Koko Taylor (born Cora Anna Walton, September 28, 1928 – June 3, 2009) was an American singer whose style encompassed Chicago blues, electric blues, rhythm and blues and soul blues. Sometimes called “The Queen of the Blues”, she was known for her rough, powerful vocals. Born on a farm near Memphis, Tennessee, Taylor was the daughter of a sharecropper. She left Tennessee for Chicago in 1952 with her husband, Robert “Pops” Taylor, a truck driver. In the late 1950s, she began singing in blues clubs in Chicago. She was spotted by Willie Dixon in 1962, and this led to more opportunities for performing and her first recordings. In 1963 she had a single on USA Records, and in 1964 a cut on a Chicago blues collection on Spivey Records, called Chicago Blues. In 1964 Dixon brought Taylor to Checker Records, a subsidiary label of Chess Records, for which she recorded “Wang Dang Doodle“, a song written by Dixon and recorded by Howlin’ Wolf five years earlier. The record became a hit, reaching number four on the R&B chart and number 58 on the pop chart in 1966,and selling a million copies. She recorded several versions of the song over the years, including a live rendition at the 1967 American Folk Blues Festival, with the harmonica player Little Walter and the guitarist Hound Dog Taylor. Her subsequent recordings, both original songs and covers, did not achieve as much success on the charts.

John Gilmore (September 28, 1931 – August 20, 1995) was an American jazz saxophonist, clarinetist, and percussionist. He was known for his tenure with the avant-garde keyboardist/bandleader Sun Ra from the 1950s to the 1990s.

Gilmore was raised in Chicago and played clarinet from the age of 14. He took up the tenor saxophone while serving in the United States Air Force from 1948 through 1951. He then pursued a musical career, beginning as a tenor saxophonist on a national tour with the Harlem Globetrotters in an ensemble that included pianist Earl Hines in 1952.

In 1953 Gilmore met pianist and bandleader Sun Ra who had a profound impact on him as a musician. For the next four decades, he recorded and performed almost exclusively with Sun Ra; first as a trio, and then in the band Arkestra. This was puzzling to some, who noted Gilmore’s talent, and thought he could be a major star like John Coltrane or Sonny Rollins. Despite being five years older than Gilmore, Coltrane was impressed with his playing, and took informal lessons from Gilmore in the late 1950s. Coltrane’s epochal, proto–free jazz “Chasin’ the Trane” was inspired partly by Gilmore’s sound. The Penguin Guide to Jazz suggests Gilmore remained an influence in Coltrane’s later period, particularly on Sun Ship.

Robert Roland Chudnick (September 27, 1927 – May 27, 1994), known professionally as Red Rodney, was an American jazz trumpeter.

Born in Philadelphia, Pennsylvania, he became a professional musician at 15, working in the mid-1940s for the big bands of Jerry Wald, Jimmy Dorsey, Georgie Auld, Elliot Lawrence, Benny Goodman, and Les Brown. He was inspired by hearing Dizzy Gillespie and Charlie Parker to change his style to bebop, moving on to play with Claude Thornhill, Gene Krupa, and Woody Herman.^[2] He was Jewish.

He accepted an invitation from Charlie Parker to join his quintet. and was a member of the band from 1949 to 1951. Being the only white member of the group, when playing in the southern United States he was billed as “Albino Red” as a ruse to avoid prejudice against mixed race musical combos. During this time he recorded extensively.

Earring George Mayweather (September 27, 1927 – February 12, 1995) was an American electric blues and Chicago blues harmonica player, songwriter and singer. He recorded only one solo album, but he played the harmonica on recordings by J. B. Hutto and Eddie Taylor.

AllMusic commented that his album Whup It! Whup It! was “an admirable shot at recreating the ’50s Chicago harp sound”.

George Mayweather Jr. was born in Montgomery County, Alabama. He learned to play the harmonica after receiving the instrument as a Christmas present at the age of six. Inspired by the playing of Sonny Boy Williamson I, Mayweather mainly taught himself the rudiments of the instrument. Upon his relocation to Chicago, Illinois, in September 1949, he befriended Little Walter, who taught him techniques of harmonica playing. He lived in Chicago, next door to J. B. Hutto, and in 1951 he teamed up with Hutto and the percussionist Eddie “Porkchop” Hines to form the Hawks, a trio performing on weekends at the Maxwell Streetmarket.

Earl Rudolph “Bud” Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having “greatly extended the range of jazz harmony”.

He was born in Harlem, New York, United States. Powell’s father was a stride pianist. Powell started classical piano lessons at the age of five.His teacher, hired by his father, was a West Indian man named Rawlins.At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party, where he mimicked Fats Waller‘s playing style.

Gary Bartz (born September 26, 1940 Baltimore, MD) is an American jazz saxophonist. He has won two Grammy Awards.

Bartz studied at the Juilliard School. In the early 1960s, he performed with Eric Dolphy and McCoy Tyner in Charles Mingus‘ Jazz Workshop. He worked as a sideman with Max Roach and Abbey Lincoln before joining Art Blakey and the Jazz Messengers. In 1968, he was a member of McCoy Tyner‘s band, Expansions.

In mid-1970, he joined Miles Davis‘ band, performing live at the Isle Of Wight festival in August; and at a series of December dates at The Cellar Door club in Washington, D.C. Portions of these shows were initially released on the 1971 Live-Evil album, with the entire six performance/four night run eventually released in full on the 2005 Cellar Door Sessionsbox set. He later formed the band Ntu Troop, which combined jazz, funk, and soul.

Victor Edward Jurusz Jr. (September 26, 1953 – December 31, 2019), known professionally as Vic Juris, was an American jazz guitarist.

Juris was born in Jersey City, New Jersey, but he moved with his family to Parsippany early in his life. In 1963, at the age of 10, he began learning guitar. At 11, he studied guitar at the home of his teacher, Ed Berg, and got interested in jazz listening to Berg’s records of guitarists Django Reinhardt, Jim Hall, Barney Kessel, Jimmy Raney, and Johnny Smith. In his teens he played the rock music of the 1960s. When he was 19, he met blind saxophonist Eric Kloss and they became friends. He made his first recording on Kloss’s album Bodies’ Warmth (Muse, 1975). Around the same time, he met guitarist Pat Martino, who became a friend and mentor.

Rossiere “Shadow” Wilson (September 25, 1919 – July 11, 1959) was an American jazz drummer.

Much of Wilson’s early work was with swing jazz orchestras. He played with Frankie Fairfax’s Campus Club Orchestra in 1936, with Lucky Millinderin 1939, and following this, with Benny Carter, Tiny Bradshaw, Lionel Hampton, Earl Hines, Count Basie, and Woody Herman. Later in his career, he played with Illinois Jacquet, Erroll Garner, Thelonious Monk, Ella Fitzgerald, Joe Newman, Lee Konitz, Sonny Stitt, Phil Woods, Gene Quill, and Tadd Dameron. The drummer was known to sit in at the famed Minton’s Playhouse. His nickname came from “his beautiful light touch with brushes,” in the words of bassist Peter Ind. Wilson died of meningitis in July 1959. He never recorded as a leader.

Erik Darling (September 25, 1933 – August 3, 2008) was an American songwriter and a folk music artist. He was an important influence on the folk scene in the late 1950s and early 1960s.

Darling was born in Baltimore, Maryland, United States. Inspired by the folk music group The Weavers, in the 1950s, he formed The Tunetellers, which evolved into The Tarriers with actor/singer Alan Arkin. Their version of the “Banana Boat Song” reached No. 4 on the Billboard chart.

In April 1958, Darling replaced Pete Seeger in The Weavers, and he continued working club dates with The Tarriers until November 1959. Darling also recorded three solo albums. His second solo effort, True Religion, for Vanguard in 1961 was influential on younger folkies of the day. In 1956, he accompanied the Kossoy Sisters on their album Bowling Green.