Eddie Taylor (January 29, 1923 – December 25, 1985) was an American electric blues guitarist and singer. Born Edward Taylor in Benoit, Mississippi, as a boy Taylor taught himself to play the guitar. He spent his early years playing at venues around Leland, Mississippi, where he taught his friend Jimmy Reed to play the guitar. With a guitar style deeply rooted in the Mississippi Delta tradition, Taylor moved to Chicago, Illinois, in 1948.

James Lee Jamerson (January 29, 1936 – August 2, 1983) was an American bass player. He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the most influential bass players in modern music history. He was inducted into the Rock and Roll Hall of Fame in 2000. As a session musician he played on twenty-three BillboardHot 100 number-one hits, as well as fifty-six R&B number-one hits. Long troubled by alcoholism, Jamerson died of complications from cirrhosis of the liver, heart failure and pneumonia on August 2, 1983, in Los Angeles. He is interred at Detroit’s historic Woodlawn Cemetery.

Edwin Thomas “Ed” Shaughnessy(January 29, 1929 – May 24, 2013) was a swing music and jazz drummer long associated with Doc Severinsen and a member of The Tonight Show Band on The Tonight Show Starring Johnny Carson. Shaughnessy was born in Jersey City, New Jersey and grew up in the New York City area, working in the 1940s with George Shearing, Jack Teagarden, and Charlie Ventura. In the 1950s he worked in the Charlie Ventura, Benny Goodman and Tommy Dorsey bands. In the 1960s he played for Count Basie prior to joining The Tonight Show Band.

https://youtu.be/vLOVeAV54ZE

Tunde Jegede (born 28 January 1972) is a composer and multi-instrumentalist in contemporary classical, African and pop music, who is of Nigerian descent and born in England and as a child travelled to Africa to learn the art of the kora. He is a producer-songwriter and has worked across several genres both as a performer (cello, kora, piano and percussion) and producer. He is a master kora player, and specializes in the West African classical music tradition which dates from the period of Sundiata. His sister is Sona Jobarteh, who is the first female kora virtuoso to come from a griot family. His father is Nigerian artist Emmanuel Taiwo Jegede.

Osbourne Ruddock (28 January 1941 – 6 February 1989), better known as King Tubby, was a Jamaican sound engineer who greatly influenced the development of dub in the 1960s and 1970s.

Tubby’s innovative studio work, which saw him elevate the role of the mixing engineer to a creative fame previously only reserved for composers and musicians, would prove to be influential across many genres of popular music. He is often cited as the inventor of the concept of the remix that later became ubiquitous in dance and electronic music production. Singer Mikey Dread stated, “King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That’s why he could do what he did”. King Tubby was shot dead on 6 February 1989, outside his home in Duhaney Park, Kingston, upon returning from a session at his Waterhouse studio.

King Tubby’s first interaction with the music industry came in the late 1950s with the rising popularity of Jamaican sound systems, which were to be found all over Kingston and which were developing into enterprising businesses. As a talented radio repairman, Tubby soon found himself in great demand by most of the major sound systems of Kingston, as the tropical weather of the Caribbean island (often combined with sabotage by rival sound system owners) led to malfunctions and equipment failure. Tubby owned an electrical repair shop on Drumalie Avenue, Kingston, that fixed televisions and radios. It was here that he built large amplifiers for the local sound systems. In 1961–62, he built his own radio transmitter and briefly ran a pirate radio station playing ska and rhythm and blues which he soon shut down when he heard that the police were looking for the perpetrators. Tubby eventually formed his own sound system, Tubby’s Hometown Hi-Fi, in 1958. It became a crowd favourite due to the high quality sound of his equipment, exclusive releases and Tubby’s own echo and reverb sound effects, at that point something of a novelty.The sound also launched the career of U-Roy, its featured toaster.

Ronnie Scott OBE (born Ronald Schatt; 28 January 1927 – 23 December 1996) was a British jazztenor saxophonist and jazz club owner. He co-founded Ronnie Scott’s Jazz Club in London’s Sohodistrict, one of the world’s most popular jazz clubs, in 1959.

Ronnie Scott was born in Aldgate, East London, into a Jewish family. His father, Joseph Schatt, was of Russian ancestry, and his mother Sylvia’s family attended the Portuguese synagogue in Alie Street. Scott attended the Central Foundation Boys’ School.

Scott began playing in small jazz clubs at the age of 16. His claim to fame was that he was taught to play by “Vera Lynn’s father-in-law!”. He toured with trumpeter Johnny Claes from 1944 to 1945 and with Ted Heath in 1946. That same year, he appeared as one of the band members in George in Civvy Street. He worked with Ambrose, Cab Kaye, and Tito Burns. He was involved in the short-lived musicians’ co-operative Club Eleven band and club (1948–50) with Johnny Dankworth. Scott became an acquaintance of the arranger/composer Tadd Dameron, when the American was working in the UK for Heath, and is reported to have performed with Dameron as the pianist, at one Club Eleven gig.

Scott was a member of the generation of British musicians who worked on the Cunard liner Queen Maryintermittently from 1946 to around 1950. The ship would sail to New York City where they were exposed to Bebop, the new form of jazz being played in the clubs there. Scott was among the earliest British musicians to have been influenced by Charlie Parker and other players of modern jazz.

Performing with the Temple Israel Erev Shabbat Service Ensemble with Inbal Sharett-Singer at 6pm Friday January 27th 2023

Robert Hutcherson (January 27, 1941 – August 15, 2016) was an American jazz vibraphone and marimba player. “Little B’s Poem”, from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.

Bobby Hutcherson was born in Los Angeles, California, to Eli, a master mason, and Esther, a hairdresser. Hutcherson was exposed to jazz by his brother Teddy, who listened to Art Blakey records in the family home with his friend Dexter Gordon. His older sister Peggy was a singer in Gerald Wilson‘s orchestra. Hutcherson went on to record on a number of Gerald Wilson’s Pacific Jazz recordings as well as play in his orchestra. Hutcherson’s sister personally introduced Hutcherson to Eric Dolphy (her boyfriend at the time) and Billy Mitchell. Hutcherson was inspired to take up the vibraphone when at about the age of 12 he heard Milt Jackson with Thelonious Monk, Percy Heath, Kenny Clarke and Miles Davis playing “Bemsha Swing” on the Miles Davis All Stars, Volume 2 album (1954). Still in his teens, Hutcherson began his professional career in the late 1950s working with tenor saxophonist Curtis Amy and trumpeter Carmell Jones, as well as with Dolphy and tenor saxophonist Charles Lloyd at Pandora’s Box on the Sunset Strip.

Oran Thaddeus “Hot Lips” Page (January 27, 1908 – November 5, 1954) was an American jazztrumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist.

Page was a member of Walter Page‘s Blue Devils, Artie Shaw‘s Orchestra and Count Basie‘s Orchestra, and he worked with Ma Rainey, Bessie Smith and Ida Cox. He was one of the five musicians booked for the opening night at Birdland with Charlie Parker in 1949.

Oran Thadeus Page was born in Dallas, Texas, United States, to a schoolteacher and musician mother. He moved with his mother to Corsicana where he began attending Corsicana High School and later Texas College while also working at the oilfields. His earliest gigs were in circuses and minstrel shows while also backing such blues singers as Ma Rainey, Bessie Smith, and Ida Cox. Page’s main trumpet influence was Louis Armstrong, though throughout his career he cited other local trumpeters, including Harry Smith(Kansas City) and Benno Kennedy (San Antonio) as being early influences.