https://www.youtube.com/watch?v=LFveprr7pUI
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Michael Waller (6 September 1941 – 29 April 2008) was an English drummer, who played with many of the biggest names on the UK rock and blues scene, after he became a professional musician in 1960. In addition to being a member, albeit sometimes briefly, of some of the seminal bands of the 1960s, Waller played as a session musician with a host of UK and US artists and was famously known for never having a full drum kit whenever he turned up for recording sessions.
Waller was born in Hammersmith, London. Waller’s first professional band, The Flee-Rekkers, had a No. 23 hit in the UK Singles Chart in 1960, with their recording of “Green Jeans” produced by Joe Meek. He soon left to join a well-known band of the day, Joe Brown and the Bruvvers.
see full post...Charles Moffett (September 6, 1929 – February 14, 1997) was an American free jazz drummer.
Moffett was born in Fort Worth, Texas, where he attended I.M. Terrell High School with Ornette Coleman. Before switching to drums, Moffett began his musical career as a trumpeter. At age 13, he played trumpet with Jimmy Witherspoon, and later formed a band, the Jam Jivers, with fellow students Coleman and Prince Lasha. After switching to drums, Moffett briefly performed with Little Richard.
Moffett served in the United States Navy, after which he pursued boxing before studying music at Huston-Tillotson College in Austin. Moffett married in 1953 (Coleman was best man, and performed at the wedding), then began teaching music at a public school in Rosenberg, Texas
In 1961, Moffett moved to New York City to work with Ornette Coleman, but the saxophonist soon went into a brief retirement period. Moffett worked with Sonny Rollins, appeared on Archie Shepp‘s album Four for Trane, and led a group that included Pharoah Sanders and Carla Bley. When Coleman returned to performing in 1964, he formed a trio with Moffett and bassist David Izenzon.[1] Moffett also performed on vibraphone.
see full post...Edward Lozano Duran (September 6, 1925 – November 22, 2019) was an American jazz guitarist from San Francisco. He recorded often with Vince Guaraldi and was a member of the Benny Goodman orchestra during the 1970s.
Duran started on piano at age seven and switched to guitar at 12. By fifteen he was performing professionally with jazz musicians who visited San Francisco in the 1940s and 1950s. He was in a trio with his brothers, Carlos Duran and Manny Duran, from 1948 to 1952. Beginning in the 1950s, he worked in San Francisco with Chet Baker, Charlie Parker, Red Norvo, George Shearing, and Flip Phillips.
Around 1957, Duran was the guitarist in the CBS Radio Orchestra under the direction of Ray Hackett for the Bill Weaver Show, a variety show broadcast by CBS’s San Francisco affiliate, KQW, later renamed KCBS, from the Palace Hotel.[b][6] While playing with the CBS Orchestra, Duran met Brunell and performed on her debut album, Intro to Jazz of the Italian-American. The album was recorded by San Francisco Jazz Records, a short-lived label that was part of the production of the radio station.
In 1954, his friend, Vince Guaraldi, who had been playing with Cal Tjader, started a trio with Duran and bassist Dean Riley. Guaraldi introduced Tjader to Duran and his two brothers. All three Duran brothers were members of Cal Tjader’s Mambo Quintet in the mid 1950s.
In 1958, Duran played a concert at the Marines Memorial Auditorium with Tjader and Stan Getz six years before Getz became famous. The concert was recorded by Fantasy. In an interview, Duran said, “There was no rehearsal before the date, no alternates, no second takes. It went very smoothly. It just kind of fell into place. The feeling was happy and relaxed.” Also in 1958, Duran was joined by Manny Duran on Tjader’s album San Francisco Moods. Duran led a trio from 1960 to 1967. In 1962, he was joined by Carlos Duran on Benny Velarde’s album Ay Que Rico.
see full post...Mathis James Reed (September 6, 1925 – August 29, 1976) was an American blues musician and songwriter. His particular style of electric blues[1]was popular with blues as well as non-blues audiences. Reed’s songs such as “Honest I Do” (1957), “Baby What You Want Me to Do” (1960), “Big Boss Man” (1961), and “Bright Lights, Big City” (1961) appeared on both Billboard magazine’s rhythm and blues and Hot 100 singles charts.
Reed influenced other musicians, such as Elvis Presley, Hank Williams Jr., and the Rolling Stones, who recorded his songs. Music critic Cub Kodadescribes him as “perhaps the most influential bluesman of all,” due to his easily accessible style.
Reed was born in Dunleith, Mississippi, on September 6, 1925. He learned the harmonica and guitar from his friend Eddie Taylor. After several years of busking and performing there, he moved to Chicago, Illinois, in 1943. He was then drafted into the U.S. Navy and served in World War II. He was discharged in 1945 and returned briefly to Mississippi, marrying his girlfriend, Mary (henceforth known as Mama Reed). He then moved to Gary, Indiana, to work at an Armour meat-packing plant. Mama Reed was an uncredited background singer on many of his recordings, notably the hits “Baby What You Want Me to Do“, “Big Boss Man” and “Bright Lights, Big City“.
see full post...Charles Joseph “Buddy” Bolden (September 6, 1877 – November 4, 1931) was an African American cornetist who was regarded by contemporaries as a key figure in the development of a New Orleans style of ragtime music, or “jass,” which later came to be known as jazz.
When he was born, Bolden’s father, Westmore Bolden, was working as a driver for William Walker, the former master of Buddy’s grandfather Gustavus Bolden, who died in 1866. His mother, Alice (née Harris), was 18 when she married Westmore on August 14, 1873. Westmore Bolden was around 25 at the time, as records show that he was 19 in August 1866. When Buddy was six his father died, after which the boy lived with his mother and other family members. In records of the period the family name is variously spelled Bolen, Bolding, Boldan, and Bolden, thus complicating research.Buddy likely attended Fisk School in New Orleans, though evidence is circumstantial, as early records of this and other local schools are missing.
Bolden was known as “King” Bolden (see Jazz royalty), and his band was at its peak in New Orleans from around 1900 to 1907. He was known for his loud sound and improvisational skills, and his style had an impact on younger musicians. Bolden’s trombonist Willie Cornish, among others, recalled making phonograph cylinder recordings with the Bolden band, but none are known to survive.
see full post...The Iris Nebula (also known as NGC 7023 and Caldwell 4) is a bright reflection nebula in the constellation Cepheus. The designation NGC 7023 refers to the open cluster within the larger reflection nebula designated LBN 487.
The nebula, which shines at magnitude +6.8, is illuminated by a magnitude +7.4 star designated SAO 19158. It is located near the Mira-type variablestar T Cephei, and near the bright magnitude +3.23 variable star Beta Cephei (Alfirk). It lies 1,300 light-years away and is six light-years across.
Dweezil Zappa (born Ian Donald Calvin Euclid Zappa; September 5, 1969) is an American rock guitarist and occasional actor. He is the son of musical composer and performer Frank Zappa. Exposed to the music industry from an early age, Dweezil developed a strong affinity for playing the guitar and producing music. Able to learn directly from guitarists such as Steve Vai and Eddie Van Halen, Dweezil released his first single (produced by Eddie Van Halen) at the age of 12.
In addition to writing and recording his own music, Dweezil has carried on the legacy of his father’s music by touring with the group Zappa Plays Zappa. The band features renditions of Zappa’s original material and the lineup has often included Zappa alumni such as Napoleon Murphy Brock, Steve Vai, Terry Bozzio and others.
see full post...George Allen “Buddy” Miles Jr. (September 5, 1947 – February 26, 2008), was an American rock drummer, vocalist, composer, and producer. He was a founding member of the Electric Flag (1967), a member of Jimi Hendrix‘s Band of Gypsys (1969–1970), founder and leader of the Buddy Miles Express and later, the Buddy Miles Band. Miles also played and recorded with Carlos Santana and others. Additionally, he sang lead vocals on the critically and commercially acclaimed “California Raisins” claymation TV commercials and recorded two California Raisins R&B albums.
Miles was born in Omaha, Nebraska, United States, on September 5, 1947. Buddy’s father played upright bass for Duke Ellington, Count Basie, Charlie Parker, Dexter Gordon, and others. By age twelve, Miles had begun touring with his father’s band, the Bebops. He played with his father’s band for several years.[2] Given the nickname “Buddy” by his aunt after the drummer Buddy Rich, he was often seen as a teenager hanging out and recording at Universal Promotions Corporation recording studios, which later became Rainbow Recording Studios. At the age of 60, Buddy Miles died on February 26, 2008, at his home in Austin, Texas, with his family by his side. According to his website, he died of congestive heart disease. Miles was cremated, and there was no funeral.
see full post...John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer, music theorist, artist, and philosopher. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage’s romantic partner for most of their lives.
Cage is perhaps best known for his 1952 composition 4′33″, which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not “four minutes and 33 seconds of silence,” as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work’s challenge to assumed definitions about musicianship and musical experience made it a popular and controversial topic both in musicology and the broader aesthetics of art and performance. Cage was also a pioneer of the prepared piano (a piano with its sound altered by objects placed between or on its strings or hammers), for which he wrote numerous dance-related works and a few concert pieces. The best known of these is Sonatas and Interludes(1946–48).
His teachers included Henry Cowell (1933) and Arnold Schoenberg (1933–35), both known for their radical innovations in music, but Cage’s major influences lay in various East and South Asian cultures. Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of aleatoric or chance-controlled music, which he started composing in 1951. The I Ching, an ancient Chinese classic text decision-making tool, which uses chance operations to suggest answers to questions one may pose, became Cage’s standard composition tool for the rest of his life. In a 1957 lecture, Experimental Music, he described music as “a purposeless play” which is “an affirmation of life – not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we’re living”.
see full post...Albert Luandrew (September 5, 1906 – March 17, 1995), known as Sunnyland Slim, was an American blues pianist who was born in the Mississippi Delta and moved to Chicago, helping to make that city a center of postwar blues. The Chicago broadcaster and writer Studs Terkel said Sunnyland Slim was “a living piece of our folk history, gallantly and eloquently carrying on in the old tradition.”
Sunnyland Slim was born on a farm in Quitman County, near Vance, Mississippi. He moved to Memphis, Tennessee, in 1925, where he performed with many of the popular blues musicians of the day. His stage name came from the song “Sunnyland Train”, about a railroad line between Memphis and St. Louis, Missouri. In 1942 he moved to Chicago, in the great migration of southern workers to the industrial north.
At that time the electric blues was taking shape in Chicago, and through the years Sunnyland Slim played with such musicians as Muddy Waters, Howlin’ Wolf, Robert Lockwood Jr., and Little Walter. His piano style is characterised by heavy basses or vamping chords with the left hand and tremolos with the right. His voice was loud, and he sang in a declamatory style.
see full post...M31, the great Andromeda Galaxy, is one of the most famous objects in the entire sky, and the nearest of all spiral galaxies. This object is first mentioned by the Persian astronomer Al Sufi in the 10th Century, but the world becomes aware of its existence only in 1764, when Charles Messier includes it in his catalogue. Messier has also made a drawing showing M31 and its companions M32 and M110.
On clear nights M31 can be seen with the naked eye as a hazy smudge, and binoculars show its elliptical shape that can be traced to its full extent of over two degrees. That is four times the width of the full Moon! The Andromeda Galaxy (IPA: /ænˈdrɒmɪdə/), also known as Messier 31, M31, or NGC 224 and originally the Andromeda Nebula (see below), is a barred spiral galaxy approximately 2.5 million light-years (770 kiloparsecs) from Earth and the nearest large galaxy to the Milky Way. The galaxy’s name stems from the area of Earth’s sky in which it appears, the constellation of Andromeda, which itself is named after the Ethiopian (or Phoenician) princess who was the wife of Perseus in Greek mythology.
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Biréli Lagrène (born 4 September 1966) is a French jazz guitarist who came to prominence in the 1980s for his Django Reinhardt–influenced style. He often performs in swing, jazz fusion, and post-bop styles.
Lagrène was born in Soufflenheim, Alsace, France, into a Romani family and community. His father and grandfather were guitarists, and he was raised in the gypsy guitar tradition. He started playing at age four or five and by seven was improvising jazz in a style similar to Django Reinhardt‘s, whom his father admired and wanted his sons to emulate. In 1980, while in his early teens, he recorded his first album, Routes to Django: Live at the Krokodil (Jazzpoint, 1981).
During the next few years, Lagrène toured with Al Di Meola, Paco de Lucía, and John McLaughlin, all of them guitarists, and played with Benny Carter, Benny Goodman, and Stéphane Grappellii. He joined Larry Coryell and Vic Juris in New York City for a tribute to Reinhardt in 1984 and went on tour with Coryell and Philip Catherine. He also performed with Jaco Pastorius, Stanley Clarke, the Gil Evans Orchestra, Christian Escoudé, and Charlie Haden. In 1989 he performed in a duo with Stanley Jordan.
see full post...Gene Victor Parsons (born September 4, 1944, in Morongo Valley, California) is an American drummer, banjo player, guitarist, singer-songwriter, and engineer, best known for his work with the Byrds from 1968 to 1972. Parsons has also released solo albums and played in bands including Nashville West, the Flying Burrito Brothers, and Parsons Green. Along with guitarist Clarence White, he is credited with inventing the B-Bender (also known as the StringBender)—a device which allows a guitarist to emulate the sound of a pedal steel guitar. The device is often referred to as the Parsons/White B-Bender, a trademarked name.
Gene Parsons was born on September 4, 1944, on his family’s farm in Morongo Valley in the Mojave Desert, California. His professional musical career began when he joined up with guitarist and Fiddle player Gib Guilbeau in the duo Guilbeau & Parsons. Later the duo was joined by Clarence White, former guitarist with the Kentucky Colonels, and bassist Wayne Moore to form the band Nashville West, named after a club where the band often performed.
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