Star formation. Dusty emission in the Tadpole Nebula, IC 410, lies about 12,000 light-years away in the northern constellation of the Charioteer (Auriga). The cloud of glowing gas is over 100 light-years across, sculpted by stellar winds and radiation from embedded open star cluster NGC 1893. Formed in the interstellar cloud a mere 4 million years ago, bright newly formed cluster stars are seen all around the star-forming nebula. Notable on the lower-right of the featured image are two relatively dense streamers of material trailing away from the nebula’s central regions. Potentially sites of ongoing star formation in IC 410, thesecosmic tadpole shapes are about 10 light-years long. The image was processed highlighting the emission from sulfur (red), hydrogen (green), and oxygen (blue) gas — but with the stars digitally removed.
Travis Leonard Blaylock (December 21, 1934 – June 16, 1984), better known as Harmonica Slim, was an American blues harmonicist, singer and songwriter. He had some commercial success in the 1950s; recordings of two songs he wrote, “Mary Helen” and “You Better Believe It” (both 1956), were modest hits. He released a total of six singles and toured alongside Percy Mayfield, Harmonica Fats, B.B. King, T-Bone Walker, Pee Wee Crayton and Ray Charles. His debut album was released in 1969. By the late 1970s, he had stopped playing the blues.
He is not to be confused with (as he has been in some sources) two other similarly named artists, James Isaac Moore (better known as Slim Harpo) and Richard Riley Riggins (1921–2003).
Blaylock was born in Texarkana, Texas. With encouragement from his neighbors, and by listening to records by Sonny Boy Williamson I, he became competent playing the harmonica by the age of twelve. He joined a gospel group, the Sunny South Gospel Singers, in the mid-1940s, and they performed on a local radio station, KCMC. In 1949, Harmonica Slim moved to Los Angeles, California, where he started to perform with several local blues groups. Through this work, gaining experience and local connections, he began playing in package shows including working part-time with the pianist Lloyd Glenn in Lowell Fulson‘s band.
see full post...John Josephus Hicks Jr. (December 21, 1941 – May 10, 2006 Atlanta, GA) was an American jazz pianist, composer, and arranger. He was leader of more than 30 recordings and played as a sideman on more than 300.
After early experiences backing blues musicians, Hicks moved to New York in 1963. He was part of Art Blakey‘s band for two years, accompanied vocalist Betty Carter from 1965 to 1967, before joining Woody Herman‘s big band, where he stayed until 1970. Following these associations, Hicks expanded into freer bands, including those of trumpeters Charles Tolliver and Lester Bowie. He rejoined Carter in 1975; the five-year stay brought him more attention and helped to launch his recording career as a leader. He continued to play and record extensively in the United States and internationally. Under his own leadership, his recordings were mostly bebop-influenced, while those for other leaders continued to be in a diversity of styles, including multi-year associations with saxophonists Arthur Blythe, David Murray, David “Fathead” Newman, and Pharoah Sanders.
see full post...Bennie Ross “Hank” Crawford, Jr. (December 21, 1934 – January 29, 2009) was an American alto saxophonist, arranger and songwriter whose genres ranged from R&B, hard bop, jazz-funk, and soul jazz. Crawford was musical director for Ray Charles before embarking on a solo career releasing many well-regarded albums for labels such as Atlantic, CTI and Milestone.
Crawford was born in Memphis, Tennessee, United States. He began formal piano studies at the age of nine and was soon playing for his church choir. His father had brought an alto saxophone home from the service and when Hank entered Manassas High School, he took it up in order to join the band. He credits Charlie Parker, Louis Jordan, Earl Bostic and Johnny Hodges as early influences.
Crawford appears on an early 1952 Memphis recording for B.B. King, with a band including Ben Branch and Ike Turner.
In 1958, Crawford went to college at Tennessee State University in Nashville, Tennessee. While at TSU, he majored in music studying theory and composition, as well as playing alto and baritone saxophone in the Tennessee State Jazz Collegians. He also led his own rock ‘n’ roll quartet, “Little Hank and the Rhythm Kings”. His bandmates all thought he looked and sounded just like Hank O’Day, a local saxophonist, which earned him the nickname “Hank”. This is when Crawford met Ray Charles, who hired Crawford originally as a baritone saxophonist. Crawford switched to alto in 1959, and remained with Charles’ band — becoming its musical director until 1963.
see full post...Francisco Sánchez Gómez (21 December 1947 – 25 February 2014), known as Paco de Lucía, was a Spanish virtuoso flamenco guitarist, composer, and record producer. A leading proponent of the new flamenco style, he was one of the first flamenco guitarists to branch into classical and jazz. Richard Chapman and Eric Clapton, authors of Guitar: Music, History, Players, describe de Lucía as a “titanic figure in the world of flamenco guitar”, and Dennis Koster, author of Guitar Atlas, Flamenco, has referred to de Lucía as “one of history’s greatest guitarists”.
De Lucía was noted for his fast and fluent picados (fingerstyle runs). A master of contrast, he often juxtaposed picados and rasgueados (flamenco strumming) with more sensitive playing and was known for adding abstract chords and scale tones to his compositions with jazz influences. These innovations saw him play a key role in the development of traditional flamenco and the evolution of new flamenco and Latin jazz fusion from the 1970s. He received acclaim for his recordings with flamenco singer Camarón de la Isla in the 1970s, recording ten albums which are considered some of the most important and influential in flamenco history.
Some of de Lucía’s best known recordings include “Río Ancho” (later fused with Al Di Meola‘s “Mediterranean Sundance“), “Entre dos aguas“, “La Barrosa“, “Ímpetu“, “Cepa Andaluza” and “Gloria al Niño Ricardo“. His collaborations with guitarists John McLaughlin, Al Di Meola and Larry Coryell in the late 1970s saw him gain wider popularity outside his native Spain. De Lucía formed the Paco de Lucía Sextet in 1981 with his brothers, singer Pepe de Lucía and guitarist Ramón de Algeciras, and collaborated with jazz pianist Chick Corea on their 1990 album, Zyryab. In 1992, he performed live at Expo ’92 in Seville and a year later on the Plaza Mayor in Madrid. He also collaborated with guitarist Juan d’Anyelica on his album Cositas Buenas. After 2004 he greatly reduced his public performances, retiring from full touring, and typically only gave several concerts a year, usually in Spain and Germany and at European festivals during the summer months.
see full post...Frank Vincent Zappa (December 21, 1940 – December 4, 1993 Baltimore, MD) was an American musician, composer, and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.
As a self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while at the same time playing drums in rhythm-and-blues bands, later switching to electric guitar. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical.
Zappa’s output is unified by a conceptual continuity he termed “Project/Object”, with numerous musical phrases, ideas, and characters reappearing across his albums. His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the “godfather” of comedy rock. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship. Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation.
Zappa was a highly productive and prolific artist with a controversial critical standing; supporters of his music admired its compositional complexity, while detractors found it lacking emotional depth. He had greater commercial success outside the US, particularly in Europe. Though he worked as an independent artist, Zappa mostly relied on distribution agreements he had negotiated with the major record labels. He remains a major influence on musicians and composers. His many honors include his 1995 posthumous induction into the Rock and Roll Hall of Fame and the 1997 Grammy Lifetime Achievement Award.
see full post...A portion of the open cluster NGC 6530 appears as a roiling wall of smoke studded with stars in this image from the NASA/ESA Hubble Space Telescope. NGC 6530 is a collection of several thousand stars lying around 4350 light-years from Earth in the constellation Sagittarius. The cluster is set within the larger Lagoon Nebula, a gigantic interstellar cloud of gas and dust. It is the nebula that gives this image its distinctly smokey appearance; clouds of interstellar gas and dust stretch from one side of this image to the other.Astronomers investigated NGC 6530 using Hubble’s Advanced Camera for Surveys and Wide Field Planetary Camera 2. They scoured the region in the hope of finding new examples of proplyds, a particular class of illuminated protoplanetary discs surrounding newborn stars. The vast majority of proplyds have been found in only one region, the nearby Orion Nebula. This makes understanding their origin and lifetimes in other astronomical environments challenging.Hubble’s ability to observe at infrared wavelengths — particularly with Wide Field Camera 3— have made it an indispensable tool for understanding starbirth and the origin of exoplanetary systems. In particular, Hubble was crucial to investigations of the proplyds around newly born stars in the Orion Nebula. The new NASA/ESA/CSA James Webb Space Telescope’s unprecedented observational capabilities at infrared wavelengths will complement Hubble observations by allowing astronomers to peer through the dusty envelopes around newly born stars and investigate the faintest, earliest stages of starbirth.[Image description: Clouds of gas cover the entire view, in a variety of bold colours. In the centre the gas is brighter and very textured, resembling dense smoke. Around the edges it is more sparse and faint. Several small, bright blue stars are scattered over the nebula.]
Stephen William Bragg (born 20 December 1957) is an English singer-songwriter and left-wing activist. His music blends elements of folk music, punk rock and protest songs, with lyrics that mostly span political or romantic themes. His music is heavily centred on bringing about change and involving the younger generation in activist causes.
Bragg was born in 1957 in Barking, Essex (which is now in Greater London) to Dennis Frederick Austin Bragg, an assistant sales manager to a Barking cap maker and milliner, and his wife Marie Victoria D’Urso, who was of Italian descent. Bragg’s father died of lung cancer in 1976, and his mother died in 2011.
see full post...Alan Parsons OBE (born 20 December 1948) is an English audio engineer, songwriter, musician and record producer.
Parsons was involved with the production of several notable albums, including the Beatles‘ Abbey Road (1969) and Let It Be (1970), Pink Floyd‘s The Dark Side of the Moon (1973), and the eponymous debut album by Ambrosia in 1975. Parsons’s own group, The Alan Parsons Project, as well as his subsequent solo recordings, have also been commercially successful. He has been nominated for 13 Grammy Awards, with his first win occurring in 2019 for Best Immersive Audio Album for Eye in the Sky (35th Anniversary Edition).
In October 1967, at the age of 18, Parsons went to work as an assistant engineer at Abbey Road Studios. He was a tape operator during the Beatles‘ Get Back sessions, and he earned his first credit on the LP Abbey Road. He became a regular there, engineering such projects as Wings‘ Wild Lifeand Red Rose Speedway, five albums by the Hollies and Pink Floyd‘s The Dark Side of the Moon, for which he received his first Grammy Awardsnomination.
see full post...Lawrence Elliott Willis (December 20, 1942 – September 29, 2019) was an American jazz pianist and composer. He performed in a wide range of styles, including jazz fusion, Afro-Cuban jazz, bebop, and avant-garde.
Willis was born in New York City. After his first year studying music theory at the Manhattan School of Music he began performing regularly with Jackie McLean. After he graduated he made his first jazz recording, McLean’s Right Now! in January 1965, which featured two of Willis’ compositions. His first recording of any type, however, was as a singer with the Music and Arts Chorale Ensemble, performing an opera by Aaron Copland under the direction of Leonard Bernstein. He decided to concentrate on jazz because of the difficulties African-American musicians had in finding work in concert music.
Throughout his career he performed with a wide range of musicians, including several years as keyboardist for Blood, Sweat & Tears (beginning in 1972). He spent several years as pianist for trumpeters Nat Adderley and Woody Shaw as well as long and productive tenures with Roy Hargrove and with Jerry Gonzalez and his Fort Apache Band. His late recording with Paul Murphy, Exposé, demonstrated the fusion principles of bebop and avant-garde jazz. His composition “Sanctuary” began exploring works employing strings. After a successful performance in Frank Lloyd Wright‘s Annie Pfieffer Chapel at Florida Southern College‘s Child of the Sun Jazz Festival he was commissioned to write a full-scale orchestral work for jazz trio and orchestra. He worked with Hugh Masekela on a South African Suite of music and interpreted Miles Davis‘ work. He was in the Round About Midnight tour of Miles Davis’ music. He received the Don Redman award in 2011, and the Benny Golson Jazz Master Award at Howard University in 2012.
He died of an aneurysm in Baltimore at the age of 76.
see full post...Terry Hall, the frontman of socially conscious ska band The Specials, has died at the age of 63.
Known for his dour image and sharp wit, the singer found fame in the 1970s and 80s with hits like Ghost Town, Gangsters and Too Much Too Young. He left The Specials in 1981 to form Fun Boy Three with fellow-bandmates Neville Staple and Lynval Golding, scoring another run of hits. The singer died after a brief illness, The Specials said in a statement.
Terence Edward Hall (19 March 1959 – 18 December 2022) was an English musician and the lead singer of the Specials, and formerly of Fun Boy Three, the Colourfield, Terry, Blair & Anouchka and Vegas.
He released two solo studio albums and also collaborated with many artists including David Stewart, Bananarama, the Lightning Seeds, Sinéad O’Connor, Stephen Duffy, Dub Pistols, Gorillaz, Damon Albarn, D12, Tricky, Lily Allen and Shakespears Sister.
Pleasant Joseph, known as Cousin Joe, (December 20, 1907 — October 2, 1989) was a New Orleans blues and jazz singer, famous for his 1940s recordings with Sidney Bechet and Mezz Mezzrow.
He was born in Wallace, Louisiana, United States, and worked at Whitney Plantation throughout his childhood.
Until 1945, Cousin Joe toured Louisiana; that year he was asked to take part in the King Jazz recording sessions organized by Mezzrow and Bechet.
see full post...The NGC 3627 galaxy, also known as Messier 66, appears to be expelling flames out of its majestic spiral arms in this Picture of the Week. The “fire” actually marks clouds of cold molecular gas, which is the material out of which stars form, and has been captured using the Atacama Large Millimeter/submillimeter Array (ALMA) in Chile, of which ESO is a partner. The bluish regions in the background reveal the pattern of older, already formed stars, imaged by the Multi-Unit Spectroscopic Explorer (MUSE) on ESO’s Very Large Telescope (VLT) also in Chile. Located approximately 31 million light-years from Earth in the constellation Leo, NGC 3627 is one of the many galaxies observed as part of the Physics at High Angular resolution in Nearby GalaxieS (PHANGS) project. PHANGS is making high-resolution observations of nearby galaxies with telescopes operating across all colours or wavelengths of the electromagnetic spectrum. Different wavelengths can reveal a multitude of secrets about a galaxy, and by comparing them astronomers are able to study what triggers, boosts or hinders the birth of new stars.
Kermit Ruffins (born December 19, 1964) is an American jazz trumpeter, singer, composer, and actor from New Orleans. He has been influenced by Louis Armstrong and Louis Jordan and says that the highest note he can hit on trumpet is a high C. He often accompanies his songs with his own vocals. Most of his bands perform New Orleans jazz standards though he also composes many of his own pieces. Jon Pareles of The New York Times wrote, “Mr. Ruffins is an unabashed entertainer who plays trumpet with a bright, silvery tone, sings with off-the-cuff charm and never gets too abstruse in his material.”
He started playing trumpet in 8th grade at Lawless Junior High School in the Ninth Ward of New Orleans. He attended Joseph S. Clark High School in the 6th Ward and St Peter Claver Church in Tremé. In high school, he played a little bit of classical music at the behest of a strict band teacher.
He developed an appreciation for cooking from his grandmother, observing her movements in the kitchen
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