Baaba Maal (Fula: , born 13 June 1953) is a Senegalese singer and guitarist born in Podor, on the Senegal River. In addition to acoustic guitar, he also plays percussion. He has released several albums, both for independent and major labels. In July 2003, he was made a UNDP Youth Emissary.

Maal sings primarily in Pulaar and promotes the traditions of the Pulaar-speaking people, who live on either side of the Senegal River in the ancient Senegalese kingdom of Futa Tooro.

Maal was expected to follow in his father’s profession and become a fisherman. However, under the influence of his lifelong friend and family gawlo, blind guitarist Mansour Seck, Maal devoted himself to learning music from his mother and his school’s headmaster. He went on to study music at the university in Dakar before leaving for postgraduate studies on a scholarship at Beaux-Arts in Paris.

Wilbur Dorsey “Buck” Clayton (November 12, 1911 – December 8, 1991) was an American jazz trumpeter who was a member of Count Basie‘s orchestra. His principal influence was Louis Armstrong, first hearing the record “Confessin’ That I Love You” as he passed by a shop window.

Clayton learned to play the piano from the age of six. His father was an amateur musician associated with the family’s local church, who was responsible for teaching his son the scales on a trumpet, which he did not take up until his teens. From the age of 17, Clayton was taught the trumpet by Bob Russell, a member of George E. Lee‘s band. In his early twenties he was based in California, and was briefly a member of Duke Ellington‘s Orchestra and worked with other leaders. Clayton was also taught at this time by trumpeter Mutt Carey, who later emerged as a prominent west-coast revivalist in the 1940s. He also met Louis Armstrongwhile Armstrong was performing at Sebastian’s Cotton Club, who taught him how to glissando on his trumpet. After high school, he moved to Los Angeles. He later formed a band named 14 Gentlemen from Harlem, in which he was the leader of the 14-member orchestra.

Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer.

Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church.^[3] In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards “Del Sasser” and “Unit 7” while working with Adderley. Other compositions include “Blue Funk”, “O.P.”, “Bittersweet”, and “Seven Minds”.

He died of lung cancer in 1981 at the age of 57.

Booker T. Washington “Bukka” White (November 12, 1906  – February 26, 1977) was an American Delta blues guitarist and singer.

White was born south of Houston, Mississippi. He was a first cousin of B.B. King‘s mother (White’s mother and King’s grandmother were sisters). Bukka is a phonetic spelling of White’s first name; he was named after the African-American educator and civil rights activist Booker T. Washington. He played National resonator guitars, typically with a slide, in an open tuning. He was one of the few, along with Skip James, to use a crossnote tuning in E minor, which he may have learned, as James did, from Henry Stuckey. He also played piano, but less adeptly.

Kahil El’Zabar (born Clifton Blackburn; November 11, 1953) is an American jazz multi-instrumentalist (mainly a percussionist) and composer. He regularly records for Delmark Records.

El’Zabar was born in Chicago, Illinois. He attended Lake Forest College and joined the Association for the Advancement of Creative Musicians (AACM) in the early 1970s, and became its chairman in 1975. During the 1970s, he formed the musical groups Ritual Trio and the Ethnic Heritage Ensemble, both of which remain active. Musicians with whom Kahil EL’Zabar has collaborated include Dizzy Gillespie, Stevie Wonder, Nina Simone, Cannonball Adderley, Paul Simon, Pharoah Sanders, and Billy Bang.

In 2017 the film “Be Known – The Mystery of Kahil El Zabar” by filmmaker Dwayne Johnson-Cochran was released. The documentary follows El’ Zabar and band on their 2007 Black History Month tour. The film has been available on Amazon Prime.

Delores LaVern Baker (November 11, 1929 – March 10, 1997) was an American R&B singer who had several hit records on the pop chart in the 1950s and early 1960s. Her most successful records were “Tweedle Dee” (1955), “Jim Dandy” (1956), and “I Cried a Tear” (1958).

Baker was born Delores Evans in Chicago. She was raised in Calumet City, Illinois. Under her mother’s new surname, McMurley, Delores – on December 23, 1948, at age nineteen, in Cook County, Illinois – married Eugene Williams.

Ernestine Anderson (November 11, 1928 – March 10, 2016) was an American jazz and blues singer. In a career spanning more than six decades, she recorded over 30 albums. She was nominated four times for a Grammy Award. She sang at Carnegie Hall, the Kennedy Center, the Monterey Jazz Festival (six times over a 33-year span), as well as at jazz festivals all over the world. In the early 1990s she joined Qwest Records, the label founded by fellow Garfield High School graduate Quincy Jones.

Ernestine Irene Anderson (and her twin sister Josephine) were born in Houston, Texas, on November 11, 1928. Her mother, Erma, was a housewife, and her father, Joseph, a construction worker who sang bass in a gospel quartet. By the age of three, Anderson showed a talent for singing along with her parents’ old blues 78 rpm records by the likes of Bessie “The Empress of the Blues” Smith. Anderson started singing at a local church, singing solos in its gospel choir.

Siguirillas (also spelled Seguirillas, Seguiriya, Seguidilla- take your pick!) is an intense palo, considered cante jondo (deep song.) It’s similar to Solea in that it is profound and extremely soulful, however, it tends to be more aggressively danced if the tempo is faster. Otherwise, it can also be danced to a syrupy slow tempo.

When I first learned this rhythm, my teacher taught it as a “backward Buleria” or as a “12 count” with the accents on 12/2/4/7/10.

12 – 1 – 2 – 3 – 4 – 5 – 6 – 7 – 8 – 9 – 10 – 11 – 12 – 1 – 2 – 3 – 4 – 5 – 6 – 7 – 8 – 9 – 10

BUT it’s generally counted in fives!!! 1 and 2 and 3 and and 4 and and 5 and 1 and 2…..

1 – | – 2 – | – 3 – | – | – 4 – | – | – 5 – | – 1 – | – 2 – | – 3 – | – | – 4 – | – | – 5

The format of the dance is pretty standard, except the final fast letra (which is Bulerias for 12 count dances or Tangos for 4 count dances) is called the Macho. The Macho also serves as the estribillo(ending chorus.)

General Structure of Siguirillas:

• Falseta– melodic guitar
• Entrada– singer starts with ay, ay, ay
• Llamada– dancer “calls” the singer to sing with a percussive break
• Letra– singing verse
• Escobilla– long footwork section
• Macho– ending chorus

A major winter storm is heading for Minnesota’s North Shore today — Thursday, Nov. 10 — with gale warnings up for western Lake Superior and waves reaching as high as 12 feet.

It’s just the kind of weather the iron ore carrier Edmund Fitzgerald sailed through out of the Twin Ports as it headed for its tragic end, 47 years ago on Nov. 10, 1975.

In memory of that fateful voyage, Split Rock Lighthouse northeast of Two Harbors will mark the anniversary tonight with its annual ceremony, including tolling a bell 29 times for the crew of the Fitzgerald, and then once more.

“They call it the muster of the last watch,” said Hayes Scriven, lighthouse site manager for the Minnesota Historical Society. “Usually when all the crew members go down on a ship they do this muster. So that still kind of recognizes them, that they’re here for their watch. And it’s our way of kind of paying respect to the people that had perished on the ship. And then we added a 30th bell toll for all the sailors that were lost on the Great Lakes.”

The ceremony is scheduled to start at about 4:30 p.m. today. It’s outdoors, and the weather is expected to be blustery: The National Weather Service has issued a winter weather advisory for the area through noon Friday. The ceremony will also stream on YouTube.

Scriven said the observance also includes lighting the lighthouse beacon at Split Rock.

It went out of official service in 1969 after nearly 60 years of guiding ships through what was once called “the most dangerous piece of water in the world.” The state acquired the site in 1971, eventually turning it into a museum and visitor landmark near Two Harbors, as well as a surrounding state park.

The landmark has been restored to its original operating condition, and the beacon will be lit Thursday night for a couple hours, shining across the November waves.

“We’ve kind of restored it back to its 1910 operation. We still run everything with a hand crank. Every two hours we need to rotate the crank again to make sure the lens is still spinning,” Scriven said. “It’s a third-order Fresnel lens with a 1,000 watt incandescent bulb in there. So it’s kind of like a big theater light that shines out 22 miles over the lake”.

Russell Charles Means (November 10, 1939 – October 22, 2012) was an Oglala Lakota activist for the rights of Native Americans, libertarian political activist, actor, musician, and writer. He became a prominent member of the American Indian Movement (AIM) after joining the organization in 1968 and helped organize notable events that attracted national and international media coverage.

Means was active in international issues of indigenous peoples, including working with groups in Central and South America and with the United Nations for recognition of their rights. He was active in politics at his native Pine Ridge Indian Reservation and at the state and national level.

Beginning an acting career in 1992, he appeared on numerous television series and in several films, including The Last of the Mohicans and Pocahontas and released his own music CD. Means published his autobiography Where White Men Fear to Tread in 1995.

Bobby Rush (born Emmett Ellis Jr. in Homer, Louisiana on November 10, 1933) is an American blues musician, composer, and singer. His style incorporates elements of blues, rap, and funk.

Rush has won twelve Blues Music Awards and in 2017, at the age of 83, he won his first Grammy Award for the album Porcupine Meat. He is inducted into the Blues Hall of Fame, Mississippi Musicians Hall of Fame, and Rhythm & Blues Music Hall of Fame.

Rush is the son of Emmett and Mattie Ellis. His father was a pastor whose guitar and harmonica playing provided early musical influences. As a young child he began experimenting with music using a sugarcane syrup bucket and a broom-wire diddley bow. Around 1947, he and the family moved to Pine Bluff, Arkansas, where his father took on the pastorate of a church and was a farmer.

It was here that Rush would become friends with Elmore James, the slide player Boyd Gilmore (James’s cousin), and the piano player Johnny “Big Moose” Walker; eventually forming a band to support his singing and harmonica and guitar playing. His band, Bobby Rush and the Four Jivers, consisted of Gilmore, Walker, Pinetop Perkins, and Robert Plunkett. Through Gilmore, Rush became friends with Clarksdale musician Ike Turner.

Andrew Charles Cyrille (born November 10, 1939) is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: “Few free-jazz drummers play with a tenth of Cyrille’s grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety.”

Cyrille was born in Brooklyn, New York, United States, into a Haitian family. He began studying science at St. John’s University, but was already playing jazz in the evenings and switched his studies to the Juilliard School. His first drum teachers were fellow Brooklyn-based drummers Willie Jones and Lenny McBrowne; through them, Cyrille met Max Roach. Nonetheless, Cyrille became a disciple of Philly Joe Jones.

His first professional engagement was as an accompanist of singer Nellie Lutcher, and he had an early recording session with Coleman Hawkins. Trumpeter Ted Curson introduced him to pianist Cecil Taylor when Cyrille was 18.