David Pell (February 26, 1925 – May 7, 2017) was an American jazz saxophonist, bandleader and record producer. He was best known for leading a cool jazz octet in the 1950s.

Pell played in his teens with the big bands of Tony Pastor, Bob Astor, and Bobby Sherwood. In the 1940s he moved to California, where he played on Bob Crosby‘s radio show in 1946 and became a member of Les Brown‘s band from 1947 to 1955.

In 1953, he began working with his own ensembles, mostly as an octet with Pell on tenor saxophone, another saxophone (either a baritone or an alto), trumpet, trombone, guitar, and a piano-bass-drums rhythm section). Among the octet players were Pepper Adams, Benny Carter, Mel Lewis, Red Mitchell, Marty Paich, Art Pepper and, early his career, John Williams. These ensembles recorded in the 1950s for Atlantic, Kapp, Coral, Capitol, and RCA Victor. Pell also worked as a sideman for Shorty Rogers, Pete Rugolo, Benny Goodman, and Gene Krupa. He produced music in the 1950s and 1960s for Tops, Uni and Liberty; among his credits were singles by Gary Lewis & the Playboys.

In 1961, Pell switched to alto saxophone and clarinet for a tribute album to John Kirby, who led a small group in the 1930s and 1940s.

Antoine Dominique Domino Jr. (February 26, 1928 – October 24, 2017 NOLA), known as Fats Domino, was an American pianist and singer-songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. His first single “The Fat Man” is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song’s co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price‘s “Lawdy Miss Clawdy” (1952) and scoring a string of mainstream hits beginning with “Ain’t That a Shame” (1955). Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold.

Domino was shy and modest by nature but made a significant contribution to the rock and roll genre. Elvis Presley declared Domino a “huge influence on me when I started out” and described him as “the real king of rock ‘n’ roll”. The artist himself did not define his work as rock and roll, saying of the genre “It wasn’t anything but the same rhythm and blues I’d been playing down in New Orleans”. Four of Domino’s records were named to the Grammy Hall of Fame for their significance: “Blueberry Hill“, “Ain’t That A Shame“, “Walking to New Orleans” and “The Fat Man”. He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986. The Associated Press estimates that during his career, Domino “sold more than 110 million records”.

Performing at Mt Zion Temple 6:30pm service

René Thomas (25 February 1927 – 3 January 1975) was a Belgian jazz guitarist.

In the early 1950s, he moved to Paris, France, and became part of the modern jazz scene, playing in the style of Jimmy Raney. He spent brief periods in the United States from 1958 to 1962. Back in Europe, he toured and recorded with Chet Baker, Bobby Jaspar, Kenny Clarke, Eddy Louiss, Stan Getz, Lucky Thompson, Sonny Criss, Jacques Pelzer, Lou Bennett, Charles “Lolo” Bellonzi, and Ingfried Hoffmann.

Thomas died of a heart attack in Santander, Spain, at the age of 47 on 3 January 1975.

Hal Blaine (born Harold Simon Belsky; February 5, 1929 – March 11, 2019) was an American drummer and session musician, estimated to be among the most recorded studio drummers in the history of the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one, as well as many film and television soundtracks.

Born in Holyoke, Massachusetts, Blaine moved with his family to California in 1943 and subsequently began playing jazz and big band music before taking up rock and roll session work. He became one of the regular players in Phil Spector‘s de facto house band, which Blaine nicknamed “the Wrecking Crew“. Some of the records Blaine played on include the Ronettes‘ single “Be My Baby” (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond, and the Byrds.

Blaine’s workload declined from the 1980s onwards as recording and musical practices changed. In 2000, he was among the inaugural “sidemen” inductees to the Rock and Roll Hall of Fame, in 2007 he was inducted into the Musicians Hall of Fame and Museum as a member of the Wrecking Crew, and in 2018 he received a Grammy Lifetime Achievement Award.

Ida Cox (born Ida M. Prather, February 26, 1888 or 1896 – November 10, 1967) was an American singer and vaudeville performer, best known for her blues performances and recordings. She was billed as “The Uncrowned Queen of the Blues”.

Cox was born Ida M. Prather, the daughter of Lamax and Susie (Knight) Prather in Toccoa, then Habersham County, Georgia, and grew up in Cedartown, Polk County, Georgia. Many sources give her birth date as February 26, 1896, but the researchers Bob Eagle and Eric LeBlanc have suggested she was born in 1888 and noted other evidence suggesting 1894. Her family lived and worked in the shadow of the Riverside Plantation, the private residence of the wealthy Prather family, from which her namesake came. She faced a future of poverty and few educational and employment opportunities.

Cox joined the local African Methodist Choir at an early age and developed an interest in gospel music and performance. At the age of 14, she left home to tour with White and Clark’s Black & Tan Minstrels. She began her career on stage by playing Topsy, a “pickaninny” role commonly performed in vaudeville shows of the time, often in blackface. Cox’s early experience with touring troupes included stints with other African-American travelling minstrel shows on the Theater Owners Booking Association vaudeville circuit: the Florida Orange Blossom Minstrels, the Silas Green Show, and the Rabbit Foot Minstrels.

Alonso Lobo (February 25, 1555 (baptised) – April 5, 1617) was a Spanish composer of the late Renaissance. Although not as famous as Tomás Luis de Victoria, he was highly regarded at the time, and Victoria himself considered him to be his equal.

Lobo’s music combines the smooth contrapuntal technique of Palestrina with the sombre intensity of Victoria. Some of his music also uses polychoraltechniques, which were common in Italy around 1600, though Lobo never used more than two choirs (contemporary choral music of the Venetian schooloften used many more — the Gabrielis often wrote for as many choirs as there were choir-lofts at St Mark’s Basilica). Lobo was influential far beyond the borders of his native Spain: in Portugal, and as far away as Mexico, for the next hundred years or more he was considered to be one of the finest Spanish composers.

The term called “Solea” represents the time to enter into your own soul and be inside yourself with no interference. The dance is more constrained, you are in a control that in the dynamic of the dance, you can see the dancer keeping every movement to herself as if talking with her own soul. Contrary to the flamenco dance “Alegrias” or “Bulerias,” where we see the dancer being more outgoing, the dance is free of control and it is more free-flowing, less restrictive, in Solea, there is a strong conversation with the inner-self.

Nicholas Christian Hopkins (24 February 1944 – 6 September 1994) was an English pianist and organist. Hopkins recorded and performed on many British and American pop and rock music releases from the 1960s through the 1990s including many songs by The Rolling Stones, The Kinks and The Who.

Nicholas Christian Hopkins was born in Perivale, Middlesex, England, on 24 February 1944. He began playing the piano at the age of three. He attended Sudbury Primary School in Perrin Road and Wembley County Grammar School, which now forms part of Alperton Community School, and was initially tutored by a local piano teacher; in his teens he won a scholarship to the Royal Academy of Music in London. He suffered from Crohn’s disease for most of his life.

His poor health and repeated surgery later made it difficult for him to tour, and he worked mainly as a session musician for most of his career.Hopkins’ studies were interrupted in 1960 when he left school at 16 to become the pianist with Screaming Lord Sutch‘s Savages until, two years later, he and fellow Savages Bernie Watson, Rick Brown (aka Ricky Fenson) and Carlo Little joined the renowned blues harmonica player Cyril Davies, who had just left Blues Incorporated, and became the Cyril Davies (R&B) All-Stars. Hopkins died on 6 September 1994, at the age of 50, in Nashville, Tennessee, from complications resulting from intestinal surgery related to his lifelong battle with Crohn’s disease. At the time of his death, he was working on his autobiography with Ray Coleman.

David “Fathead” Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles.

The AllMusic Guide to Jazz wrote that “there have not been many saxophonists and flutists more naturally soulful than David ‘Fathead’ Newman.”Newman was a leading exponent of the “Texas Tenor” saxophone style, a big-toned, bluesy approach popularized by jazz tenor players from that state.

Newman was born in Corsicana, Texas, United States, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. According to one account, he got his nickname “Fathead” in school when “an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside down on the stand.”

Inspired by the jump blues bandleader Louis Jordan, Newman took up the alto saxophone in the seventh grade, and was mentored by former Count Basie saxophonist Buster Smith. He went off to Jarvis Christian College on a music and theology scholarship but quit school after three years and began playing professionally.

Pictured, the Robert C. Byrd Green Bank Telescope (GBT) on the lower right is the largest fully-pointable single-dish radio telescope in the world. With a central dish larger than a football field, the GBT is nestled in the hills of West Virginia, USA in a radio quiet zone where the use of cell phones, WiFi emitters, and even microwave ovens are limited. The GBT explores our universe not only during the night — but during the day, too, since the daytime sky is typically dark in radio waves. Taken in late January, the featured image was planned for months to get the setting locationof Orion just right. The image is a composite of a foreground shot taken over a kilometer away from the GBT, and a background shot built up of long exposures during the previous night. The deep background image of Orion is fitting because the GBT is famous for, among many discoveries, mapping the unusual magnetic field in the Orion Molecular Cloud Complex.