Michael “Dodo” Marmarosa (December 12, 1925 – September 17, 2002) was an American jazz pianist, composer, and arranger.
Originating in Pittsburgh, Pennsylvania, Marmarosa became a professional musician in his mid-teens, and toured with several major big bands, including those led by Tommy Dorsey, Gene Krupa, and Artie Shaw into the mid-1940s. He moved to Los Angeles in 1945, where he became increasingly interested and involved in the emerging bebop scene. During his time on the West Coast, he recorded in small groups with leading bebop and swing musicians, including Howard McGhee, Charlie Parker, and Lester Young, as well as leading his own bands.
Marmarosa returned to Pittsburgh due to health reasons in 1948. He began performing much less frequently, and had a presence only locally for around a decade. Friends and fellow musicians had commented from an early stage that Marmarosa was an unusual character. His mental stability was probably affected by being beaten into a coma when in his teens, by a short-lived marriage followed by permanent separation from his children, and by a traumatic period in the army. He made comeback recordings in the early 1960s, but soon retreated to Pittsburgh, where he played occasionally into the early 1970s. From then until his death three decades later, he lived with family and in veterans’ hospitals.
see full post...The Dumbbell Nebula is a planetary nebula located in the constellation Vulpecula at about 1227 light years. It was discovered by Charles Messier on 12 July 1764 and is the first observed planetary nebula in the history of astronomy. It is number 27 in his catalogue.
This object is particularly bright and has a very large apparent diameter, with the brightest part being 1/5 that of the Moon. With an expansion rate of 6.8 arcseconds per century, its age is estimated at 3 000 to 4 000 years.
The central star (the origin of the nebula) has an apparent magnitude of 13.5, which makes it difficult for an amateur astronomer to observe. It is a white dwarf with a very hot blue colour (85 000 K).
The peculiar shape of the luminous part of the nebula has earned it the name Dumbbell Nebula.
see full post...Looking at this nebula, we can see the end of our own solar system in 5 billion years.
Alfred McCoy Tyner (December 11, 1938 – March 6, 2020) was an American jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards.
He was an NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history.
see full post...Willie Mae Thornton (December 11, 1926 – July 25, 1984), better known as Big Mama Thornton, was an American singer and songwriter of the blues and R&B genres. She was the first to record Leiber and Stoller‘s “Hound Dog“, in 1952, which became her biggest hit, staying seven weeks at number one on the Billboard R&B chart in 1953 and selling almost two million copies. Thornton’s other recordings included the original version of “Ball and Chain“, which she wrote.
see full post...Dámaso Pérez Prado (December 11, 1916 – September 14, 1989)[nb 1]was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s.[2] His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as “Mambo No. 5“, earning him the nickname “King of the Mambo”. In 1955, Prado and his orchestra topped the charts in the US and UK with a mambo cover of Louiguy‘s “Cherry Pink (and Apple Blossom White)“. He frequently made brief appearances in films, primarily of the rumberas genre, and his music was featured in films such as La Dolce Vita.
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Fifty years ago the scene was recorded by Apollo 17 mission commander Eugene Cernan on December 11, 1972, one orbit before descending to land on the Moon. The stereo anaglyph was assembled from two photographs (AS17-147-22465, AS17-147-22466) captured from his vantage point on board the Lunar Module Challenger as he and Dr. Harrison Schmitt flew over Apollo 17’s landing site in the Taurus-Littrow Valley. The broad, sunlit face of the mountain dubbed South Massif rises near the center of the frame, above the dark floor of Taurus-Littrow to its left. Piloted by Ron Evans, the Command Module America is visible in orbit in the foreground against the South Massif’s peak. Beyond the mountains, toward the lunar limb, lies the Moon’s Mare Serenitatis.
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Melbourne Robert Cranshaw (December 3, 1932 – November 2, 2016) was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins’s working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album The Bridge.
Cranshaw died at the age of 83 on November 2, 2016, in Manhattan, New York, from Stage IV cancer.
see full post...Pops Mohamed (born Ismail Mohamed 12-10-1949) is a South African multi-instrumentalist, jazz musician and producer.
Born in Benoni, Gauteng, Pops Mohamed had a career in music that was the logical outcome of an early exposure at Dorkay House to the likes of Abdullah Ibrahim and Kippie Moeketsi. Mohamed’s father was a Muslim of Portuguese and Indian heritage and his mother was of Xhosa people and Khoisan heritage. He grew up in the Indian community of Johannesburg. He started his first band The Valiants, at the age of 14. Known by fans as the “Minister of Music”, he plays a wide variety of instruments: African mouth bow, bird whistle, berimbau, didgeridoo, guitar, keyboard, kora, and the thumb piano. He is also known for his wide range of musical styles which include kwela, pop, and soul. He produced Finding One’s Self, the late Moses Taiwa Molelekwa‘s award-winning album.
Pops has also performed regularly with and sits on the board of the Johannesburg Youth Orchestra Company
see full post...Ray Willis Nance (December 10, 1913 – January 28, 1976) was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra.
Nance was the leader of his own band in Chicago from 1932 to 1937. Then, he worked with Earl Hines from 1937 to 1939; and from 1939 to 1940 he worked with Horace Henderson.
Ellington hired Nance to replace trumpeter Cootie Williams, who had joined Benny Goodman, in 1940. Nance’s first recorded performance with Ellington was at the Fargo, North Dakota ballroom dance. Shortly after joining the band, Nance was given the trumpet solo on the earliest recorded version of “Take the “A” Train“, which became the Ellington theme. Nance’s “A Train” solo is one of the most copied and admired trumpet solos in jazz history. Indeed, when Cootie Williams returned to the band more than twenty years later, he would play Nance’s solo on “A Train” almost exactly as the original.
see full post...Eddie Jones (December 10, 1926 – February 7, 1959), better known as Guitar Slim, was an American guitarist in the 1940s and 1950s, best known for the million-selling song “The Things That I Used to Do“, for Specialty Records. It is listed in the Rock and Roll Hall of Fame’s 500 Songs That Shaped Rock and Roll. Slim had a major impact on rock and roll and experimented with distorted tones on the electric guitar a full decade before Jimi Hendrix.Jones was born in Greenwood, Mississippi. His mother died when he was five, and he was raised by his grandmother. In his teen years he worked in cotton fields and spent his free time at juke joints, where he started sitting in as a singer or dancer; he was good enough as a dancer that he was nicknamed “Limber Leg”.
After returning from military service during World War II, he started playing in clubs around New Orleans, Louisiana. Bandleader Willie D. Warren introduced him to the guitar. He was particularly influenced by T-Bone Walker and Clarence “Gatemouth” Brown. About 1950 he adopted the stage name Guitar Slim and became known for his wild stage act. He wore bright-colored suits and dyed his hair to match them. He had an assistant who followed him around the audience with up to 350 feet of cord between his guitar and his amplifier, and occasionally rode on his assistant’s shoulders or even took his guitar outside the club, bringing traffic to a stop. His sound was just as unusual—he played his guitar with distortion more than a decade before rock guitarists did, and his gospel-influenced vocals were easily identifiable.
He got together with Muddy Waters in Los Angeles, California, for some lively playing.
see full post...On the night of December 7 Mars wandered near the Full Moon. In fact the Red Planet was occulted, passing behind the Moon, when viewed from locations across Europe and North America. About an hour after disappearing behind the lunar disk Mars reappears in this stack of sharp video frames captured from San Diego, planet Earth. With the Moon in the foreground Mars was a mere 82 million kilometers distant, near its own opposition. Full Moon and full Mars were bright enough provide the spectacular image with no exposure adjustments necessary. In the image Mars appears to rise just over ancient, dark-floored, lunar crater Abel very close to the southeastern edge of the Moon’s near side. Humboldt is the large impact crater to its north (left).
Joan Anita Barbara Armatrading, CBE (/ˈɑːrməˌtreɪdɪŋ/, born 9 December 1950) is a Kittitian-English singer-songwriter and guitarist. A three-time Grammy Award nominee, Armatrading has also been nominated twice for BRIT Awards as Best Female Artist. She received an Ivor Novello Award for Outstanding Contemporary Song Collection in 1996.
In a recording career spanning nearly 50 years, Armatrading has released 20 studio albums, as well as several live albums and compilations.
Joan Armatrading, the third of six children, was born in 1950 in the town of Basseterre in what was then the British colony Saint Christopher and Nevis. Her father was a carpenter and her mother a housewife. When she was three years old, her parents moved with their two eldest boys to Birmingham in England, sending Joan to live with her grandmother on the Caribbean island of Antigua. In early 1958, at the age of seven, she joined her parents in Brookfields, then a district of Birmingham.
see full post...Daniel Ivan Hicks (December 9, 1941 – February 6, 2016) was an American singer-songwriter known for an idiosyncratic style that combined elements of cowboy folk, jazz, country, swing, bluegrass, pop, and gypsy music. He led ″Dan Hicks and His Hot Licks″. He is perhaps best known for the songs “I Scare Myself” and “Canned Music”. His songs are frequently infused with humor, as evidenced by the title of his tune “How Can I Miss You When You Won’t Go Away?”. His album Live at Davies (2013) capped over forty years of music.
Writing about Hicks for Oxford American in 2007, critic David Smay said, “[T]here was a time from the ’20s through the ’40s when swing—’hot rhythm’—rippled through every form of popular music. That’s the music Dan Hicks plays, and there’s no single word for it because it wasn’t limited to any one genre. Django Reinhardtand the Mills Brothers and Spade Cooley and Hank Garland and the Boswell Sisters and Stuff Smith and Bing Crosby all swing. You can make yourself nutty trying to define what Dan Hicks is. Then again, you could just say: Dan Hicks swings.”
Hicks was born in Little Rock, Arkansas on December 9, 1941. His father, Ivan L. Hicks (married to the former Evelyn Kehl), was a career United States Air Forcenon-commissioned officer. At age five, an only child, Hicks moved with his family to California. Following brief stints in Lomita, Cambria, and Vallejo, the family settled in Santa Rosa, the largest city in the North Bay subregion of the San Francisco Bay Area, where he was a drummer in grade school and played the snare drum in his school marching band.
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