Please lets demand Gun Control once and for all.
At least eight mass shootings took place across the U.S. over the weekend following Tuesday’s mass shooting in Uvalde, Texas. Another three occurred between Wednesday and Friday. According to the Gun Violence Archive, an independent organization that collects data from over 7,500 sources, eight people have been killed and another 45 injured in the five days following the massacre at Robb Elementary School in Uvalde. A mass shooting, defined by the Gun Violence Archive, is an incident in which four or more individuals are shot and either injured or killed, excluding the gunman.
Honoring my dad Mike Labriola for his courage of fighting Nazism in his homeland of Italy as a very young man.
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Easily identified by the spectacular band of absorbing dust partially obscuring its bright nucleus, M64, or the Black Eye galaxy, is characterized by its bizarre internal motion. The gas in the outer regions of this remarkable galaxy is rotating in the opposite direction from the gas and stars in its inner regions. This strange behavior can be attributed to a merger between M64 and a satellite galaxy over a billion years ago.
New stars are forming in the region where the oppositely rotating gases collide, are compressed, and then contract. Particularly noticeable in this stunning Hubble image of the galaxy’s core are hot, blue stars that have just formed, along with pink clouds of glowing hydrogen gas that fluoresce when exposed to ultraviolet light from newly formed stars.
M64 was discovered by the English astronomer Edward Pigott. It is located 17 million light-years from Earth in the constellation Coma Berenices and is best observed in May. With an apparent magnitude of 9.8, the Black Eye galaxy can be spotted with a moderately sized telescope.
“King” Ernest Baker (May 30, 1939 – March 5, 2000) was an American blues and soul singer. He recorded “I Feel Alright” and “That’s When I Woke Up.” Baker was born in Natchez, Mississippi, and died in a car crash in 2000, just after finishing recording an album.
Coming from a large family, he was the 3rd born of 11 children. Ernest was born in Natchez, Mississippi on May 5, 1939. His great-grandfather was an Italian violinist from Milan who lived to be 109. According to Baker, all of his Southern State children (referred to as half-Mulatto in those times) were violinists and guitar players. His grandfather was part of a Baker Band Revue, which played around and in Louisiana and Mississippi. His father was a guitarist who would play at the Honky-tonk places in the south. He recalled sitting on his fathers knee at around seven years old and listening to his father signing and playing his slide guitar. He would also hold out a cup for the listeners to put money in to. Blues singer Bobby Bland is a cousin of King Ernest.
see full post...Ellsworth McGranahan “Shake” Keane (30 May 1927 – 11 November 1997) was a Vincentian jazz musician and poet. He is best known today for his role as a jazz trumpeter, principally his work as a member of the ground-breaking Joe Harriott Quintet (1959–65).
Born on the Caribbean island of St Vincent into “a humble family that loved books and music”, Keane attended Kingstown Methodist School and St Vincent Grammar School. He was taught to play the trumpet by his father, Charles (who died when Keane was 13), and gave his first public recital at the age of six. When he was 14 years old, Keane led a musical band made up of his brothers. In the 1940s, with his mother Dorcas working to raise six children, the teenager joined one of the island’s leading bands, Ted Lawrence and His Silvertone Orchestra. During his early adulthood in St Vincent, his principal interest was literature, rather than the music for which he would become better known. He had been dubbed “Shakespeare” by his school friends, on account of this love of prose and poetry. This nickname was subsequently shortened to “Shake”, which name he came to use throughout his adult life. He published two books of poetry, L’Oubili (1950) and Ixion (1952), while still in St Vincent.
see full post...Armando Peraza (May 30, 1924 – April 14, 2014) was a Latin jazz percussionist and a member of the rock band Santana. Peraza played congas, bongos, and timbales.Born in Lawton Batista, Havana, Cuba in 1924 (although the birth year is uncertain), he was orphaned by age 7 and lived on the streets. When he was twelve, he supported himself by selling vegetables, coaching boxing, playing semi-pro baseball, and becoming a loan shark. His music career began at seventeen when he heard at a baseball game that bandleader Alberto Ruiz was looking for a conga player. Ruiz’s brother was on the same baseball team as Peraza. Despite the absence of experience in music, he practiced and won the audition.
He left Cuba for Mexico in 1948 to tend to his sick friend, conga drummer Mongo Santamaría. They arrived in New York City in 1949. After playing in Machito‘s big band, Peraza was invited by Charlie Parkerto participate in a recording session that included Buddy Rich. He recorded with Slim Gaillard in New York in November 1949 in a session that produced “Bongo City”. He toured the U.S. with Gaillard’s band until they reached San Francisco, where Gaillard owned the nightclub Bop City. After a period in Mexico, where he recorded with Perez Prado and did some soundtracks for the Mexican movie industry, he returned to the U.S. and settled in San Francisco. While on the West Coast, he worked with Dizzy Gillespie, toured extensively with Charles Mingus and Dexter Gordon, and played in California for Mexican farm workers with Puerto Rican actor and musician Tony Martinez (who played “Pepino” on the TV show The Real McCoys). Armando also led an Afro-Cuban dance review at the Cable Car Village club in San Francisco, attracting a clientele from Hollywood that included Errol Flynn, Marlon Brando, and Rita Hayworth.
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Clora Larea Bryant (May 30, 1927 – August 25, 2019) was an American jazz trumpeter. She was the only female trumpeter to perform with Dizzy Gillespie and Charlie Parker and was a member of the International Sweethearts of Rhythm.
Bryant was born in Denison, Texas to Charles and Eulila Bryant, the youngest of three children. Her father was a day laborer and her mother was a homemaker who died when Clora was only 3 years old.[1]When Bryant was a young child, she learned to play piano with her brother Mel.[3] As a child, Bryant was a member of the choir in a Baptist church. When her brother Fred joined the military, he left his trumpet, which she learned how to play. In high school she played trumpet in the marching band. Bryant turned down scholarships from Oberlin Conservatory and Bennett College to attend Prairie View College in Houston starting in 1943, where she was a member of the Prairie View Co-eds jazz band.The band toured in Texas and performed at the Apollo Theater in New York City in 1944. Her father got a job in Los Angeles, and she transferred to UCLA in 1945.[2] Bryant heard bebop for the first time on Central Avenue.
see full post...C/2021 A1 (Leonard) was a long period comet that was discovered by G. J. Leonard at the Mount Lemmon Observatory on 3 January 2021 (a year before perihelion) when the comet was 5 AU(750 million km) from the Sun. It had a retrograde orbit. The nucleus was about 1 km (0.6 mi) across. It came within 4 million km (2.5 million mi) of Venus, the closest-known cometary approach to Venus.
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Daniel Robert Elfman (born May 29, 1953) is an American film composer, singer, and songwriter. He came to prominence as the singer-songwriter for the new wave band Oingo Boingo in the early 1980s. Since the 1990s, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall.
Elfman has frequently worked with directors Tim Burton, Sam Raimi, and Gus Van Sant, with achievements including the scores of 16 Burton-directed films including Batman, Edward Scissorhands, Charlie and the Chocolate Factory, Alice in Wonderland, and Dumbo; Raimi’s Darkman (1990), A Simple Plan (1998), Spider-Man, Spider-Man 2, Oz the Great and Powerful, and Doctor Strange in the Multiverse of Madness; and Van Sant’s Academy Award-winning films Good Will Hunting and Milk. He wrote music for all of the Men in Black and Fifty Shades of Grey franchise films, the songs and score for Henry Selick‘s animated musical The Nightmare Before Christmas, and the themes for the popular television series Desperate Housewives and The Simpsons.
Among his honors are four Oscar nominations, two Emmy Awards, a Grammy, six Saturn Awards for Best Music, the 2002 Richard Kirk Award, the 2015 Disney Legend Award, and the Max Steiner Film Music Achievement Award in 2017. Elfman was born in Los Angeles, California, to a Jewish family of Polish-Jewish and Russian-Jewish descent. He is a son of Blossom Elfman (née Bernstein), a writer and teacher, and Milton Elfman, a teacher, and the brother of actor, musician, and journalist Richard Elfman. Elfman was raised in a racially mixed affluent community in Baldwin Hills, California, where he spent much of his time at the local movie theater discovering classic sci-fi, fantasy and horror films and first noticed the music of such film composers as Bernard Herrmann and Franz Waxman. Elfman has admitted to fabricating stories about his past out of boredom, including a false birthplace of Amarillo, Texas, and parents in the United States Air Force.
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Eugene Joseph Wright (May 29, 1923 – December 30, 2020) was an American jazz bassist who was a member of the Dave Brubeck Quartet.
Wright was a cornetist at high school and led the 16-piece band Dukes of Swing in his 20s. He was largely self-taught on bass until his early 30s, when he studied privately with Paul Gregory and others. Walter Page was Wright’s idol.
He became more successful at the peak of the swing era, with bandleaders including Count Basie and Erroll Garner. Playing with Billie Holiday and Charlie Parker, after the swing era ended, he demonstrated his versatility in bebop with such musicians as Sonny Stitt as well as in Latin jazz with Cal Tjader.
He also played with Lonnie Simmons, Gene Ammons, and Arnett Cobb in the late ’40s and early ’50s, then worked with Buddy DeFranco from 1952 to 1955, touring Europe with him. He played in the Red Norvo trio in 1955 and toured Australia with them. He was featured in a film short with Charlie Barnet.
Wright’s highest profile association was with the Dave Brubeck Quartet, which he joined in 1958. He remained with Brubeck until 1968, as part of the classic line-up with Paul Desmond and Joe Morello, and featured in the quartet’s standards “Take Five” and “Blue Rondo à la Turk“. He recorded more than 30 albums with the group. Brubeck himself wrote that Wright “grounded the group”, allowing them “to play other tempos and do polyrhythmic things and he wouldn’t budge from this grounded beat”.
see full post...Freddie Redd (May 29, 1928 – March 17, 2021) was an American hard-bop pianist and composer. He is best known for writing music to accompany The Connection (1959), a play by Jack Gelber. According to Peter Watrous, writing in The New York Times: “Mr. Redd hung out at jam sessions in the 1950s and played with many of the major figures, Sonny Rollins to Art Blakey, and worked regularly with Charles Mingus. When things got tough, he just moved on, living in Guadalajara, Mexico, and in Paris and London.”
Redd was born and grew up in New York City; after losing his father at the age of one, he was raised by his mother, who moved around Harlem, Brooklyn and other neighborhoods. An autodidact, he began playing the piano at a young age and took to studying jazz seriously when he was 18, after a friend played him a record of “Shaw ‘Nuff” by Charlie Parker and Dizzy Gillespie during his military service in Korea (1946–1949).
Upon discharge from the Army in 1949, he worked with drummer Johnny Mills, and then in New York played with Tiny Grimes, Cootie Williams, Oscar Pettiford and the Jive Bombers. In 1954, he played with Art Blakey. Redd toured Sweden in 1956 with Ernestine Anderson and Rolf Ericson.
Redd’s most successful project was in the late 1950s when he was invited to compose the music for The Living Theatre‘s New York stage production of The Connection, which was also used in the subsequent 1961 film. In both play and film he performed as an actor and musician. The theater production was a modest hit and the troupe toured the United States and Europe, performing in New York City, London, and Paris. Redd also led a Blue Note album of his music for the play, featuring on alto sax Jackie McLean, who had also appeared in the play. Redd’s success in the theater production, however, did not advance his career in the United States, and shortly afterwards he moved to Europe, spending time in Denmark and France.
see full post...In 185 AD, Chinese astronomers recorded the appearance of a new star in the Nanmen asterism. That part of the sky is identified with Alpha and Beta Centauri on modern star charts. The new star was visible for months and is thought to be the earliest recorded supernova. This deep image shows emission nebula RCW 86, understood to be the remnant of that stellar explosion. The narrowband data trace gas ionized by the still expanding shock wave. Space-based images indicate an abundance of the element iron and lack of a neutron star or pulsar in the remnant, suggesting that the original supernova was Type Ia. Unlike the core collapse supernova explosion of a massive star, a Type Ia supernova is a thermonuclear detonation on a a white dwarf star that accretes material from a companion in a binary star system. Near the plane of our Milky Way galaxy and larger than a full moon on the sky this supernova remnant is too faint to be seen by eye though. RCW 86 is some 8,000 light-years distant and around 100 light-years across.
Leland Bruce “Lee” Sklar (born May 28, 1947) is an American electric bassist and session musician. He was a member of the Los Angeles-based instrumental group The Section, who served as the de factohouse band of Asylum Records and were one of the progenitors of the soft rock sound prevalent on top-40 radio in the 1970s and 1980s. Besides appearing as the backing band on numerous recordings by artists such as James Taylor, Jackson Browne, Carole King, and Linda Ronstadt, The Section released three solo albums of instrumental rock. Both in The Section and separately, Sklar has contributed to over 2,000 albums as a session and touring musician. He has toured with James Taylor, Phil Collins, Toto, Lyle Lovett and other major acts. He has also been recorded on many soundtracks to motion pictures and television shows.
Sklar was born May 28, 1947 in Milwaukee, Wisconsin. When Leland was four, his family and he moved to Van Nuys, California, a central San Fernando Valley neighborhood in the northwest section of metropolitan Los Angeles. At five, he was inspired to take up classical piano by watching Liberace on his TV show. Sklar’s natural talents saw him winning competitions and awards from the Hollywood Bowl Association. By age twelve, Sklar was burning out on piano and was diverted to a Kay upright bass by his junior high school orchestra teacher, Mr. Ted Lynn. While attending Birmingham High School (class of 1965), Sklar gave up the bass drum in the marching band and became a drum major. He went to Redlands University in the summer to drum major school. He still has his baton.
see full post...Russell Donald Freeman (May 28, 1926 – June 27, 2002 Chicago) was a bebop and cool jazz pianist and composer.
Initially, Freeman was classically trained. His reputation as a jazz pianist grew in the 1940s after working with Art Pepper and Shorty Rogers. He played with Charlie Parker on the 1947 “Home Cooking” jazz session. Numerous collaborations followed in the 1950s with Chet Baker, Shelly Manne, and Art Pepper. These collaborations included the Jazz Immortal LP recorded with Russ Freeman and jazz trumpeter Clifford Brown in 1954, which included leading musicians Brown and Zoot Sims. On the Jazz Immortal LP, Russ Freeman was able to play in a combo that recorded many Clifford Brown compositions.
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