First, the large emission nebula on the upper left, catalogued as IC 1805, looks somewhat like a human heart. The nebula glows brightly in red light emitted by its most prominent element, hydrogen, but this long-exposure image was also blended with light emitted by sulfur (yellow) and oxygen (blue). In the center of the Heart Nebula are young stars from the open star cluster Melotte 15 that are eroding away several picturesque dust pillars with their atom-exciting energetic light and winds. The Heart Nebula is located about 7,500 light yearsaway toward the constellation of Cassiopeia. This wide field image shows much more, though, including the Fishhead Nebula just below the Heart, a supernova remnant on the lower left, and three planetary nebulas on the image right. Taken over 57 nights, this image is so deep, though, that it clearly shows fainter long and complex filaments.
Carlton Barrett (17 December 1950 – 17 April 1987) was a Jamaican musician best known for being the long-time drummer for Bob Marley & The Wailers. Recognized for his innovative style, which featured a highly syncopated, broken triplet pattern on the hi-hat, and for his dazzling drum introductions, Barrett’s prolific recordings with Marley have been internationally celebrated. He is credited with popularising the One Drop rhythm.
Carlton Barrett was born in Kingston, Jamaica, in 1950, the second son of Wilfred and Violet Barrett. As a teenager, he built his first set of drums out of empty paint cans he found on the street. Along with his contemporaries, drummers Sly Dunbar, Leroy “Horsemouth” Wallace, Style Scott and Carlton “Santa” Davis, Barrett was heavily influenced by Lloyd Knibb of The Skatalites.
In the 1960s, Barrett began performing with his brother Aston “Family Man” Barrett, under the names The Soul Mates, The Rhythm Force and eventually The Hippy Boys, a line-up that featured Max Romeo on vocals, Leroy Brown, Delano Stewart, Glen Adams and Alva Lewis. In 1969, the brothers joined The Wailers (later Known as Bob Marley and The Wailers). During his years with Marley, Barrett continued to record for many of Jamaica’s most well known artists and is featured on solo albums by Bunny Wailer (Blackheart Man), Augustus Pablo (King Tubbys Meets Rockers Uptown) and Peter Tosh (Legalize It and Equal Rights) as well as many others. On 17 April 1987, a gunman shot and killed Barrett outside his home at 12 Bridgemount Park Avenue in Kingston, Jamaica. He was 36.
see full post...Edward James Kendrick (December 17, 1939 – October 5, 1992), better known as Eddie Kendricks, was an American tenor singer and songwriter. Noted for his distinctive falsetto singing style, Kendricks co-founded the Motown singing group the Temptations, and was one of their lead singers from 1960 until 1971. He was the lead voice on such famous songs as “The Way You Do the Things You Do“, “Get Ready“, and “Just My Imagination (Running Away with Me)“. As a solo artist, Kendricks recorded several hits of his own during the 1970s including the number-one singles “Keep On Truckin’” and “Boogie Down.”
see full post...Arthur Lanon Neville Jr. (December 17, 1937 – July 22, 2019) was an American singer, songwriter and keyboardist from New Orleans.
Neville was a staple of the New Orleans music scene for over five decades. He was the founder of the funk band The Meters whose musical style set the tone of New Orleans funk, a co-founder of the rock-soul-jazz band The Neville Brothers, and he later formed the spinoff group The Funky Meters. He performed on many recordings by notable artists from New Orleans and elsewhere, including Labelle (on “Lady Marmalade“), Paul McCartney, Lee Dorsey, Robert Palmer, Dr. John and Professor Longhair. He was the recipient of three Grammy awards.
Neville grew up in New Orleans. He was the son of Amelia (Landry) and Arthur Neville Sr. He started on piano and performed with his brothers at an early age. He was influenced by the R&B styles of James Booker, Bill Doggett, Booker T. Jones, Lloyd Glenn and Professor Longhair. In high school he joined and later led The Hawketts. In 1954 the band recorded “Mardi Gras Mambo” with Neville on vocals.The song gained popularity and became a New Orleans carnival anthem. The band toured with Larry Williams. Neville performed regularly in New Orleans, joined the U.S. Navy in 1958, and returned to music in 1962. He released several singles as a lead artist in 1950s and 1960s.
see full post...Paul Vaughn Butterfield (December 17, 1942 – May 4, 1987) was an American blues harmonica player, singer, and bandleader. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.
In 1963, he formed the Paul Butterfield Blues Band, which recorded several successful albums and was popular on the late-1960s concert and festival circuit, with performances at the Fillmore West in San Francisco, the Fillmore East in New York City, the Monterey Pop Festival, and Woodstock. The band was known for combining electric Chicago blues with a rock urgency. and for their pioneering jazz fusionperformances and recordings. The band was also among the first racially integrated blues groups. After the breakup of the group in 1971, Butterfield continued to tour and record with the band Paul Butterfield’s Better Days, with his mentor Muddy Waters, and with members of the roots-rock group the Band. While still recording and performing, Butterfield died in 1987 at age 44 of an accidental drug overdose.
Music critics have acknowledged his development of an original approach that places him among the best-known blues harp players. In 2006, he was inducted into the Blues Hall of Fame. Butterfield and the early members of the Paul Butterfield Blues Band were inducted into the Rock and Roll Hall of Fame in 2015. Both panels noted his harmonica skills and his contributions to bringing blues music to a younger and broader audience.
see full post...James Carroll Booker III (December 17, 1939 – November 8, 1983 NOLA) was an American New Orleans rhythm and blues keyboardist and singer. Flamboyant in personality and style, and possessing extraordinary technical skill on the piano, he was dubbed “the Black Liberace.” His 1960 recording “Gonzo” reached No. 43 on the Billboard magazine record chart and No. 3 in R&B, and he toured internationally in the 1970s. After being mainly a rhythm and blues artist, Booker later fused this genre with jazz and with popular music such as that of the Beatles, playing these in his signature backbeat. He profoundly influenced the New Orleans music scene, where his renditions and originals have been revived and are performed.
see full post...Featured in this NASA/ESA Hubble Space Telescope Picture of the Week is the spiral galaxy NGC 2566, which sits 76 million light-years away in the constellation Puppis. A prominent bar of stars stretches across the centre of this galaxy, and spiral arms emerge from each end of the bar. Because NGC 2566 appears tilted from our perspective, its disc takes on an almond shape, giving the galaxy the appearance of a cosmic eye.
As NGC 2566 gazes at us, astronomers gaze right back, using Hubble to survey the galaxy’s star clusters and star-forming regions. The Hubble data are especially valuable for studying stars that are just a few million years old; these stars are bright at the ultraviolet and visible wavelengths to which Hubble is sensitive. Using these data, researchers will measure the ages of NGC 2566’s stars, helping to piece together the timeline of the galaxy’s star formation and the exchange of gas between star-forming clouds and stars themselves.
Several other astronomical observatories have examined NGC 2566, including the NASA/ESA/CSA James Webb Space Telescope. The Webb data complement this Hubble image, adding a view of NGC 2566’s warm, glowing dust to Hubble’s stellar portrait. At the long-wavelength end of the electromagnetic spectrum, NGC 2566 has also been observed by the Atacama Large Millimeter/submillimeter Array (ALMA). ALMA is a network of 66 radio telescopes that work together as one to capture detailed images of the clouds of gas in which stars form. Together, Hubble, Webb and ALMA provide an overview of the formation, lives and deaths of stars in galaxies across the Universe.
[Image Description: An oval-shaped spiral galaxy. Its core is a compact, glowing blue spot. A bright bar of light, lined with dark reddish dust, extends horizontally to the edge of the disc. A spiral arm emerges from each end of the bar and follows the edge of the disc, lined with blue and red glowing patches of stars, to the opposite end and a little off the galaxy. Blue stars are scattered between us and the galaxy.]
James Joshua Whiting (born December 16, 1949 NY,NY), known professionally as Sugar Blue, is an American blues harmonica player. He is best known for playing on the 1978 Rolling Stones album Some Girls, and well as his partnership with blues guitarist Louisiana Red.
The Chicago Tribune said, “The sound of Sugar Blue’s harmonica could pierce any night…it’s the sound of a musician who transcends the supposed limitations of his instrument.”
Whiting was born in New York City in 1949. In the mid-1970s, Whiting played as a session musician on Johnny Shines‘s Too Wet to Plow (1975) and with Roosevelt Sykes. While in the company of the latter, he met Louisiana Red, and the two toured and recorded in 1978.
Taking advice from Memphis Slim, in the late 1970s Whiting traveled to Paris, France. According to Ronnie Wood, Whiting was found by Mick Jagger busking on the city streets. This led to him playing on several of the tracks on The Rolling Stones’ Some Girls and Emotional Rescue albums: “Some Girls“, “Send It to Me“, “Down in the Hole” and “Miss You“.
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Robben Lee Ford (born December 16, 1951 Woodlake, CA) is an American blues, jazz, and rock guitarist. He was a member of the L.A. Express and Yellowjackets and has collaborated with Miles Davis, Joni Mitchell, George Harrison, Larry Carlton, Rick Springfield, Little Feat, and Kiss. He was named one of the “100 Greatest Guitarists of the 20th Century” by Musician magazine. At age 18, Ford’s band was hired to play with Charlie Musselwhite, and recorded two albums The Charles Ford Band and Discovering the Blues. He recorded two albums with Jimmy Witherspoon called Live and Spoonful. In the 1970s, Ford joined the jazz fusion band, L.A. Express, led by saxophonist Tom Scott. In 1974, the band supported George Harrison on his American tour and played on the Joni Mitchell albums The Hissing of Summer Lawns and Miles of Aisles.
see full post...Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.
Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Beethoven, and later by Christian Gottlob Neefe. Under Neefe’s tutelage in 1783, he published his first work, a set of keyboard variations. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon patronised by Karl Alois, Prince Lichnowskyfor compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795.
Beethoven’s first major orchestral work, the First Symphony, premiered in 1800, and his first set of string quartets was published in 1801. Despite his advancing deafness during this period, he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concertoappeared in 1806. His last piano concerto (No. 5, Op. 73, known as the Emperor), dedicated to his frequent patron Archduke Rudolf of Austria, premiered in 1811, without Beethoven as soloist. He was almost completely deaf by 1815, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his Heiligenstadt Testament (1802) to his brothers and his unsent love letter to an unknown “Immortal Beloved” (1812).
After 1810, increasingly less socially involved as his hearing loss worsened, Beethoven composed many of his most admired works, including later symphonies, mature chamber music and the late piano sonatas. His only opera, Fidelio, first performed in 1805, was revised to its final version in 1814. He composed Missa solemnis between 1819 and 1823 and his final Symphony, No. 9, the first major example of a choral symphony, between 1822 and 1824. Written in his last years, his late string quartets, including the Grosse Fuge, of 1825–1826 are among his final achievements. After several months of illness, which left him bedridden, he died on 26 March 1827 at the age of 56.
see full post...John Laird Abercrombie (December 16, 1944 – August 22, 2017 Port Chester, NY) was an American jazz guitarist. His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios.
He took guitar lessons at the age of ten, asking his teacher to show him what Barney Kessel was playing. After high school, he attended Berklee College of Music. At Berklee, he was drawn to the music of Jim Hall, the 1962 album The Bridge by Sonny Rollins, and Wes Montgomery on his albums The Wes Montgomery Trio (1959) and Boss Guitar (1963). He cites George Benson and Pat Martino as inspirations. He often played with other students at Paul’s Mall, a jazz club in Boston connected to a larger club, Jazz Workshop. Appearing at Paul’s Mall led to meetings with Michael Brecker, Randy Brecker, and organist Johnny Hammond Smith, who invited him to go on tour.
Abercrombie graduated from Berklee in 1967 and attended North Texas State University before moving to New York City in 1969. Before becoming a popular session musician, he joined Monty Stark’s band, Stark Reality, in 1969 and recorded several sides including Stark Reality Discovers Hoagy Carmichael’s Music Shop. Abercrombie went on to record with Gato Barbieri in 1971, Barry Miles in 1972, and Gil Evans in 1974. In 1969 he joined the Brecker Brothers in the jazz-rock fusion band Dreams. He continued to play fusion in Billy Cobham‘s band, but found that he disliked its focus on rock over jazz. Nonetheless his reputation grew with the popularity of both Cobham and Dreams. The band shared billing with such acts as the Doobie Brothers, but Abercrombie found his career taking an unwanted direction. “One night we appeared at the Spectrum in Philadelphia and I thought, ‘What am I doing here?’ It just didn’t computer.
see full post...John Robert “Johnny Hammond” Smith (December 16, 1933 – June 4, 1997 Louisville, KY) was an American soul jazz and hard bop organist. Born in Louisville, Kentucky, he was a renowned player of the Hammond B-3organ so earning “Hammond” as a nickname, which also avoided his being confused with jazz guitarist Johnny Smith though this could lead to him being confused with Jimmy Smith (musician), another Hammond great.
Smith played with Paul Williams and Chris Columbo before forming his own group. His bands featured singers Etta Jones, Byrdie Green, saxophonists Houston Person, Earl Edwards, guitarists Eddie McFadden, Floyd Smith, James Clark, vibist Freddie McCoy. His career took off as he was serving as accompanist to singer Nancy Wilson. One of his last accomplishments also included Nancy Wilson. He wrote the song “Quiet Fire” for her Nancy Now! release in 1988.
see full post...Zakir Hussain Death: Tabla maestro Zakir Hussain has died aged 73. The four-time Grammy winner was admitted to a hospital in San Franciso, California for the last two weeks after he complained of heart-related ailments. Flautist Rakesh Chaurasia had confirmed that his condition was critical. Reports have now surfaced that he is no more.
Zakir Hussain: The musician who took tabla to the global stage
The 73-year-old US-based musician has been credited with taking the tabla to the global stage. The eldest son of legendary tabla player Allah Rakha, Hussain followed in the footsteps of his father, becoming a marquee name in India and across the world. Hussain received four Grammy Awards, from seven nominations in his career. He won three at the 66th Grammy Awards earlier this year. In his career spanning six decades, the musician has worked with several renowned international and Indian artistes, but it was his 1973 musical project with English guitarist John McLaughlin, violinist L Shankar, and percussionist TH Vikku Vinayakram that brought together Indian classical and elements of jazz in a fusion hitherto unknown.
When we meditate, our soul comes in contact with the vibrating principle of God, the current of Light and Sound.” – Sant Rajinder Singh
