Astronomers turn detectives when trying to figure out the cause of unusual jumbles of stars, gas, and dust like NGC 1316. Inspection indicates that NGC 1316 is an enormous elliptical galaxy that somehow includes dark dust lanes usually found in a spiral galaxy. Detailed images taken by the Hubble Space Telescope shows details, however, that help in reconstructing the history of this gigantic tangle. Deep and wide images show huge collisional shells, while deep central images reveal fewer globular clusters of stars toward NGC 1316’s interior. Such effects are expected in galaxies that have undergone collisions or merging with other galaxies in the past few billion years. The dark knots and lanes of dust, prominent in the featured image, indicate that one or more of the devoured galaxies were spiral galaxies. NGC 1316 spans about 50,000 light years and lies about 60 million light years away toward the constellation of the Furnace (Fornax).

Anita Denise Baker (born January 26, 1958) is an American singer-songwriter. She is regarded as one of the most popular singers of soulful romantic ballads during the height of the quiet storm period of contemporary R&B in the 1980s. Starting her career in the late 1970s with the funk band Chapter 8, Baker released her first solo album, The Songstress, in 1983. In 1986, she rose to stardom following the release of her Platinum-selling second album, Rapture, which included the Grammy-winning single “Sweet Love“. As of 2017, Baker has won eight Grammy Awards and has five Platinum albums and one Gold album.

Anita Baker was born on January 26, 1958, in Toledo, Ohio. When she was two, her mother abandoned her and Baker was raised by a foster family in Detroit, Michigan.

Huey Pierce Smith, known as Huey “Piano” Smith (born January 26, 1934, New Orleans, Louisiana), is an American rhythm-and-blues pianistwhose sound was influential in the development of rock and roll.

His piano playing incorporated the boogie styles of Pete Johnson, Meade Lux Lewis, and Albert Ammons, the jazz style of Jelly Roll Morton and the rhythm-and-blues style of Fats Domino. Steve Huey of AllMusic noted that “At the peak of his game, Smith epitomized New Orleans R&B at its most infectious and rollicking, as showcased on his classic signature tune, ‘Don’t You Just Know It.'”

Smith was born in the Central City neighborhood of New Orleans. He was influenced by the innovative work of Professor Longhair. He became known for his shuffling right-handed break on the piano that influenced other Southern players.

Smith wrote his first song “Robertson Street Boogie”, named after the street where he lived, on the piano, when he was eight years old. He performed the tune with a friend, with the two billing themselves as Slick and Dark. Smith attended McDowell High School and Xavier University of Louisiana in New Orleans.

When Smith was fifteen, he began working in clubs and recording with his flamboyant partner, Eddie Jones, who rose to fame as Guitar Slim. When Smith was eighteen, in 1952, he signed a recording contract with Savoy Records, which released his first known single, “You Made Me Cry”. In 1953 Smith recorded with Earl King.

In 1955, Smith became the piano player with Little Richard‘s first band in sessions for Specialty Records.^[3] The same year he also played piano on several studio sessions for other artists, such as Lloyd Price. Two of the sessions resulted in hits for Earl King (“Those Lonely Lonely Nights”) and Smiley Lewis (“I Hear You Knocking“).

In 1956, Smith recorded for Ace Records’ with his Rhythm Aces. The A-side of the record was “Little Liza Jane”, backed with “Everybody’s Whalin'”. On the session, in addition to Smith on piano, were sax man Lee Allen, Earl King on guitar, and Earl Palmer on drums. The Rhythm Aces consisted of vocalists Dave Dixon, Roland Cook, and Issacher “Izzycoo” Gordon. Mac Rebennac, also known as Dr. John, said, “And Huey was catching the real second line on ‘Little Liza Jane’. Of course he had the right cats doing it, but he had that instinct for getting it. And with Dave Dixon and Izzycoo (Gordon) singing on it, man, he couldn’t get no better.” Gordon, who also sang with another notable New Orleans vocal group The Spiders, recorded Smith’s Latin-tinged “Blow Wind Blow” under the name “Junior” Gordon in 1956.

Clement Seymour “Sir Coxsone” Dodd CD (26 January 1932 – 4 May 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond.

He was nicknamed “Coxsone” at school due to his talent as a cricketer (his friends compared him to Alec Coxon, a member of the 1940s Yorkshire County Cricket Club team). The Kingston-born Dodd used to play records to the customers in his parents’ shop. During a spell in the American South he became familiar with the rhythm and blues music popular there at the time. In 1954, back in Jamaica, he set up the Downbeat Sound System, being the owner of an amplifier, a turntable, and some US records, which he would import from New Orleans and Miami.

With the success of his sound system, and in a competitive environment, Dodd would make trips through the US looking for new tunes to attract the Jamaican public. While he did, his mother Doris Darlington would run the sound system and play the tunes. Dodd opened five different sound systems, each playing every night. To run his sound systems, Dodd appointed people such as Lee “Scratch” Perry, who was Dodd’s right-hand man during his early career, U-Roy and Prince Buster.

When the R&B craze ended in the United States, Dodd and his rivals were forced to begin recording their own Jamaican music in order to meet the local demand for new music.

In 1959, he founded a record company called Worldisc [sic!]. In 1962, he produced the jazz record “I Cover the Waterfront” on the Port-O-Jam label, two of the musicians who played on the album, Roland Alphonso and Don Drummond became founding members of the Skatalites one year later. In 1963, he opened Studio One on Brentford Road, Kingston. It was the first black-owned recording studio in Jamaica. He held regular Sunday evening auditions in search of new talent, and it was here that Dodd auditioned Bob Marley, singing as a part of The Wailers.

Stéphane Grappelli (French pronunciation: ​[stefan ɡʁapɛli]; 26 January 1908 – 1 December 1997), born Stefano Grappelli, was a French-Italian jazzviolinist who founded the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands. He has been called “the grandfather of jazz violinists” and continued playing concerts around the world well into his eighties.

For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to Grappelli in 1969. The latter, Italian spelling is now used almost universally when referring to the violinist, including reissues of his early work.

Grappelli was born at Hôpital Lariboisière in Paris, France, and christened with the name Stéfano. His father, Italian marchese^{[citation needed]} Ernesto Grappelli, was born in Alatri, Lazio, while his French mother, Anna Emilie Hanoque, was from St-Omer. Ernesto was a scholar who taught Italian, sold translations, and wrote articles for local journals. Grappelli’s mother died when he was five, leaving his father to care for him. Although he was residing in France when World War I began, Ernesto was still an Italian citizen, and was consequently drafted into the Italian Army in 1914.

Having written about American dancer Isadora Duncan, who was living in Paris, Ernesto appealed to her to care for his son. Stéphane was enrolled in Duncan’s dance school at the age of six, and he learned to love French Impressionist music.

Located in the constellation of Virgo (The Virgin), around 50 million light-years from Earth, NGC 4535 is truly a stunning sight to behold. Despite the incredible quality of this image, taken from the NASA/ESA Hubble Space Telescope, NGC 4535 has a hazy, somewhat ghostly, appearance when viewed from a smaller telescope. This led amateur astronomer Leland S. Copeland to nickname NGC 4535 the “Lost Galaxy” in the 1950s. The bright colours in this image aren’t just beautiful to look at, as they actually tell us about the population of stars within this barred spiral galaxy. The bright blue-ish colours, seen nestled amongst NGC 4535’s long, spiral arms, indicate the presence of a greater number of younger and hotter stars. In contrast, the yellower tones of this galaxy’s bulge suggest that this central area is home to stars which are older and cooler.  This galaxy was studied as part of the PHANGS survey, which aims to clarify many of the links between cold gas clouds, star formation, and the overall shape and other properties of galaxies. On 11 January 2021 the first release of the PHANGS-HST Collection was made publicly available.

Jamesetta Hawkins (January 25, 1938 – January 20, 2012), known professionally as Etta James, was an American singer who performed in various genres, including blues, R&B, soul, rock and roll, jazz and gospel. Starting her career in 1954, she gained fame with hits such as “The Wallflower“, “At Last“, “Tell Mama“, “Something’s Got a Hold on Me“, and “I’d Rather Go Blind“. She faced a number of personal problems, including heroin addiction, severe physical abuse, and incarceration, before making a musical comeback in the late 1980s with the album Seven Year Itch.

James’s powerful, deep, earthy voice bridged the gap between rhythm and blues and rock and roll. She won six Grammy Awards and 17 Blues Music Awards. She was inducted into the Rock and Roll Hall of Fame in 1993, the Grammy Hall of Fame in 1999 and the Blues Hall of Fame in 2001. Rolling Stone magazine ranked James number 22 on its list of the 100 Greatest Singers of All Time; she was also ranked number 62 on its list of the 100 Greatest Artists of All Time.

Hawkins was born on January 25, 1938, in Los Angeles, California, to Dorothy Hawkins, who was 14 at the time. Although her father has never been identified, James speculated that she was the daughter of pool player Rudolf “Minnesota Fats” Wanderone, whom she met briefly in 1987.

Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer reformed the Jazztet in 1982.

In addition to “I Remember Clifford“, many of Golson’s compositions have become jazz standards including “Blues March“, “Whisper Not“, and “Killer Joe”.

While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson‘s rhythm and blues band; Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson’s pianist at the time.

From 1953 to 1959 Golson played with Dameron’s band and then with the bands of Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey and the Jazz Messengers with whom he recorded the classic Moanin’ in 1958.

Antônio Carlos Brasileiro de Almeida Jobim (January 25, 1927 – December 8, 1994), also known as Tom Jobim (Portuguese pronunciation: [tõ ʒoˈbĩ]), was a Brazilian composer, pianist, songwriter, arranger and singer. Widely considered as one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound with remarkable popular success. As such he is sometimes known as the “father of bossa nova”.

Jobim was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists internationally.

In 1965, the album Getz/Gilberto was the first jazz album to win the Grammy Award for Album of the Year. It also won for Best Jazz Instrumental Album – Individual or Group and for Best Engineered Album, Non-Classical. The album’s single “Garota de Ipanema” (“The Girl from Ipanema”), one of the most recorded songs of all time, won the Record of the Year. Jobim composed many songs that are now included in jazz and pop standard repertoires. The song “Garota de Ipanema” has been recorded over 240 times by other artists. His 1967 album with Frank Sinatra, Francis Albert Sinatra & Antônio Carlos Jobim, was nominated for Album of the Year in 1968.

John Adam Estes (January 25, 1899 or 1900 – June 5, 1977), known as Sleepy John Estes, was an American blues guitarist, songwriter and vocalist.

Estes was born in Ripley, Tennessee, either in 1899 (the date on his gravestone) or 1900 (the date on his World War I draft card). In 1915, his father, a sharecropper who played guitar, moved the family to Brownsville, Tennessee. Not long after, Estes lost the sight in his right eye when a friend threw a rock at him. At the age of 19, while working as a field hand, he began to perform professionally, mostly at parties and picnics, with the accompaniment of Hammie Nixon, a harmonica player, and James “Yank” Rachell, a guitarist and mandolin player. Estes continued to work on and off with both musicians for more than fifty years. He also performed in medicine shows with Willie Newbern.

At the suggestion of Jim Jackson, Estes made his debut as a recording artist in Memphis, Tennessee, in 1929, at a session organized by Ralph Peer for Victor Records. He recorded the tracks “Drop Down Mama” and “Someday Baby Blues” with Nixon in 1935. He later worked with Son Bonds and Charlie Pickett. He later recorded for Decca Records and Bluebird Records, with his last prewar recording session taking place in 1941. He made a brief return to recording at Sun Studio in Memphis in 1952, recording “Runnin’ Around” and “Rats in My Kitchen”, but otherwise was out of the public eye in the 1940s and 1950s.

It is one of the more massive galaxies known. A mere 46 million light-years distant, spiral galaxy NGC 2841 can be found in the northern constellation of Ursa Major. This sharp view of the gorgeous island universe shows off a striking yellow nucleus and galactic disk. Dust lanes, small, pink star-forming regions, and young blue star clusters are embedded in the patchy, tightly wound spiral arms. In contrast, many other spirals exhibit grand, sweeping arms with large star-forming regions. NGC 2841 has a diameter of over 150,000 light-years, even larger than our own Milky Way. The featured composite image merges exposures from the orbiting 2.4-meter Hubble Space Telescope and the ground-based 8.2-meter Subaru Telescope. X-ray images suggest that resulting winds and stellar explosions create plumes of hot gas extending into a halo around NGC 2841.

Julian Miles Holland, OBE, DL (born 24 January 1958) is an English pianist, bandleader, singer, composer and television presenter. He was an original member of the band Squeeze and has worked with many artists including Jayne County, Sting, Eric Clapton, Mark Knopfler, George Harrison, David Gilmour, Magazine, The The and Bono.

Since 1992, he has hosted Later… with Jools Holland, a music-based show aired on BBC2, on which his annual show Hootenanny is based. Holland is a published author and appears on television shows besides his own and contributes to radio shows. In 2004 he collaborated with Tom Jones on an album of traditional R&B music.

On BBC Radio 2 Holland also regularly hosts the weekly programme Jools Holland, a mix of live and recorded music and general chat and features studio guests, along with members of his orchestra.

Julius Arthur Hemphill (January 24, 1938 – April 2, 1995) was a jazz composer and saxophone player. He performed mainly on alto saxophone, less often on soprano and tenor saxophones and flute.

Hemphill was born in Fort Worth, Texas, and attended I.M. Terrell High School (as did Ornette Coleman). He studied the clarinet with John Carter, another I.M. Terrell alumnus, before learning saxophone. Gerry Mulligan was an early influence. Hemphill joined the United States Army in 1964, and served for several years, and later performed with Ike Turner for a brief period. In 1968, Hemphill moved to St. Louis, Missouri, and co-founded the Black Artists’ Group (BAG), a multidisciplinary arts collective that brought him into contact with artists such as saxophonists Oliver Lakeand Hamiet Bluiett, trumpeters Baikida Carroll and Floyd LeFlore, and writer/director Malinke Robert Elliott.

Hemphill moved to New York City in the mid-1970s, and was active in the then-thriving free jazz community. He gave saxophone lessons to a number of musicians, including David Sanborn and Tim Berne. Hemphill was probably best known as the founder of the World Saxophone Quartet, a group he formed in 1976, after collaborating with Anthony Braxton in several saxophone-only ensembles. Hemphill left the World Saxophone Quartet in the early 1990s, and formed a saxophone quintet.