Woodrow Wilson Guthrie (/ˈɡʌθri/; July 14, 1912 – October 3, 1967) was an American singer-songwriter, one of the most significant figures in American folk music. His work focused on themes of American socialismand anti-fascism. He inspired several generations both politically and musically with songs such as “This Land Is Your Land“.
Guthrie wrote hundreds of country, folk, and children’s songs, along with ballads and improvised works. Dust Bowl Ballads, Guthrie’s album of songs about the Dust Bowl period, was included on Mojo magazine’s list of 100 Records That Changed The World, and many of his recorded songs are archived in the Library of Congress. Songwriters who have acknowledged Guthrie as a major influence on their work include Bob Dylan, Phil Ochs, Johnny Cash, Bruce Springsteen, Robert Hunter, Harry Chapin, John Mellencamp, Pete Seeger, Andy Irvine, Joe Strummer, Billy Bragg, Jerry Garcia, Bob Weir, Jeff Tweedy, Tom Paxton, Brian Fallon, Sean Bonnette, and Sixto Rodríguez. He frequently performed with the message “This machine kills fascists” displayed on his guitar.
Guthrie was brought up by middle-class parents in Okemah, Oklahoma. He married at 19, but with the advent of the dust storms that marked the Dust Bowl period, he left his wife and three children to join the thousands of Okies who were migrating to California looking for employment. He worked at Los Angeles radio station KFVD, achieving some fame from playing hillbilly music, made friends with Will Geer and John Steinbeck, and wrote a column for the communist newspaper People’s World from May 1939 to January 1940.
Throughout his life, Guthrie was associated with United States communist groups, although he apparently did not belong to any. With the outbreak of World War II and the Molotov–Ribbentrop non-aggression pact the Soviet Union had signed with Germany in 1939, the anti-Stalin owners of KFVD radio were not comfortable with Guthrie’s political leanings after he wrote a song praising the Molotov–Ribbentrop Pact and the Soviet invasion of Poland. He left the station, ending up in New York, where he wrote and recorded his 1940 album Dust Bowl Ballads, based on his experiences during the 1930s, which earned him the nickname the “Dust Bowl Troubadour”. In February 1940, he wrote his most famous song, “This Land Is Your Land“. He said it was a response to what he felt was the overplaying of Irving Berlin‘s “God Bless America” on the radio.
Guthrie was married three times and fathered eight children. His son Arlo Guthrie became nationally known as a musician. Woody died in 1967 from complications of Huntington’s disease. His first two daughters also died of the disease.
see full post...Alan Dawson (July 14, 1929 – February 23, 1996) was an American jazz drummer and percussion teacher based in Boston. Dawson was born in Marietta, Pennsylvania and raised in Roxbury, Massachusetts. Serving in the U.S. Army during the Korean War, he played with the Army Dance Band while stationed at Fort Dix from 1951 to 1953. During his tenure, Dawson explored the post-bop era by performing with pianist Sabby Lewis. After being discharged from the army, Dawson toured Europe with Lionel Hampton.
In early 1960, he was based in Boston for a regular engagement with John Neves, bass, and Leroy Flander, piano.
Dawson was an early teacher of drummers Tony Williams and Joseph Smyth, known for his work with the Sawyer Brown country music group. Other students included Terri Lyne Carrington, Julian Vaughn, Vinnie Colaiuta, Steve Smith, Kenwood Dennard, Gerry Hemingway, Jeff Sipe, Billy Kilson, Joe Farnsworth, Bob Gullotti, and many others. Dawson began teaching at Berklee College of Music in 1957. He suffered a ruptured disc in 1975 which led to him halting his touring schedule, to leave Berklee and limit his teaching to his home in Lexington, Massachusetts.
see full post...By the 19th century, these “jotas de Cádiz” began to flatter, approaching the rhythms of the soleá. This favors a differentiation from the rest of the flamenco styles of the time, which tended to be more dramatic.
Singers like Paco Hidalgo or El Quiqui did a lot for the evolution of this style, which was finally called alegrías, because of the way they referred to it when they were going to interpret it, as “happy song”and “for happy”.
At the end of the 19th century, it was Enrique El Mellizo, who molded this style to the flamenco form that we recognize today, pointing the way forward to future singers such as Romero El Tito, José Ortega ‘El Águila’, Gabriela Ortega or Macaca, among others . What it did was slow down its rhythm so it could be sung.
Enrique Butrón fixed the flamenco form of this cante (singing), while Ignacio Ezpeleta introduced the famous “tiriti, trán, trán trán” at the beginning of it, an expression that makes it recognizable from other flamenco styles. Its compass is similar to that of the soleás, although with a more cheerful tone than these.
As for the structure, the alegrías has four octosyllabic verses, which can be linked to the playful (letters that complement the singings by cantiñas) of three or four verses, following the wake of the classical seguiriya, formed by a couplet and chorus.
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see full post...A mere 390 light-years away, Sun-like stars and future planetary systems are forming in the Rho Ophiuchi molecular cloud complex, the closest star-forming region to our fair planet. The James Webb Space Telescope’s NIRCam peered into the nearby natal chaos to capture this infrared image at an inspiring scale. The spectacular cosmic snapshot was released to celebrate the successful first year of Webb’s exploration of the Universe. The frame spans less than a light-year across the Rho Ophiuchi region and contains about 50 young stars. Brighter stars clearly sport Webb’s characteristic pattern of diffraction spikes. Huge jets of shocked molecular hydrogen blasting from newborn stars are red in the image, with the large, yellowish dusty cavity carved out by the energetic young star near its center. Near some stars in the stunning image are shadows cast by their protoplanetary disks.
James Roger McGuinn /məkˈɡwɪn/ (born James Joseph McGuinn III; July 13, 1942) is an American musician. He is best known for being the frontman and leader of the Byrds. He was inducted into the Rock and Roll Hall of Fame for his work with the Byrds. As a solo artist he has released 10 albums and collaborated with, among others, Bob Dylan, Tom Petty and Chris Hillman. The 12-string Rickenbacker guitar is his signature instrument.
McGuinn was born and raised in Chicago, Illinois, United States, son of James Joseph McGuinn Jr (b. 1909) and Dorothy Irene (b. 1911), daughter of engineer Louis Heyn. His parents worked in journalism and public relations, and during his childhood, they had written a bestseller titled Parents Can’t Win. He attended the Latin School of Chicago. He became interested in music after hearing Elvis Presley‘s “Heartbreak Hotel“, and asked his parents to buy a guitar for him. (During the early 1980s, he paid tribute to the song that encouraged him to play guitar by including “Heartbreak Hotel” in his autobiographical show). Around the same time, he was also influenced by country artists and/or groups such as Johnny Cash, Carl Perkins, Gene Vincent, and the Everly Brothers.
see full post...Albert Ayler July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer.
After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler’s style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler’s style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.His innovations have inspired subsequent jazz musicians.
His trio and quartet records of 1964, such as Spiritual Unity and The Hilversum Session, show him advancing the improvisational notions of John Coltrane and Ornette Coleman into abstract realms where whole timbre, and not just mainly harmony with melody, is the music’s backbone. His ecstatic music of 1965 and 1966, such as “Spirits Rejoice” and “Truth Is Marching In”, has been compared by critics to the sound of a brass band, and involved simple, march-like themes which alternated with wild group improvisations and were regarded as retrieving jazz’s pre-Louis Armstrong roots.
Born in Cleveland, Ohio, and raised in Shaker Heights, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums.
see full post...Peter Michael Escovedo (born July 13, 1935 in Pittsburg, California) is an American percussionist.
With his two brothers, he formed Escovedo Bros Latin Jazz Sextet, before Carlos Santana hired Pete and Coke Escovedo for his group. He led the 14–24 piece Latin big band Azteca. His daughter is the singer-percussionist Sheila E. They were both presented with the Latin Grammy Lifetime Achievement Award in 2021
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Leroy Vinnegar (July 13, 1928 – August 3, 1999) was an American jazz bassist. Born in Indianapolis, Indiana, United States, the self-taught Vinnegar established his reputation in Los Angeles, California, during the 1950s and 1960s. His trademark was the rhythmic “walking” bass line, a steady series of ascending or descending notes, and it brought him the nickname “The Walker”. Besides his jazz work, he also appeared on a number of soundtracks and pop albums, notably Van Morrison‘s 1972 album, Saint Dominic’s Preview.
He recorded extensively as both a leader and sideman. He came to public attention in the 1950s as a result of recording with Lee Konitz, André Previn, Stan Getz, Shorty Rogers, Chet Baker, Shelly Manne, Joe Castro and Serge Chaloff.
see full post...Spiral galaxy NGC 1398 not only has a ring of pearly stars, gas and dust around its center, but a bar of stars and gas across its center, and spiral arms that appear like ribbons farther out. The featured deep image from Observatorio El Sauce in Chile shows the grand spiral galaxy in impressive detail. NGC 1398 lies about 65 million light years distant, meaning the light we see today left this galaxy when dinosaurs were disappearing from the Earth. The photogenic galaxy is visible with a small telescope toward the constellation of the Furnace (Fornax). The ring near the center is likely an expanding density wave of star formation, caused either by a gravitational encounter with another galaxy, or by the galaxy’s own gravitational asymmetries.
Christine Anne McVie (12 July 1943 – 30 November 2022) was an English musician, singer and songwriter. She was best known as keyboardist and one of the vocalists of Fleetwood Mac.
McVie was a member of several bands, notably Chicken Shack, in the mid-1960s British Blues scene. She began working with Fleetwood Mac in 1968, initially as a session player, before joining the band in 1970. Her first compositions with Fleetwood Mac appeared on their fifth album, Future Games. She remained with the band through many changes of line-up, writing songs and performing lead vocals before partially retiring in 1998. McVie was described as “the prime mover behind some of Fleetwood Mac’s biggest hits” and eight songs she wrote or co-wrote, including “Don’t Stop“, “Everywhere” and “Little Lies“, appeared on Fleetwood Mac’s 1988 Greatest Hits album. She appeared as a session musician on the band’s last studio album, Say You Will. She also released three solo studio albums.
As a member of Fleetwood Mac, McVie was inducted into the Rock and Roll Hall of Fame and in 1998 received the Brit Award for Outstanding Contribution to Music. In the same year, after almost 30 years with Fleetwood Mac, she left the band and lived in semi-retirement, releasing a solo album in 2004. She appeared on stage with Fleetwood Mac at the O2 Arena in London in September 2013 and rejoined the band in 2014 prior to their On with the Show tour.
McVie received a Gold Badge of Merit Award from BASCA, now The Ivors Academy, in 2006. She received the Ivor Novello Award for Lifetime Achievement from the British Academy of Songwriters, Composers and Authors in 2014 and was honoured with the Trailblazer Award at the UK Americana Awards in 2021. She was also the recipient of two Grammy Awards.
see full post...John Patton (July 12, 1935 – March 19, 2002) was an American jazz, blues and R&B pianist and organist often known by his nickname, Big John Patton.
Patton was one of the most in-demand organists during the golden era of the Hammond B-3 organs between 1963 and 1970.He recorded extensively for Blue Note and performed or collaborated with Lloyd Price, Grant Green, and Lou Donaldson. Patton had a lower profile in the 1970s but enjoyed a comeback in the 1980s and 1990s, often in collaboration with saxophonist John Zorn. His later music incorporated modal and free jazz.
John Patton, born in Kansas City, Missouri, United States, was an American jazz composer and performer. He developed the nickname “Big John”, not because of his size, but because of a song. “Remember the tune, ‘Big Bad John’? … yeah, well, that’s what they started calling me and at first I didn’t understand it but I love it now. It’s just a name; if it’s going to help you, then boogie on up in there!
see full post...Paul Gonsalves (July 12, 1920 – May 15, 1974) was an American jazz tenor saxophonist best known for his association with Duke Ellington. At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington’s “Diminuendo and Crescendo in Blue,” a performance credited with revitalizing Ellington’s waning career in the 1950s.
Born in Brockton, Massachusetts, to Cape Verdean parents, Gonsalves’ first instrument was the guitar, and as a child he was regularly asked to play Cape Verdean folk songs for his family. He grew up in New Bedford, Massachusetts, and played as a member of the Sabby Lewis Orchestra. His first professional engagement in Boston was with the same group on tenor saxophone, in which he played before and after his military service during World War II. He also played with fellow Cape Verdean Americans in Phil Edmund‘s band in the 1940s. Before joining Duke Ellington’s orchestra in 1950, he also played in big bands led by Count Basie (1947–1949) and Dizzy Gillespie (1949–1950).
see full post...NGC 6559. Visible in the featured image are red glowing emission nebulas of hydrogen, blue reflection nebulas of dust, darkabsorption nebulas of dust, and the stars that formed from them. The first massive stars formed from the dense gas will emit energetic light and winds that erode, fragment, and sculpt their birthplace. And then they explode. The resulting morass can be as beautiful as it is complex. After tens of millions of years, the dust boils away, the gas gets swept away, and all that is left is a bare open cluster of stars.
Oscar Emilio León Somoza (born July 11, 1943), known as Oscar D’León, and affectionately called The Pharaoh of Salsa, The Lion of Salsa, and the World’s Sonero, is a Venezuelan musician and bassist best known for his work with salsa music. He is the author of “Llorarás”, which he recorded in 1974 with his group, Dimensión Latina. He is also ambassador for Operation Smile.
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