962), featuring Gene Ammons; Screamin’ (1962), with alto saxophonist Leo Wright and guitarist Kenny Burrell; and Brother Jack McDuff Live! (1963), featuring Holloway and Benson, which includes his biggest hit, “Rock Candy”. Despite health problems, McDuff continued working and recording throughout the 1980s and 1990s, and he toured Japan with Atsuko Hashimoto in 2000. “Capt’n” Jack McDuff, as he later became known, died of heart failure at the age of 74 in Minneapolis, Minnesota. His first wife, the former Dink Dixon, died in the early 1980s. McDuff leaves his second wife Kathy and her two children.
more...
Hiram “Hank” Williams (September 17, 1923 – January 1, 1953 Butler County, AL) was an American singer-songwriter. He is regarded as one of the most significant and influential American singers and songwriters of the 20th century. Williams recorded 55 singles that reached the top 10 of the Billboard Country & Western Best Sellers chart, five of which were released posthumously, including 12 that reached No. 1, three after his death.
Born and raised in Alabama, Williams learned guitar from African-American blues musician Rufus Payne. Both Payne and Roy Acuff significantly influenced his musical style. After winning an amateur talent contest, Williams began his professional career in Montgomery in the late 1930s playing on local radio stations and at area venues such as school houses, movie theaters, and bars. He formed the Drifting Cowboys backup band, which was managed by his mother, and dropped out of school to devote his time to his career. When several of his band members were drafted during World War II, he had trouble with their replacements, and he was fired and rehired several times by radio station WSFA because of his unreliability caused by his alcoholism.
In 1944 Williams married Audrey Sheppard, who competed with his mother to control his career. After recording “Never Again” and “Honky Tonkin’” with Sterling Records, he signed a contract with MGM Records. He released the hit single “Move It On Over” in 1947 and joined the Louisiana Hayride radio program. The next year he released a cover of “Lovesick Blues,” which quickly reached number one on Billboard‘s Top Country & Western singles chart and propelled him to stardom on the Grand Ole Opry. Although unable to read or notate music to any significant degree, he wrote such iconic hits as “Your Cheatin’ Heart“, “Hey, Good Lookin’“, and “I’m So Lonesome I Could Cry“. In 1952, Sheppard divorced him and he married Billie Jean Horton. He was dismissed by the Grand Ole Opry because of his unreliability and alcoholism.
Years of back pain, alcoholism, and prescription drug abuse severely compromised Williams’ health, and at the age of 29, Williams suffered from heart failure and died suddenly in the back seat of a car near Oak Hill, West Virginia en route to a concert in Canton, Ohio on New Year’s Day 1953. Despite his relatively brief career, he is one of the most celebrated and influential musicians of the 20th century, especially in country music. Many artists have covered his songs and he has influenced Chuck Berry, Elvis Presley, Johnny Cash, Bob Dylan, and the Rolling Stones, among others. He was inducted into the Country Music Hall of Fame in 1961, the Songwriters Hall of Fame in 1970, the Rock and Roll Hall of Fame in 1987, the Native American Music Awards Hall of Fame in 1999, and gained a star on the Hollywood Walk of Fame. In 2010 he was awarded a posthumous Pulitzer Prize Special Citation for his “craftsmanship as a songwriter who expressed universal feelings with poignant simplicity and played a pivotal role in transforming country music into a major musical and cultural force in American life.” Around midnight on January 1, 1953, the two crossed the Tennessee state line and arrived in Bristol, Virginia. Carr stopped at a small all-night restaurant and asked for a relief driver from a local taxi company, as he felt exhausted after driving for 20 hours. Driver Don Surface left the restaurant with Carr and Williams. They drove on until they stopped for fuel and coffee at a gas station in Oak Hill, West Virginia, where they realized that Williams had been dead for so long that rigor mortis had already set in.
more...
The Trifid Nebula (catalogued as Messier 20 or M20 and as NGC 6514) is an H II region in the north-west of Sagittarius in a star-forming region in the Milky Way’s Scutum-Centaurus Arm. It was discovered by Charles Messier on June 5, 1764. Its name means ‘three-lobe’. The object is an unusual combination of an open cluster of stars, an emission nebula (the relatively dense, reddish-pink portion), a reflection nebula (the mainly NNE blue portion), and a dark nebula (the apparent ‘gaps’ in the former that cause the trifurcated appearance, also designated Barnard 85). Viewed through a small telescope, the Trifid Nebula is a bright and peculiar object, and is thus a perennial favorite of amateur astronomers.
Leopoldo F. Fleming (born September 16, 1939 in Puerta de Tierra, Puerto Rico) is an American jazz musician (percussion, composition, arrangement).
Live and act
Fleming, who came from a family of musicians, grew up first in Puerto Rico, from 1947 on Saint Thomas and from 1951 in New York City. He played congas as a child; his father taught him Latin rhythms. At the age of 15 he accompanied dancers as a percussionist. Shortly afterwards he played in a Latin big band led by Red Dixon and Jesse DeVore.
In 1965, Hugh Masekela brought him into Miriam Makeba’s accompanying trio, in which he worked until the mid-1970s. He toured internationally with Makeba and was also involved in their albums such as Click Song and Pata Pata. Since 1971 he was also a member of Nina Simone’s band, with whom he worked until the 1980s. He also worked as a theater musician. He was musical director of LeRoi Jones’ Slaveship in Brooklyn; In this production by Gilbert Moses he appeared with Archie Shepp. He also composed for the American children’s television series Vegetable Soup.
more...Earl Klugh born September 16, 1953) is an American acoustic guitarist and composer. He has won one Grammy award and thirteen nominations. Klugh was awarded the “1977 Best Recording Award For Performance and Sound” for his album “Finger Painting” by “Swing Journal” a Japanese jazz magazine.
At the age of six, Klugh commenced training on the piano until he switched to the guitar at the age of ten. At the age of thirteen, Klugh was captivated by the guitar playing of Chet Atkins when Atkins made an appearance on the Perry Como Show. Klugh was a performing guest on several of Atkins’ albums. Atkins, reciprocating as well, joined Earl on his Magic In Your Eyes album. Klugh also appeared with Atkins on several television programs, including Hee Haw and a 1994 TV special titled “Read my Licks”. Klugh was also influenced by Bob James, Ray Parker Jr, Wes Montgomery and Laurindo Almeida. His sound is a blend of these jazz, pop and rhythm and blues influences, forming a potpourri of sweet contemporary music original to only him.
more...Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album Jazz Samba, a recording which brought bossa nova into the mainstream of North American music.
Byrd played fingerstyle on a classical guitar.
Charlie Byrd was born in 1925 in Suffolk, Virginia, and grew up in the borough of Chuckatuck. His father, a mandolinist and guitarist, taught him how to play the acoustic steel guitar at age 10. Byrd had three brothers, Oscar, Jack, and Gene “Joe” Byrd, who was a bass player. In 1942, Byrd entered the Virginia Polytechnic Institute and played in the school orchestra. In 1943, he was drafted into the United States Army, saw combat in World War II, and was stationed in Paris in 1945. There he played in an Army Special Services band and toured occupied Europe in the all-soldier production G.I. Carmen.
After the war, Byrd returned to the United States and studied composition and jazz theory at the Harnett National Music School in Manhattan, New York City. During this time, he began playing a classical guitar. After moving to Washington, D.C., in 1950, he studied classical guitar with Sophocles Papas for several years. In 1954, he became a pupil of the Spanish classical guitarist Andrés Segovia and spent time studying with him in Italy.
Byrd’s earliest and greatest influence was the gypsy guitarist Django Reinhardt, whom he saw perform in Paris.
more...Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato, and staccato picking that influenced many later blues electric guitar players. AllMusic recognized King as “the single most important electric guitarist of the last half of the 20th century”.
King was inducted into the Rock and Roll Hall of Fame in 1987 and is one of the most influential blues musicians of all time, earning the nickname “The King of the Blues”, and is considered one of the “Three Kings of the Blues Guitar” (along with Albert King and Freddie King, none of whom are related). King performed tirelessly throughout his musical career, appearing on average at more than 200 concerts per year into his 70s. In 1956 alone, he appeared at 342 shows.
King was born on a cotton plantation of Berclair, near the city of Itta Bena, Mississippi, and later worked at a cotton gin in Indianola, Mississippi. He was attracted to music and taught himself to play guitar and began his career in juke joints and local radio. He later lived in Memphis and Chicago; then, as his fame grew, he toured the world extensively. King died at 89 in Las Vegas in 2015.
Riley B. King was born on September 16, 1925, on a cotton plantation of Berclair named Bear Creek in Leflore County, near the city of Itta Bena, Mississippi, the son of sharecroppers Albert and Nora Ella King. When King was four years old, his mother left his father for another man, so he was raised by his maternal grandmother, Elnora Farr, in Kilmichael, Mississippi, then in Lexington. As a teen, he moved to Indianola, which he referred to as his hometown and he later worked at a cotton gin. King served in the U.S. Army during World War II but was released after being ruled as “essential to the war economy” based on his experience as a tractor driver.
more...The 16th century Portuguese navigator Ferdinand Magellan and his crew had plenty of time to study the southern sky during the first circumnavigation of planet Earth. As a result, two fuzzy cloud-like objects easily visible to southern hemisphere skygazers are known as the Clouds of Magellan, now understood to be satellite galaxies of our much larger, spiral Milky Way galaxy. About 160,000 light-years distant in the constellation Dorado, the Large Magellanic Cloud is seen in this sharp galaxy portrait. Spanning about 15,000 light-years or so, it is the most massive of the Milky Way’s satellite galaxies and is the home of the closest supernova in modern times, SN 1987A. The prominent patch above center is 30 Doradus, also known as the magnificent Tarantula Nebula, a giant star-forming region about 1,000 light-years across.
Robert Waltrip Short (September 15, 1924 – March 21, 2005) was an American cabaret singer and pianist, who interpreted songs by popular composers from the first half of the 20th century such as Rodgers and Hart, Cole Porter, Jerome Kern, Harold Arlen, Richard A. Whiting, Vernon Duke, Noël Coward and George and Ira Gershwin.
Short also championed African-American composers of the same period such as Eubie Blake, James P. Johnson, Andy Razaf, Fats Waller, Duke Ellington and Billy Strayhorn, presenting their work not in a polemical way, but as simply the obvious equal of that of their white contemporaries.
Short’s dedication to his great love – what he called the “Great American Song” – left him equally adept at performing the witty lyrics of Bessie Smith‘s “Gimme a Pigfoot (And a Bottle of Beer)” or Gershwin and Duke’s “I Can’t Get Started“. Short stated his favorite songwriters were Ellington, Arlen and Kern, and he was instrumental in spearheading the construction of the Ellington Memorial in New York City. He was a friend of Tom Jobim and was present during the composer’s final days in New York City.
Short was born in Danville, Illinois, where two of his school classmates were Dick Van Dyke and Donald O’Connor. He began performing piano in dance halls and saloons, and as a busker, after leaving home at age 11 for Chicago with his mother’s permission.
more...Arvell Shaw (September 15, 1923 – December 5, 2002) was an American jazz double-bassist, best known for his work with Louis Armstrong.
He was born on September 15, 1923 in St. Louis, Missouri. Shaw learned to play tuba in high school, but switched to bass soon after. In 1942 he worked with Fate Marable on riverboats traveling on the Mississippi River, then served in the Navy from 1942 to 1945. After his discharge he played with Armstrong in his last big band, from 1945 to 1947. Shaw and Sid Catlett then joined the Louis Armstrong All-Stars until 1950, when Shaw broke off to study music. He returned to play with Armstrong from 1952 to 1956, and performed in the 1956 musical, High Society.
more...Julian Edwin “Cannonball” Adderley (September 15, 1928 – August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s.
Adderley is perhaps best remembered for the 1966 soul jazz single “Mercy, Mercy, Mercy” which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts. A cover version by the Buckinghams, who added lyrics, also reached No. 5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records Milestones (1958) and Kind of Blue (1959), and then on his own 1958 album Somethin’ Else. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band.
Julian Edwin Adderley was born on September 15, 1928, in Tampa, Florida to high school guidance counselor and cornet player Julian Carlyle Adderley and elementary school teacher Jessie Johnson.Elementary school classmates called him “cannonball” (i.e., “cannibal”) after his voracious appetite. In July 1975, Adderley suffered a stroke from a cerebral hemorrhage and died four weeks later, on August 8, 1975, at St. Mary Methodist Hospital in Gary, Indiana. He was 46 years old. He was survived by his wife Olga James Adderley, parents Julian C. and Jessie L. Adderley, and brother Nat Adderley. He was buried in the Southside Cemetery, Tallahassee.
more...Reflecting its origin as a remate to the soleares, the underlying form of bulerías is simple. Bulerías cantes consist of three or four eight-syllable lines, and there is great flexibility in the way artists choose to treat those three or four lines. The singer may give one or two compáses to each line, or they can stretch them out, decorating each syllable with melismatic flourishes, or repeating them for rhythmic or emotional effect.
The guitarist follows the singer’s phrasing, underscoring the implied harmony, adding falsetas and maintaining the rhythmic pulse. Performing without a singer, a guitarist will string together a series of falsetas in a way that may imitate the form of letras.
A dancer will usually dance while the letra is being sung, and also dance between letras. A dancer can also dance during short breaks within the letras (a respira for the singer; a remate for the dancer). A dancer will use transitional phrases, including palmas en contra tiempo, remates and llamadas, and desplante llamadas to move from one section of the dance to another, cueing the musicians at each transition.
more...Spiral galaxy NGC 7331 is often touted as an analog to our own Milky Way. About 50 million light-years distant in the northern constellation Pegasus, NGC 7331 was recognized early on as a spiral nebula and is actually one of the brighter galaxies not included in Charles Messier’s famous 18th century catalog. Since the galaxy’s disk is inclined to our line-of-sight, long telescopic exposures often result in images that evokes a strong sense of depth. The effect is further enhanced in this sharp image by galaxies that lie beyond the gorgeous island universe. The most prominent background galaxies are about one tenth the apparent size of NGC 7331 and so lie roughly ten times farther away. Their close alignment on the sky with NGC 7331 occurs just by chance. Lingering above the plane of the Milky Way, this striking visual grouping of galaxies is known to some as the Deer Lick Group.
more...
More Posts
- Cosmos NGC 346
- Shujaat Khan
- Pete Townshend
- Tom Scott
- Sonny Fortune
- Cecil McBee
- World Music Trio Mandili
- Daily Roots The Revolutionaries
- Happy Birthday Hendrix
- Cosmos NGC 1097
- Rick Wakeman
- Kai Winding
- Big Joe Turner
- World Music Moreno Viglione
- Daily Roots Kailash
- Shabbat for the Soul Mt Zion
- Cosmos Aurora Banks Peninsula
- Bill Bruford
- Taj Mahal
- Jackie McLean