Cecil Payne (December 14, 1922 – November 27, 2007) was an American jazz baritone saxophonist born in Brooklyn, New York. Payne also played the alto saxophone and flute. He played with other prominent jazz musicians, in particular Dizzy Gillespie and Randy Weston, in addition to his solo work as bandleader.

Payne received his first saxophone aged 13, asking his father for the instrument after hearing “Honeysuckle Rose” performed by Count Basie with Lester Youngsoloing. Payne took lessons from a local alto sax player, Pete Brown. He studied at Boys High School, Bedford-Stuyvesant.

Payne began his professional recording career with J. J. Johnson on the Savoy label in 1946. During that year he also began playing with Roy Eldridge, through whom he met Dizzy Gillespie. His earlier recordings would largely fall under the swing category, until Gillespie hired him. Payne stayed on board until 1949, heard performing solos on “Ow!” and “Stay On It”. In the early 1950s, he found himself working with Tadd Dameron, and worked with Illinois Jacquet from 1952 to 1954. He then started freelance work in New York City and frequently performed during this period with Randy Weston, whom Payne worked with until 1960. Payne was still recording regularly for Delmark Records in the 1990s, when he was in his seventies, and indeed on into the new millennium.

https://www.youtube.com/watch?v=pS7RbZyWDsI

Clark Virgil Terry Jr (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator.

He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on The Tonight Show from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.

Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. He attended Vashon High School and began his professional career in the early 1940s, playing in local clubs. He served as a bandsman in the United States Navy during World War II. His first instrument was valve trombone.

Judge Kenneth Peterson (December 13, 1964 – May 17, 2020), known professionally as Lucky Peterson, was an American musician who played contemporary blues, fusing soul, R&B, gospeland rock and roll. He played guitar and keyboards. Music journalist Tony Russell, in his book The Blues – From Robert Johnson to Robert Cray has said, “he may be the only blues musician to have had national television exposure in short pants. Peterson’s father, bluesman James Peterson, owned a nightclub in Buffalo called The Governor’s Inn. The club was a regular stop for fellow bluesmen such as Willie Dixon. Dixon saw a five-year-old Lucky Peterson performing at the club and, in Peterson’s words, “Took me under his wing.” Months later, Peterson performed on The Tonight Show, The Ed Sullivan Show and What’s My Line?. Millions of people watched Peterson sing “1-2-3-4”, a cover version of “Please, Please, Please” by James Brown. At the time, Peterson said “his father wrote it”. Around this time he recorded his first album, Our Future: 5 Year Old Lucky Peterson, for Today/Perception Records and appeared on the public television show, Soul!

Majida El Roumi Baradhy (Arabic: ماجدة الرومي برادعي; born 13 December 1956) is a Lebanese soprano singer and United NationsGoodwill Ambassador. Majida El Roumi Al Baradhy was born on 13 December 1956 in Kfarshima. He father, Halim El Roumi, was from a Melkite Christian family from Tyre, South Lebanon, and her mother was Egyptian. Her father was born in Tyre in 1919 but later moved to Haifa, Palestine at the age of two with his whole family to avoid the hardships of World War I. Kfarshima is also home to many Lebanese singers, musicians and poets like Philimon Wehbe, Melhem Barakat and Issam Rajji. The El Roumi residence was a meeting place for many cultural figures as he worked with many singers. He is accredited with having discovered many well-known artists, mainly the Lebanese star Fairuz.

Benjamin M. Tucker (December 13, 1930 – June 4, 2013) was an American jazz bassist who appeared on hundreds of recordings. Tucker played on albums by Art Pepper, Billy Taylor, Quincy Jones, Grant Green, Dexter Gordon, Hank Crawford, Junior Mance, and Herbie Mann.

He was born in Tennessee. As bass player in the Dave Bailey Quintet in 1961, he wrote the instrumental version of the song “Comin’ Home Baby!“, first issued on the album Two Feet in the Gutter. Bob Dorough later wrote a lyric to the song, and the vocal version became a Top 40 hit for jazz singer Mel Tormé in 1962.

Tucker released the album Baby, You Should Know It (Ava, 1963) with Victor Feldman, Larry Bunker, Bobby Thomas, Ray Crawford, Tommy Tedesco, and Carlos “Patato” Valdes.

By 1972, Tucker owned two radio stations, WSOK-AM, which had over 400,000 listeners, and WLVH-FM. Both of these were located in his hometown of Savannah, Georgia.

He died in a traffic collision in Hutchinson Island, Georgia, on June 4, 2013.

William Alexander “Sonny” Greer (December 13, c. 1895 – March 23, 1982) was an American jazz drummer and vocalist, best known for his work with Duke Ellington.

Greer was born in Long Branch, New Jersey, United States, and played with Elmer Snowden‘s band and the Howard Theatre‘s orchestra in Washington, D.C., before joining Duke Ellington, whom he met in 1919. He was Ellington’s first drummer, playing with his quintet, the Washingtonians, and moved with Ellington into the Cotton Club. As a result of his job as a designer with the Leedy Drum Company of Indiana, Greer was able to build up a huge drum kit worth over a then-considerable $3,000, including chimes, a gong, timpani, and vibes.

Greer was a heavy drinker, as well as a pool-hall hustler (when he needed to retrieve his drums from the pawnbroker), and in 1950, Ellington responded to his drinking and occasional unreliability by taking a second drummer, Butch Ballard, with them on a tour of Scandinavia. This enraged Greer, and the consequent argument led to their permanent estrangement.

https://www.youtube.com/watch?v=OBXR22sIg4Y

Forrest Richard Betts (born December 12, 1943 West Palm Beach, FL) is an American guitarist, singer, songwriter, and composer best known as a founding member of The Allman Brothers Band.

Early in his career, he collaborated with Duane Allman, introducing melodic twin guitar harmony and counterpoint which “rewrote the rules for how two rock guitarists can work together, completely scrapping the traditional rhythm/lead roles to stand toe to toe”. Following Allman’s death in 1971, Betts assumed sole lead guitar duties during the peak of the group’s commercial success in the mid-1970s. Betts was the writer and singer on the Allmans’ hit single “Ramblin’ Man“. He also gained renown for composing instrumentals, with one appearing on most of the group’s albums, including “In Memory of Elizabeth Reed” and “Jessica” (which was later used as the theme to Top Gear).

The band went through a hiatus in the late 1970s, during which time Betts, like many of the other band members, pursued a solo career and side projects under such names as Great Southern and The Dickey Betts Band. The Allman Brothers reformed in 1979, with Dan Toler taking the second guitar role alongside Betts. In 1982, they broke up a second time, during which time Betts formed the group Betts, Hall, Leavell and Trucks, which lasted until 1984. A third reformation occurred in 1989, with Warren Haynes now joining Betts on guitar. Betts would be ousted from the band in 2000 over a conflict regarding Betts’s continued drug and alcohol use; he would never play with them again and has not since appeared with any former band members for reunions or side projects. He remains (alongside Jaimoe) one of only two living founders of the Allman Brothers Band.

He was inducted with the band into the Rock and Roll Hall of Fame in 1995 and also won a best rock performance Grammy Award with the band for “Jessica” in 1996. Betts was ranked No. 58 on Rolling Stone‘s 100 Greatest Guitarists of All Time list in 2003, and No. 61 on the list published in 2011.

Grover Washington Jr. (December 12, 1943 – December 17, 1999) was an American jazz-funk and soul-jazz saxophonist. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders of the smooth jazz genre. He wrote some of his material and later became an arranger and producer.

Throughout the 1970s and 1980s, Washington made some of the genre’s most memorable hits, including “Mister Magic”, “Reed Seed”, “Black Frost”, “Winelight”, “Inner City Blues”, “Let it Flow (For ‘Dr. J’)” and “The Best is Yet to Come”. In addition, he performed very frequently with other artists, including Bill Withers on “Just the Two of Us“, Patti LaBelle on “The Best Is Yet to Come” and Phyllis Hyman on “A Sacred Kind of Love”. He is also remembered for his take on the Dave Brubeckclassic “Take Five“, and for his 1996 version of “Soulful Strut“.

Washington was born in Buffalo, New York, United States, on December 12, 1943. His mother was a church chorister, and his father was a collector of old jazzgramophone records and a saxophonist as well, so music was everywhere in the home. He grew up listening to the great jazzmen and big band leaders like Benny Goodman, Fletcher Henderson, and others like them. At the age of 8, Grover Sr. gave Jr. a saxophone. He practiced and would sneak into clubs to see famous Buffalo blues musicians. His younger brother, drummer Daryl Washington, would follow in his footsteps, he also had another younger brother named Michael Washington, who was an accomplished Gospel Music organist who mastered the Hammond B3 organ. He was part of a vocal ensemble, The Teen Kings, which included Lonnie Smith.

Michael “Dodo” Marmarosa (December 12, 1925 – September 17, 2002) was an American jazz pianist, composer, and arranger.

Originating in Pittsburgh, Pennsylvania, Marmarosa became a professional musician in his mid-teens, and toured with several major big bands, including those led by Tommy Dorsey, Gene Krupa, and Artie Shaw into the mid-1940s. He moved to Los Angeles in 1945, where he became increasingly interested and involved in the emerging bebop scene. During his time on the West Coast, he recorded in small groups with leading bebop and swing musicians, including Howard McGhee, Charlie Parker, and Lester Young, as well as leading his own bands.

Marmarosa returned to Pittsburgh due to health reasons in 1948. He began performing much less frequently, and had a presence only locally for around a decade. Friends and fellow musicians had commented from an early stage that Marmarosa was an unusual character. His mental stability was probably affected by being beaten into a coma when in his teens, by a short-lived marriage followed by permanent separation from his children, and by a traumatic period in the army. He made comeback recordings in the early 1960s, but soon retreated to Pittsburgh, where he played occasionally into the early 1970s. From then until his death three decades later, he lived with family and in veterans’ hospitals.