Galaxies of the Virgo Cluster are scattered across this deep telescopic field of view. The cosmic scene spans about three Full Moons, captured in dark skies near Jalisco, Mexico, planet Earth. About 50 million light-years distant, the Virgo Cluster is the closest large galaxy cluster to our own local galaxy group. Prominent here are Virgo’s bright elliptical galaxies from the Messier catalog, M87 at the top left, and M84 and M86 seen (bottom to top) below and right of center. M84 and M86 are recognized as part of Markarian’s Chain, a visually striking line-up of galaxies vertically on the right side of this frame. Near the middle of the chain lies an intriguing interacting pair of galaxies, NGC 4438 and NGC 4435, known to some as Markarian’s Eyes. Of course giant elliptical galaxy M87 dominates the Virgo cluster. It’s the home of a super massive black hole, the first black hole ever imaged by planet Earth’s Event Horizon Telescope.

Cyril Garrett Neville (born October 10, 1948) is an American percussionist and vocalist who first came to prominence as a member of his brother Art Neville‘s funky New Orleans-based band, The Meters. He joined Art in the Neville Brothers band upon the dissolution of the Meters.

He has appeared on recordings by Bob Dylan, Robbie Robertson, Edie Brickell, Willie Nelson, Dr. John and The New Orleans Social Club among others.

Neville wrote an article for the December 16, 2005 edition of CounterPunch, titled “Why I’m Not Going Back To New Orleans” and was featured in the 2006 documentary film New Orleans Music in Exile. After Hurricane Katrina he moved to Austin, Texas, but as of 2012 lives in Slidell, Louisiana.^{[citation needed]} Soul Rebels Brass Band featured Neville as a special guest on their Rounder Records debut record, Unlock Your Mind, released on January 31, 2012. The Soul Rebels’ name was conceived by Neville at the New Orleans venue Tipitina’s, where the band was opening.

In 2005, Neville joined up with Tab Benoit for the Voice of the Wetlands Allstars to bring awareness to Louisiana’s rapid loss of wetlands along the Gulf Coast. The band also features Waylon Thibodeaux, Johnny Sansone, Anders Osborne, Monk Boudreaux, George Porter, Jr., Johnny Vidacovich, and Dr. John. The band has become a main feature at the annual New Orleans Jazz & Heritage Festival.

John Prine (October 10, 1946 – April 7, 2020 Maywood, Il) was an American country folk singer-songwriter. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death, and was known for an often humorous style of original music that has elements of protest and social commentary.

Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. He attended classes at Chicago’s Old Town School of Folk Music.^[1] After serving in West Germany with the U.S. Army, he returned to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs first as a hobby, and then becoming a club performer.

A member of Chicago‘s folk revival, Prine credited film critic Roger Ebert and singer-songwriter Kris Kristofferson with discovering him, resulting in the production of Prine’s eponymous debut album with Atlantic Records in 1971. The acclaim earned by this LP led Prine to focus on his musical career, and he recorded three more albums for Atlantic. He then signed with Asylum Records, where he recorded an additional three albums. In 1981, he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums.

Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary and songs that recollect melancholy tales from his life. In 2020, he received the Grammy Lifetime Achievement Award.

Julian Clifford Mance, Jr. (known as Junior Mance, born October 10, 1928) is an American jazz pianist and composer.

Mance was born in Evanston, Illinois. When he was five years old, Mance started playing piano on an upright in his family’s home in Evanston. His father, Julian, taught Mance to play stride piano and boogie-woogie. With his father’s permission, Mance had his first professional gig in Chicago at the age of ten when his upstairs neighbor, a saxophone player, needed a replacement for a pianist who was ill. Mance was known to his family as “Junior” (to differentiate him from his father), and the nickname stuck with him throughout his professional career.

Mance’s mother encouraged him to study medicine at nearby Northwestern University in Evanston, but agreed to let him attend Roosevelt College in Chicago instead. Despite urging him to enroll in pre-med classes, Mance signed up for music classes, though he found that jazz was forbidden by the faculty, and did not finish out the year.

Thelonious Sphere Monk (/θəˈloʊniəs/, October 10, 1917 – February 17, 1982 Rockymount, NC) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including “‘Round Midnight“, “Blue Monk“, “Straight, No Chaser“, “Ruby, My Dear“, “In Walked Bud“, and “Well, You Needn’t“. Monk is the second-most-recorded jazz composer after Duke Ellington.

Monk’s compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. His style was not universally appreciated; the poet and jazz critic Philip Larkin dismissed him as “the elephant on the keyboard”.

Monk was renowned for a distinct look which included suits, hats, and sunglasses. He was also noted for an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano.

Monk is one of five jazz musicians to have been featured on the cover of Time magazine (the others being Louis Armstrong, Dave Brubeck, Duke Ellington and Wynton Marsalis).

Monk was friends with poet Allen Ginsberg who introduced him to Timothy Leary. Monk was one of several artists Leary wanted to recruit for his studies on the effects of psilocybin in creative individuals.

Harry “Sweets” Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His greatest impact was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.

Edison was born in Columbus, Ohio, United States. He spent his early childhood in Louisville, Kentucky, being introduced to music by an uncle. After moving back to Columbus at the age of twelve, the young Edison began playing the trumpet with local bands.

In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards, he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937, he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him “Sweets”), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band. In a 2003 interview for the National Museum of American History, drummer Elvin Jones explained the origin of Edison’s nickname: “Sweets had so many lady friends, he was such a handsome man. He had all these girls all over him all the time, that’s why they called him Sweets.

At around 60 million light-years from Earth, the Great Barred Spiral Galaxy NGC 1365 is captured beautifully in this image by the NASA/ESA Hubble Space Telescope. Located in the constellation of Fornax (The Furnace), the blue and fiery orange swirls show us where stars have just formed and the dusty sites of future stellar nurseries.

At the outer edge of the image, enormous star-forming regions within NGC 1365 can be seen. The bright, light-blue regions indicate the presence of hundreds of baby stars that formed from coalescing gas and dust within the galaxy’s outer arms.

This Hubble image was captured as part of a joint survey with the Atacama Large Millimeter/submillimeter Array (ALMA) in Chile. The survey will help scientists understand how the diversity of galaxy environments observed in the nearby Universe, including NGC 1365 and previous ESA/Hubble Pictures of the Week such as NGC 2835 and NGC 2775, influence the formation of stars and star clusters. Expected to image over 100 000 gas clouds and star-forming regions beyond our Milky Way, the PHANGS survey is expected to uncover and clarify many of the links between cold gas clouds, star formation and the overall shape and morphology of galaxies.

Jesús Valdés Rodríguez, better known as Chucho Valdés (born October 9, 1941), is a Cuban pianist, bandleader, composer and arranger whose career spans over 50 years. An original member of the Orquesta Cubana de Música Moderna, in 1973 he founded the group Irakere, one of Cuba’s best-known Latin jazz bands. Both his father, Bebo Valdés, and his son, Chuchito, are pianists as well. As a solo artist, he has won four Grammy Awards and three Latin Grammy Awards.

Chucho Valdés’s first recorded sessions as a leader took place in late January 1964 in the Areíto Studios of Havana (former Panart studios) owned by the newly formed EGREM. These early sessions included Paquito D’Rivera on alto saxophone and clarinet, Alberto Giral on trombone, Julio Vento on flute, Carlos Emilio Morales on guitar, Kike Hernández on double bass, Emilio del Monte on drums and Óscar Valdés Jr. on congas. Throughout the 1960s and 1970s, these would be the members of his jazz combo, whose lineup would often change, sometimes including bassists Cachaíto and later Carlos del Puerto, and drummers Guillermo Barreto and later Enrique Plá.

John Winston Ono Lennon MBE (born John Winston Lennon, 9 October 1940 – 8 December 1980) was an English singer, songwriter and peace activist who gained worldwide fame as the founder, co-lead vocalist, and rhythm guitarist of the Beatles. His songwriting partnership with Paul McCartney remains the most successful in musical history. In 1969, he started the Plastic Ono Band with his second wife, Yoko Ono. After the Beatles disbanded in 1970, Lennon continued as a solo artist and as Ono’s collaborator.

Born in Liverpool, Lennon became involved in the skiffle craze as a teenager. In 1956, he formed his first band, the Quarrymen, which evolved into the Beatles in 1960. He was initially the group’s de facto leader, a role gradually ceded to McCartney. Lennon was characterised for the rebellious nature and acerbic wit in his music, writing, drawings, on film and in interviews. In the mid-1960s, he had two books published: In His Own Write and A Spaniard in the Works, both collections of nonsensical writings and line drawings. Starting with 1967’s “All You Need Is Love“, his songs were adopted as anthems by the anti-war movement and the larger counterculture.

From 1968 to 1972, Lennon produced more than a dozen records with Ono, including a trilogy of avant-garde albums, his first solo LP John Lennon/Plastic Ono Band, and the international top 10 singles “Give Peace a Chance“, “Instant Karma!“, “Imagine” and “Happy Xmas (War Is Over)“. In 1969, he held the two week-long anti-war demonstration Bed-Ins for Peace. After moving to New York City in 1971, his criticism of the Vietnam Warresulted in a three-year attempt by the Nixon administration to deport him. In 1975, Lennon disengaged from the music business to raise his infant son Sean and, in 1980, returned with the Ono collaboration Double Fantasy. He was shot and killed in the archway of his Manhattan apartment building by a Beatles fan, Mark David Chapman, three weeks after the album’s release.

As a performer, writer or co-writer, Lennon had 25 number one singles in the Billboard Hot 100 chart. Double Fantasy, his best-selling solo album, won the Grammy Award for Album of the Year the year following his death. In 1982, the Brit Award for Outstanding Contribution to Music was posthumously honoured to him.^[4] In 2002, Lennon was voted eighth in a BBC poll of the 100 Greatest Britons. Rolling Stone ranked him the fifth-greatest singer of all time and included him as a solo artist in their list of the 100 greatest artists of all time. In 1987, he was inducted into the Songwriters Hall of Fame. Lennon was inducted into the Rock and Roll Hall of Fame twice, as a member of the Beatles in 1988 and as a solo artist in 1994.

Abdullah Ibrahim (born Adolph Johannes Brand on 9 October 1934 and formerly known as Dollar Brand) is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and Ragas, to more modern jazz and other Western styles. Ibrahim is considered the leading figure in the subgenre of Cape jazz. Within jazz, his music particularly reflects the influence of Thelonious Monk and Duke Ellington. He is known especially for “Mannenberg“, a jazz piece that became a notable anti-apartheid anthem.

During the apartheid era in the 1960s Ibrahim moved to New York City and, apart from a brief return to South Africa in the 1970s, remained in exile until the early ’90s. Over the decades he has toured the world extensively, appearing at major venues either as a solo artist or playing with other renowned musicians, including Max Roach, Carlos Ward and Randy Weston, as well as collaborating with classical orchestras in Europe. With his wife, the jazz singer Sathima Bea Benjamin, he is father to the New York underground rapper Jean Grae, as well as to a son, Tsakwe.

Yusef Abdul Lateef (born William Emanuel Huddleston; October 9, 1920 – December 23, 2013) was an American jazz multi-instrumentalist, composer, and prominent figure among the Ahmadiyya Community in America.

Although Lateef’s main instruments were the tenor saxophone and flute, he also played oboe and bassoon, both rare in jazz, and also used a number of non-western instruments such as the bamboo flute, shanai, shofar, xun, arghul and koto. He is known for having been an innovator in the blending of jazz with “Eastern” music. Peter Keepnews, in his New York Times obituary of Lateef, wrote that the musician “played world music before world music had a name”.

Lateef wrote and published a number of books including two novellas entitled A Night in the Garden of Love and Another Avenue, the short story collections Spheres and Rain Shapes, also his autobiography, The Gentle Giant, written in collaboration with Herb Boyd. Along with his record label YAL Records, Lateef owned Fana Music, a music publishing company. Lateef published his own work through Fana, which includes Yusef Lateef’s Flute Book of the Blues and many of his own orchestral compositions.

Dionisio Ramón Emilio Valdés Amaro (October 9, 1918 – March 22, 2013), better known as Bebo Valdés, was a Cuban pianist, bandleader, composer and arranger. He was a central figure in the golden age of Cuban music, especially due to his big band arrangements and compositions of mambo, chachachá and batanga, a genre he created in 1952. He was the director of the Radio Mil Diez house band and the Tropicana Cluborchestra, before forming his own big band, Orquesta Sabor de Cuba, in 1957. However, after the end of the Cuban Revolution, in 1960, Bebo left his family behind and went into exile in Mexico before settling in Sweden, where he remarried. His musical hiatus lasted until 1994, when a collaboration with Paquito D’Rivera brought him back into the music business. By the time of his death in 2013, he had recorded several new albums, earning multiple Grammy Awards. His son Chucho Valdés is also a successful pianist and bandleader.

Mohammad Reza Shajarian, one of the most important performers of Persian classical music, passed away today, October 8, 2020 in Tehran, Iran. Shajarian’s son, acclaimed vocalist and tombak player, Homayoun Shajarian, disclosed the news in an announcement on Instagram, stating he “flew to meet his beloved“.

Mohammad Reza Shajarian was a living legend In Persian classical music, with one of the most distinguishable voices in Iran. His vocal style was enjoyable, soulful, and energetic. Shajarian was regarded as a national treasure and was a key source of inspiration for musicians and music lovers. His singing was technically faultless, powerful, and emotional. In the music of Iran, traditional singing is the most demanding art to master, but Shajarian achieved this at a very early age.

Born in 1940 in the city of Mash’had in northeastern Iran, Mohammad Reza Shajarian started singing spiritual songs at the age five under the supervision of his father. Only a few years later his gifted talent was to be renowned throughout the town of Mash’had. His effort at first was on the local folk music of his native province, Khorasan (East Iran). At the age of 12, Mohammad Reza Shajaria was familiarizing himself with the traditional song repertoire, studying the Radif, but he also became interested in traditional music from Khorasan and the other regions of Iran.

Shajarian became a schoolteacher and had liberty to study all forms of traditional music and gradually relinquished religious singing. On his arrival in Teheran, Shajarian met Ahmad Ebadi, the great setar maestro. He studied under some of the most distinguished artists such as Reza Gholi Mirza Zelli, Ghamar-ol Molouk Vaziri, Eghbal-Soltan Azar, Taaj Esfahani Noor-Ali Khan Boroomand and Taher Zadeh Esfahani.

Fandango de Huelva is a fundamental palo (style) of flamenco. Within the branch of flamenco known as fandango there are styles known as ‘fandangos locales’ or ‘fandangos comarcales’ and also ‘fandangos personales’ which are sometimes known as ‘fandangos artisticos’ or ‘fandangos naturales’. Fandango de Huelva is a regional style of fandango (fandangos locales) and within this regional style there are even more variations that are connected to local areas within Huelva as well as personal styles of different singers. Fandango de Huelva is unique in that is has a strict compás and structure that may be danced whereas most other styles of fandango are free of compás (cante libre). The compás of Fandango de Huelva is 12 but it is generally counted as a 6 beat cycle.