This nebula had never been noted before. Newly discovered nebulas are usually angularly small and found by professionals using large telescopes. In contrast, the Pistachio Nebula was discovered by dedicated amateurs and, although faint, is nearly the size of the full Moon. In modern times, amateurs with even small telescopes can create long exposures over sky areas much larger than most professional telescopes can see. They can therefore discover both previously unknown areas of extended emission around known objects, as well as entirely unknown objects, like nebulas. The pictured Pistachio Nebula is shown in oxygen emission (blue) and hydrogen emission (red). The nature of the hot central star is currently unknown, and the nebula might be labeled a planetary nebula if it turns out to be a white dwarf star. The featured image is a composite of over 70 hours of exposure taken in early June under the dark skies of Namibia.
Donna Jean Thatcher Godchaux-MacKay (born August 22, 1947) is an American singer who was a member of the Grateful Dead from 1972 until 1979.
Donna Jean Thatcher was born in Florence, Alabama. Prior to 1970, she had worked as a session singerin Muscle Shoals, Alabama, eventually singing with a group called Southern Comfort and appearing as a backup singer on at least two #1 hit songs: “When a Man Loves a Woman” by Percy Sledge in 1966 and “Suspicious Minds” by Elvis Presley in 1969. Her vocals were featured on other classic recordings by Boz Scaggs and Duane Allman, Cher, Joe Tex, Neil Diamond and many others. She then moved to California and met future fellow Grateful Dead member Keith Godchaux, whom she married in 1970.
see full post...Malachi Favors (August 22, 1927 – January 30, 2004) was an American jazz bassist who played with the Art Ensemble of Chicago.
“Favors’s tendency to dissemble about his age was a well-known source of mirth to fellow musicians of his generation”. Most reference works give his year of birth of 1937, but, following his death, his daughter stated that it was 1927.
Favors primarily played the double bass, but also played the electric bass guitar, banjo, zither, gong, and other instruments. He began playing double bass at the age of 15 and began performing professionally upon graduating from high school. Early performances included work with Dizzy Gillespie and Freddie Hubbard. By 1965, he was a founder of the Association for the Advancement of Creative Musicians and a member of Muhal Richard Abrams‘ Experimental Band.
see full post...John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001 Tutwiler, MS) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in Rolling Stone‘s 2015 list of 100 greatest guitarists.
Some of his best known songs include “Boogie Chillen’” (1948), “Crawling King Snake” (1949), “Dimples” (1956), “Boom Boom” (1962), and “One Bourbon, One Scotch, One Beer” (1966). Several of his later albums, including The Healer (1989), Mr. Lucky (1991), Chill Out (1995), and Don’t Look Back (1997), were album chart successes in the U.S. and UK. The Healer (for the song “I’m in the Mood”) and Chill Out (for the album) both earned him Grammy wins as well as Don’t Look Back, which went on to earn him a double-Grammy win for Best Traditional Blues Recording and Best Pop Collaboration with Vocals (with Van Morrison).
see full post...Achille) Claude Debussy 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France’s leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire’s conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, Pelléas et Mélisande.
Debussy’s orchestral works include Prélude à l’après-midi d’un faune (1894), Nocturnes (1897–1899) and Images(1905–1912). His music was to a considerable extent a reaction against Wagner and the German musical tradition. He regarded the classical symphony as obsolete and sought an alternative in his “symphonic sketches”, La mer(1903–1905). His piano works include sets of 24 Préludes and 12 Études. Throughout his career he wrote mélodies based on a wide variety of poetry, including his own. He was greatly influenced by the Symbolist poetic movement of the later 19th century. A small number of works, including the early La Damoiselle élue and the late Le Martyre de saint Sébastien have important parts for chorus. In his final years, he focused on chamber music, completing three of six planned sonatas for different combinations of instruments.
With early influences including Russian and Far Eastern music and works by Chopin, Debussy developed his own style of harmony and orchestral colouring, derided – and unsuccessfully resisted – by much of the musical establishment of the day. His works have strongly influenced a wide range of composers including Béla Bartók, Olivier Messiaen, George Benjamin, and the jazz pianist and composer Bill Evans. Debussy died from cancer at his home in Paris at the age of 55 after a composing career of a little more than 30 years.
see full post...Teaching a one time Rhythm Roots Workshop at the Rum River Library in Anoka, MN. Monday August 21st 2023 from noon-1pm. In conjunction with Engage with My Community Program for adults with developmental disabilities. Exploring world rhythms.
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The galaxy ESO 300-16 looms over this image from the NASA/ESA Hubble Space Telescope. This galaxy, which lies 28.7 million light-years from Earth in the constellation Eridanus, is a ghostly assemblage of stars which resembles a sparkling cloud. A rogue’s gallery of distant galaxies and foreground stars complete this astronomical portrait, which was captured by the Advanced Camera for Surveys.
This observation is one of a series which aims to get to know our galactic neighbours; around three quarters of the known galaxies suspected to lie within 10 megaparsecs of Earth have been observed by Hubble in enough detail to resolve their brightest stars and establish the distances to these galaxies. A team of astronomers proposed using small gaps in Hubble’s observing schedule to acquaint ourselves with the remaining quarter of the nearby galaxies.
The megaparsec — meaning one million parsecs — is a unit used by astronomers to chart the mind-bogglingly large distances involved in astronomy. The motion of Earth around the Sun means that stars appear to slightly shift against very distant stars over the course of a year. This small shift is referred to as parallax and is measured in angular units: degrees, minutes, and seconds. One parsec is equivalent to saying a parallax of one-arcsecond, and is equivalent to 3.26 light-years or 30.9 trillion kilometres. The closest exoplanet to the Sun is Proxima Centauri b, which lies 1.3 parsecs away.
[Image Description: An irregular galaxy that resembles the shape of a cloud. It is made of many tiny stars all clumped together, surrounded in a diffuse light. In the central, brightest part there is a bubble of blue gas. The galaxy is surrounded by mostly very small and faint objects, though there are bright stars above and to the left of it, and a string of galaxies nearby.]
Steven Bruce Smith (born August 21, 1954) is an American drummer best known as a member of the rock band Journey across three stints: 1978 to 1985, 1995 to 1998 and 2015 to 2020. Modern Drummer magazine readers have voted him the No. 1 All-Around Drummer five years in a row. In 2001, the publication named Smith one of the Top 25 Drummers of All Time, and in 2002 he was voted into the Modern Drummer Hall of Fame. He was inducted into the Rock and Roll Hall of Fame as a member of Journey on April 7, 2017.
Smith received his first drum kit at age two and in 1963 he began taking formal lessons with local Boston area drum teacher Bill Flanagan, who played in big bands in the swing era. Smith got his first “real” drum set when he was 12 years old. On many nights, Steve could be heard practicing in a small shed in the backyard of his Harvard Street home. Smith performed in the usual school band program and garage bands while in his teens, including Clyde, a South Shore sensation, but also began to broaden his performing experience by playing in a professional concert band and the big band at local Bridgewater State College.
see full post...Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhornplayer. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition “Farmer’s Market” in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player.
As Farmer’s reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan‘s quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and he helped to establish the flugelhorn as a soloist’s instrument in jazz. He settled in Europe in 1968 and continued to tour internationally until his death. Farmer recorded more than 50 albums under his own name, a dozen with the Jazztet, and dozens more with other leaders. His playing is known for its individuality – most noticeably, its lyricism, warmth of tone and sensitivity.
Art Farmer was born an hour before his twin brother, on August 21, 1928, in Council Bluffs, Iowa, reportedly at 2201 Fourth Avenue. Their parents, James Arthur Farmer and Hazel Stewart Farmer, divorced when the boys were four, and their steelworker father was killed in a work accident not long after this. Art moved with his grandfather, grandmother, mother, brother and sister to Phoenix, Arizona when he was still four.
see full post...William James “Count” Basie (/ˈbeɪsi/; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two “split” tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry “Sweets” Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.
William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced horses, his father became a groundskeeper and handyman for several wealthy families in the area. Both of his parents had some type of musical background. His father played the mellophone, and his mother played the piano; in fact, she gave Basie his first piano lessons. She took in laundry and baked cakes for sale for a living. She paid 25 cents a lesson for Count Basie’s piano instruction.
see full post...What kind of cloud is this? A type of arcus cloud called a roll cloud. These rare long clouds may form near advancing cold fronts. In particular, a downdraft from an advancing storm front can cause moist warm air to rise, cool below its dew point, and so form a cloud. When this happens uniformly along an extended front, a roll cloud may form. Roll clouds may actually have air circulating along the long horizontal axis of the cloud. A roll cloud is not thought to be able to morph into a tornado. Unlike a similar shelf cloud, a roll cloud is completely detached from their parent cumulonimbus cloud. Pictured here, a roll cloud extends far into the distance as a storm approaches in 2007 in Racine, Wisconsin, USA.
Robert Anthony Plant CBE (born 20 August 1948) is an English singer and songwriter. He was the lead singer and lyricist of the rock band Led Zeppelin from its founding in 1968 until their break up in 1980; since then he has had a successful solo career, sometimes collaborating with other artists such as Alison Krauss. Regarded by many as one of the greatest singers in rock music, he is known for his flamboyant persona and raw stage performances.
Plant was born and brought up in the West Midlands area of England, where after leaving grammar schoolhe briefly trained as a chartered accountant before leaving home at 16 years old to concentrate on singing with a series of local blues bands, including Band of Joy with John Bonham. In 1968, he was invited by Peter Grant and Jimmy Page to join The Yardbirds, which Grant and Page were attempting to keep going. The new version of The Yardbirds changed their name to Led Zeppelin, and from the late 1960s to the end of the 1970s the band enjoyed considerable success.
Plant developed a compelling image as a charismatic rock-and-roll front man, comparable to contemporaries such as Mick Jagger of the Rolling Stones, Roger Daltrey of the Who, Jim Morrison of the Doors, and Freddie Mercury of Queen. After Led Zeppelin dissolved in 1980, Plant continued to perform and record continuously on a variety of solo and group projects. His first well known post-Led Zeppelin project was The Honeydrippers, alongside former Led Zeppelin guitarist Jimmy Page, among others. In 1988, he released the solo album Now and Zen, from which came the hit singles “Tall Cool One” and “Ship of Fools“. In the 1990s, another reunion project named Page and Plant released two studio albums and a live album from an MTV Unplugged performance, as well as winning the Grammy Award for Best Hard Rock Performance in 1998 for “Most High“. In 2007, Plant began a collaboration with bluegrass artist Alison Krauss, releasing the album Raising Sand, which won the Grammy Award for Album of the Year in 2009 and produced the hit song “Please Read the Letter“, which won the Grammy Award for Record of the Year the same year. In 2010, he revived the Band of Joy (which shared its name with an early band he performed with in the 1960s), and in 2012 formed a new band, the Sensational Space Shifters, followed by a reunion with Alison Krauss in 2019.
In 1995, Led Zeppelin were inducted into the Rock and Roll Hall of Fame. In 2008, Rolling Stone editors ranked Plant number 15 on their list of the 100 best singers of all time. In 2011, Rolling Stone readers ranked Plant the greatest of all lead singers. In 2006, Hit Parader magazine named Plant the “Greatest Metal Vocalist of All Time”. In 2009, Plant was voted “the greatest voice in rock” in a poll conducted by UK classic rock radio station Planet Rock. In 2023, Billboard ranked him number 4 on their list of The 50 Greatest Rock Lead Singers of All Time.
see full post...Isaac Lee Hayes Jr. (August 20, 1942 – August 10, 2008) was an American singer, songwriter, actor, and composer. He was one of the creative forces behind the Southern soul music label Stax Records, serving as both as an in-house songwriter and as a session musician and record producer, teaming with his partner David Porter during the mid-1960s. Hayes and Porter were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of songs for themselves, the duo Sam & Dave, Carla Thomas, and others. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame.
“Soul Man“, written by Hayes and Porter and first performed by Sam & Dave, was recognized as one of the most influential songs of the past 50 years by the Grammy Hall of Fame. It was also honored by The Rock and Roll Hall of Fame, by Rolling Stone magazine, and by the Recording Industry Association of America(RIAA) as one of the Songs of the Century. During the late 1960s, Hayes also began a career as a recording artist. He had several successful soul albums such as Hot Buttered Soul (1969) and Black Moses (1971). In addition to his work in popular music, Hayes worked as a composer of musical scores for motion pictures.
Hayes was known for his musical score for the film Shaft (1971). For the “Theme from Shaft“, he was awarded the Academy Award for Best Original Song in 1972, making him the third black person, after Hattie McDaniel and Sidney Poitier, to win an Academy Award in any competitive field covered by the Academy of Motion Picture Arts and Sciences. Hayes also won two Grammy Awards for that same year. Later, he was given his third Grammy for his music album Black Moses.
In 1992, Hayes was crowned honorary king of the Ada region of Ghana in recognition of his humanitarian work there. He acted in motion pictures and television, such as in the movies Truck Turner and I’m Gonna Git You Sucka, and as Gandolf “Gandy” Fitch in the TV series The Rockford Files (1974–1980). Hayes also voiced the character Chef from the Comedy Central animated series South Park from its debut in 1997 until his controversial departure in 2006.
On August 5, 2003, Hayes was honored as a BMI Icon at the 2003 BMI Urban Awards for his enduring influence on generations of music makers. Throughout his songwriting career, Hayes received five BMI R&B Awards, two BMI Pop Awards, two BMI Urban Awards and six Million-Air citations. As of 2008, his songs had generated more than 12 million performances.
see full post...Frank Rosolino (August 20, 1926 – November 26, 1978) was an American jazz trombonist.
Rosolino was born in Detroit, Michigan, United States, He performed with the big bands of Bob Chester, Glen Gray,[1] Tony Pastor, Herbie Fields, Gene Krupa, and Stan Kenton. After a period with Kenton he settled in Los Angeles, where he performed with Howard Rumsey‘s Lighthouse All-Stars (1954–1960) in Hermosa Beach.
Throughout the 1960s and 1970s, between nightclub engagements, Rosolino was active in many Los Angeles recording studios where he performed with such notables as Frank Sinatra, Sarah Vaughan, Tony Bennett, Peggy Lee, Mel Tormé, Michel Legrand, and Quincy Jones. In the mid-to-late 1960s he and fellow trombonist Mike Barone, billed as “Trombones Unlimited,” recorded for Liberty Records several albums of pop-style arrangements of current hits, such as the 1968 album Grazing in the Grass. He can also be seen performing with Shelly Manne‘s group in the film I Want to Live! (1958) starring Susan Hayward, and also in Sweet Smell of Success (1957) with Burt Lancaster and Tony Curtis. He was a regular on The Steve Allen Show and a guest artist on The Tonight Show and The Merv Griffin Show. Rosolino was a talented vocalist, renowned for his wild form of scat-singing, notably on Gene Krupa‘s hit record, “Lemon Drop”.
During the 1970s, Rosolino performed and toured with Quincy Jones and the Grammy Award winning group Supersax.
Rosolino’s private life was highly troubled. On November 26, 1978, Rosolino shot both of his sons as they slept. One died instantly; the other survived, but was blinded. Rosolino fatally shot himself in the head immediately after shooting his sons.
see full post...James Elbert Raney (August 20, 1927 – May 10, 1995) was an American jazz guitarist, born in Louisville, Kentucky, United States, known for his work from 1951 to 1952 and then from 1953 to 1954 with the Red Norvo trio (replacing Tal Farlow) and, during the same time period, with Stan Getz. In 1954 and 1955, he won the DownBeat Critics’ Poll for guitar. Raney worked in a variety of jazz mediums, including cool jazz, bebop, post bop, hard bop, and mainstream jazz.
In 1946, he worked for a time as guitarist with the Max Miller Quartet at Elmer’s in Chicago, his first paying gig. Raney also worked in the Artie Shaw Orchestra and collaborated with Woody Herman for nine months in 1948. He also collaborated and recorded with Buddy DeFranco, Al Haig and later on with Bob Brookmeyer. In 1967, alcoholism and other professional difficulties led him to leave New York City and return to his native Louisville. He resurfaced in the 1970s and also did work with his son Doug, who was also a guitarist.
Raney lived with Ménière’s disease for thirty years, a degenerative condition that led to near deafness in both ears, although this did not stop him from playing. He died of heart failure in Louisville on May 10, 1995. His obituary in The New York Times called him “one of the most gifted and influential postwar jazz guitarists in the world”.
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