This image of a well-known spiral galaxy, Messier 83, was prepared by superposing three CCD frames from this data release that are now available in the archive. This galaxy is located in the southern constellation Hydra (The Water-Snake) and is also known as NGC 5236; the distance is about 15 million light-years. The spiral structure resembles that of the Milky Way Galaxy in which we live, but Messier 83 also possesses a bar-like structure at the centre.

This photo shows the central region of a beautiful spiral galaxy, Messier 83, as observed with the FORS1 instrument at VLT ANTU . It is based on a composite of three images, all of which are now available from the ESO Science Data Archive, as described in this Press Release. The three frames were taken in March 1999 through three different filters: B (wavelength 429 nm; Full-Width-Half-Maximum (FWHM) 88 nm; exposure time 10 min; here rendered as blue), R (657 nm; 150 nm; 3 min; green) and I (768 nm; 138 nm; 3 min; red) during a period of 0.8 arcsec average seeing. The field shown measures about 6.8 x 6.8 arcmin and the images were recorded in frames of 2048 x 2048 pixels, each measuring 0.2 arcsec. North is up; East is left.

James Marcellus Arthur “Sunny” Murray (September 21, 1936 – December 7, 2017) was one of the pioneers of the free jazz style of drumming.

Murray was born in Idabel, Oklahoma, where he was raised by an uncle who later died after being refused treatment at a hospital because of his race. He began playing drums at the age of nine. As a teen, he lived in a rough part of Philadelphia, and spent two years in a reformatory. In 1956, he moved to New York City, where he worked in a car wash and as a building superintendent. During this time, he played with musicians such as trumpeters Red Allen and Ted Curson, pianist Willie “The Lion” Smith, and saxophonists Rocky Boyd and Jackie McLean.

In 1959, he played for the first time with pianist Cecil Taylor and, according to Murray, “[f]or six years all the other things were wiped from my mind…” “With Cecil, I had to originate a complete new direction on drums.” Murray stated: “We played for about a year, just practicing, studying — we went to workshops with Varèse, did a lot of creative things, just experimenting, without a job.” In 1961, Murray made a recording with Taylor’s group that was released under the auspices of Gil Evansas one side of Into the Hot.

https://www.youtube.com/watch?v=2NON58uIldI

Leonard Norman Cohen CC GOQ (September 21, 1934 – November 7, 2016 Westmount, Quebec) was a Canadian singer, songwriter, poet, and novelist. His work explored religion, politics, isolation, depression, sexuality, loss, death and romantic relationships. Cohen was inducted into the Canadian Music Hall of Fame, the Canadian Songwriters Hall of Fame, and the Rock and Roll Hall of Fame. He was invested as a Companion of the Order of Canada, the nation’s highest civilian honour. In 2011, Cohen received one of the Prince of Asturias Awards for literature and the ninth Glenn Gould Prize.

Cohen pursued a career as a poet and novelist during the 1950s and early 1960s, and did not begin a music career until 1967 at the age of 33. His first album, Songs of Leonard Cohen (1967), was followed by three more albums of folk music: Songs from a Room (1969), Songs of Love and Hate(1971) and New Skin for the Old Ceremony (1974). His 1977 record Death of a Ladies’ Man, co-written and produced by Phil Spector, was a move away from Cohen’s previous minimalist sound. In 1979, Cohen returned with the more traditional Recent Songs, which blended his acoustic style with jazz, East Asian, and Mediterranean influences. Perhaps Cohen’s most famous song, “Hallelujah“, was first released on his studio album Various Positions in 1984. I’m Your Man in 1988 marked Cohen’s turn to synthesized productions. In 1992, Cohen released its follow-up, The Future, which had dark lyrics and references to political and social unrest. Cohen returned to music in 2001 with the release of Ten New Songs, which was a major hit in Canada and Europe. His 11th album, Dear Heather, followed in 2004. Following a successful string of tours between 2008 and 2013, Cohen released three albums in the last five years of his life: Old Ideas (2012), Popular Problems (2014) and You Want It Darker (2016), the last of which was released three weeks before his death. A posthumous album titled Thanks for the Dance was released in November 2019, his fifteenth studio album.

Foreststorn “Chico” Hamilton, (September 20, 1921 – November 25, 2013) was an American jazz drummer and bandleader. He came to prominence as sideman for Lester Young, Gerry Mulligan, Count Basie, and Lena Horne. Hamilton became a bandleader, first with a quintet featuring the cello as a lead instrument, an unusual choice for a jazz band in the 1950s, and subsequently leading bands that performed cool jazz, post bop, and jazz fusion.

Foreststorn Hamilton was born in Los Angeles, California, one of three brothers, one of whom was actor Bernie Hamilton.

Hamilton started his career in a band with Charles Mingus, Illinois Jacquet, Ernie Royal, Dexter Gordon, Buddy Collette and Jack Kelso before he had finished high school. Engagements with Lionel Hampton, Slim & Slam, T-Bone Walker, Lester Young, Count Basie, Duke Ellington, Charlie Barnet, Billy Eckstine, Nat King Cole, Sammy Davis Jr., Billie Holiday, Gerry Mulligan and Lena Horne established his career.

Hamilton appeared in You’ll Never Get Rich (1941) as part of the backing group supporting Fred Astaire. Hamilton also performed on the soundtrack of the Bing Crosby and Bob Hope film Road to Bali (1952).

Charles Thomas Potter (September 21, 1918 – March 1, 1988) was a jazz double bass player, best known for having been a member of Charlie Parker‘s “classic quintet”, with Miles Davis, between 1947 and 1950.

Born in Philadelphia, Potter had first played with Parker in 1944, in Billy Eckstine‘s band with Dizzy Gillespie, Lucky Thompson and Art Blakey.

Potter also performed and recorded with many other notable jazz musicians, including Earl Hines, Artie Shaw, Bud Powell, Count Basie, Sonny Rollins, Stan Getz, Max Roach, Eddie Heywood, Tyree Glenn, Harry “Sweets” Edison, Buck Clayton and Charles Lloyd.

X-ray & Radio Images of Cygnus OB2
Stars come in different sizes and masses. Our Sun is an average-sized star that will have a lifespan of some 10 billion years. More massive stars, like those found in Cygnus OB2, only last a few million years. During their lifetimes, they blast large amounts of high-energy winds into their surroundings. These violent winds can collide or produce shocks in the gas and dust around the stars, depositing large amounts of energy that produce X-ray emission that Chandra can detect. In this composite image of Cygnus OB2, X-rays from Chandra (red diffuse emission and blue point sources) are shown with optical data from the Isaac Newton Telescope (diffuse emission in light blue) and infrared data from the Spitzer Space Telescope (orange).

The region is approximately 1,400 parsecs from Earth in the constellation of Cygnus. The young cluster is one of the largest known and the largest in the northern hemisphere with some authors formerly classifying it as a young globular cluster similar to those in the Large Magellanic Cloud.

Eric J. Gale (September 20, 1938 – May 25, 1994) was an American jazz and session guitarist.

Born in Brooklyn, New York, Gale began playing guitar at the age of 12. Although he majored in chemistry at Niagara University, Gale was determined to pursue a musical career, and began contributing to accompaniments for such stars as Maxine Brown, the Drifters, and Jesse Belvin. He soon began to attract the attention of King Curtis and Jimmy Smith, who began recommending him for studio work. He became known first as a session musician in the 1960s, eventually appearing on an estimated 500 albums. Among the many artists he recorded with were Mose Allison, Aretha Franklin, Bob James, Paul Simon (Gale plays a supporting role in the 1980 film One-Trick Pony, written by and starring Simon), Lena Horne, Quincy Jones, Bob Marley, Nina Simone, Peter Tosh, Grover Washington, Jr., Herbie Mann, Esther Phillips, Joe Cocker, Carly Simon, Van Morrison, Al Jarreau, Dave Grusin, Lee “Scratch” Perry, Paul Douglas and Billy Joel. He also had played in Aretha Franklin’s stage band. Gale died of lung cancer in May 1994 at the age of 55.

Edwin Joseph Bocage (September 20, 1930 – March 18, 2009), known as Eddie Bo, was an American singer and pianist from New Orleans. Schooled in jazz, he was known for his blues, soul and funk recordings, compositions, productions and arrangements. He debuted on Ace Records in 1955 and released more single records than anyone else in New Orleans other than Fats Domino.

Eddie Bo worked and recorded for more than 40 different record labels, including Ace, Apollo Records, Arrow, At Last, Blue-Jay, Bo-Sound, Checker, Chess, Cinderella, Nola, Ric (for which business his carpentry skills were used to build a studio), Scram, Seven B, and Swan. He is described at Allmusic as “a sorely underappreciated veteran of the New Orleans R&B scene.”

Eddie Bo grew up in Algiers, Louisiana and in the Ninth Ward of New Orleans. He came from a long line of ship builders with the male members of his family being bricklayers, carpenters and masons by day and musicians by night. Eddie’s mother was a self-taught pianist in the style of friend, Professor Longhair. The Bocage family was involved in the traditional jazz community with cousins Charles, Henry and Peter, who played with Sidney Bechet, contributing to jazz orchestras before World War II.

Billy Bang (September 20, 1947 – April 11, 2011), born William Vincent Walker, was an American free jazz violinist and composer. Bang’s family moved to New York City’s Bronx neighborhood while he was still an infant, and as a child he attended a special school for musicians in nearby Harlem. At that school, students were assigned instruments based on their physical size. Bang was fairly small, so he received a violin instead of either of his first choices, the saxophone or the drums. It was around this time that he acquired the nickname of “Billy Bang”, derived from a popular cartoon character.

Bang studied the violin until he earned a hardship scholarship to the Stockbridge School in Stockbridge, Massachusetts, at which point he abandoned the instrument because the school did not have a music program. He had difficulty adjusting to life at the school, where he encountered racism and developed confusion about his identity, which he later blamed for his onset of schizophrenia. Bang felt that he had little in common with the largely privileged children at the school, who included Jackie Robinson, Jr. (son of baseball star Jackie Robinson) and Arlo Guthrie, and he struggled to reconcile the disparity between the wealth of the school and the poverty of his home in New York. He left the school after two years and attended a school in the Bronx. He did not graduate, decided not to return to school after receiving his draft papers, and at the age of 18, he was drafted into the United States Army 

Keith Moore “Red” Mitchell (September 20, 1927 – November 8, 1992), was an American jazz double-bassist, composer, lyricist, and poet. Mitchell was born on September 20, 1927, in New York City. His younger brother, Whitey Mitchell, also became a jazz bassist.

Mitchell was raised in New Jersey by a father who was an engineer and loved music, and a mother who loved poetry. His first instruments were piano, alto saxophone, and clarinet. Although Cornell University awarded him an engineering scholarship, by 1947 he was in the US Army playing bass. The next year he was in a jazz trio in New York City.

Mitchell performed and/or recorded with Mundell Lowe, Chubby Jackson, Charlie Ventura, Woody Herman, Red Norvo, Gerry Mulligan, and, after joining the West Coast jazz scene in the early 1950s, with André Previn, Shelly Manne, Hampton Hawes, Billie Holiday, Stan Seltzer, Ornette Coleman, and others such as Mahalia Jackson. He also worked as a bassist in the TV and film studios around Los Angeles, occasionally appearing on screen. Mitchell also appeared in documentaries about Tal Farlow and Zoot Sims.

https://www.youtube.com/watch?v=yxhF-8U7PsU

Elvira “Vi” Redd (born September 20, 1928) is an American jazz alto saxophone player, vocalist and educator. She has been active since the early 1950s and is known primarily for playing in the bebop, hard bop and post-bop styles. She is highly regarded as an accomplished veteran who has performed with Count Basie, Rahsaan Roland Kirk, Linda Hopkins, Marian McPartland and Dizzy Gillespie.

Redd is the daughter of New Orleans jazz drummer and Clef Club co-founder Alton Redd and Mattie Redd (née Thomas). She was born in Los Angeles. She was deeply influenced during her formative years by her father, who was one of the leading figures on the Central Avenue jazz scene. Another important musical mentor was her paternal great aunt Alma Hightower.