Marty Balin Day
Marty Balin (/ˈbælɪn/, born Martyn Jerel Buchwald; January 30, 1942) is an American singer, songwriter, and musician best known as the founder and one of the lead singers of Jefferson Airplane and Jefferson Starship.
Balin was born in Cincinnati, Ohio, the son of Catherine Eugenia “Jean” (née Talbot) and Joseph Buchwald. His paternal grandparents immigrated from Eastern Europe. His father was Jewish and his mother was Episcopalian. Marty attended Washington High School in San Francisco, California.see full post...
Ahmed Abdul-Malik Day
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Roy Eldridge Day
David Roy Eldridge (30 January 1911 – 26 February 1989), nicknamed “Little Jazz“, was an American jazz trumpet player. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the smooth and lyrical style of earlier jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.
Eldridge was born on the North Side of Pittsburgh, Pennsylvania on January 30, 1911, to parents Alexander, a wagon teamster, and Blanche, a gifted pianist with a talent for reproducing music by ear, a trait that Eldridge claimed to have inherited from her. Eldridge began playing the piano at the age of five; he claims to have been able to play coherent blues licks at even this young age.The young Eldridge looked up to his older brother, Joe Eldridge (born Joseph Eldridge, 1908, North Side of Pittsburgh, Pennsylvania, died March 5, 1952), particularly because of Joe’s diverse musical talents on the violin, alto saxophone, and clarinet.see full post...
NGC 1931 & IC 417
Will the spider ever catch the fly? Not if both are large emission nebulas toward the constellation of the Charioteer (Auriga). The spider-shaped gas cloud on the left is actually an emission nebula labelled IC 417, while the smaller fly-shaped cloud on the right is dubbed NGC 1931 and is both an emission nebula and a reflection nebula. About 10,000 light-years distant, both nebulas harbor young, open star clusters. For scale, the more compact NGC 1931 (Fly) is about 10 light-years across.
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James Jamerson Day
James Lee Jamerson (January 29, 1936 – August 2, 1983) was an American bass player. He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the most influential bass players in modern music history. He was inducted into the Rock and Roll Hall of Fame in 2000. As a session musician he played on 30 Billboard #1 hits, as well as over 70 R&B #1 hits, more than any other bass player in both categories.
In its special “Bass Player’s 100 Greatest Bass Players” issue in 2017, Bass Player Magazine named Jamerson the number one “Greatest Bass Player”. In 2011, Jamerson ranked third in The “20 Most Underrated Bass Guitarists” in Paste magazine.
A native of Edisto Island (near Charleston), South Carolina, Jamerson moved with his mother to Detroit, Michigan in 1954 and began playing in Detroit area blues and jazz clubs. His son, James Jamerson, Jr. (1958–2016), was also a professional bassist.
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Ed Shaughnessy Day
Edwin Thomas Shaughnessy (January 29, 1929 – May 24, 2013) was a swing music and jazz drummer best known for his long association with Doc Severinsen and The Tonight Show Band on The Tonight Show Starring Johnny Carson.
Shaughnessy was born in Jersey City, New Jersey and grew up in the New York City area, working in the 1940s with George Shearing, Jack Teagarden, and Charlie Ventura. In the 1950s he worked in the Benny Goodman and Tommy Dorsey bands. In the 1960s he played for Count Basie prior to joining The Tonight Show Band. He was the drummer on Bashin’: The Unpredictable Jimmy Smith in 1962 which featured big band arrangements by Oliver Nelson, including the pop hit “Walk on the Wild Side” which peaked at #21 on the Billboard chart. Shaughnessy recorded extensively throughout his career and was known for his drum competitions with Buddy Rich.
Eddie Taylor Day
Born Edward Taylor in Benoit, Mississippi, as a boy Taylor taught himself to play the guitar. He spent his early years playing at venues around Leland, Mississippi, where he taught his friend Jimmy Reed to play the guitar. With a guitar style deeply rooted in the Mississippi Delta tradition, Taylor moved to Chicago, Illinois, in 1949.
Taylor never achieved the stardom of some of his contemporaries in the Chicago blues scene, he was nevertheless an integral part of that era. He is especially noted as a main accompanist for Jimmy Reed; he also worked for John Lee Hooker, Big Walter Horton, Sam Lay, and others. Earwig Music Company recorded him with Kansas City Red and Big John Wrencher for the album Original Chicago Blues. He later teamed up Earring George Mayweather, and they jointly recorded several tracks, including “You’ll Always Have a Home” and “Don’t Knock at My Door”.
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BEAU KOO JACKS Sunday 1-28-18 5-550pm one set only
The only New Orleans R&B Mardi Gras group in town.
Performing a Benefit for the Walker West Music School & Tom Zosel Memorial
at the Amsterdam Bar in St Paul
featuring Van Nixon, Jamie Carter, David Hamilton, Todd Matheson, Paul Strickland, Larry McCabe, Art Haynes and mick laBriola. 8 piece strong with 3 horns. Tom Zosel will be there haunting us with his Illuminating Spirit & Contagious Vibe. You go dude!
The Cosmos with Roberts Quartet
NGC 87, NGC 88, NGC 89 and NGC 92
Robert’s Quartet is a compact galaxy group approximately 160 million light-years away in the constellation Phoenix. It is a family of four very different galaxies in the process of colliding and merging. Its members are NGC 87, NGC 88, NGC 89 and NGC 92, discovered by John Herschel on the 30 September 1834.
The quartet is one of the best examples of compact galaxy groups, because such groups contain four to eight galaxies in a very small region.[according to whom?] They are excellent laboratories for the study of galactic interactions and their effects, in particular on the formation of stars. The quartet has a total visual magnitude of almost 13. The brightest member of the group is NGC 92, having the blue magnitude of 13.8. On the sky, the four galaxies are all within a circle of radius of 1.6 arcmin, corresponding to about 75,000 light-years. It was named by Halton Arp and Barry F. Madore, who compiled A Catalogue of Southern Peculiar Galaxies and Associations in 1987.
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Bill Ware Day
Bill Ware III born William Anthony Ware III (b. January 28, 1959, East Orange, New Jersey) is an American jazz vibraphonist.
Ware played bass and piano early in his career, playing at the Harlem Jazzmobile. After spending several years playing Latin jazz, he formed his own Latin Jazz group, AM Sleep. He joined the Jazz Passengers in 1987, and in 1990 put together a group of sidemen as the Club Bird All-Stars, who accompanied him on a tour of Japan. Alongside this, he played with Groove Collective and Steely Dan in the first half of the 1990s. Later in the decade he teamed up with fellow former Jazz Passengers, Brad Jones and E. J. Rodriguez, in the ensemble Vibes. His 2001 tribute to Duke Ellington was recorded with Marc Ribot on guitar. Deborah Harry guested on his 2002 effort Four. In the mid-2000s, Ware did several projects blending jazz with Western classical musicas well as 5 film scores (with fellow Jazz Passengers bandmate Roy Nathanson).
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Ronnie Scott Day
Ronnie Scott OBE (born Ronald Schatt, 28 January 1927 – 23 December 1996) was an English jazz tenor saxophonist and jazz club owner.
Ronnie Scott was born in Aldgate, East London, into a Jewish family. His father Joseph Schatt was of Russian extraction and his mother Sylvia’s family attended the Portuguese synagogue in Alie Street. Ronnie Scott attended the Central Foundation Boys’ School.
Scott began playing in small jazz clubs at the age of 16, his claim to fame then being that he was taught to play by “Vera Lynn’s father-in-law!”. Scott toured with trumpeter Johnny Claes from 1944 to 1945, and with Ted Heath in 1946. He also worked with Ambrose, Cab Kaye and Tito Burns. Scott was involved in the short-lived musicians’ co-operative Club Eleven band and club (1948–50), with Johnny Dankworth and others. He was a member of the generation of British musicians who worked on the Cunard liner Queen Mary (intermittently from 1946 to around 1950) in order to visit New York City and hear the new jazz music that was emerging directly. Scott was among the earliest British musicians to be influenced in his playing style by Charlie Parker and other bebop musicians.
In 1952, Scott joined Jack Parnell’s orchestra, and from 1953 to 1956 led his own nine-piece group and quintet which featured among others Pete King, with whom he later opened his jazz club, Victor Feldman, Hank Shaw and Phil Seamen. Scott co-led The Jazz Couriers with Tubby Hayes from 1957 to 1959, and was leader of a quartet that included Stan Tracey (1960–67).
During this period Scott also did occasional session work; his best-known work here is the solo on The Beatles’ “Lady Madonna”. Scott also played on film scores, including the score for Fear Is the Key, composed by Roy Budd. Scott continued to be in demand for guest appearances in later years, such as providing the tenor sax solo on Phil Collins’s 1981 hit single “I Missed Again”.
John Williams Day
John Towner Williams (born February 8, 1932 Floral Park, NY) is an American composer, conductor, and pianist. With a career spanning over six decades, he has composed some of the most popular and recognizable film scores in cinematic history, including the Star Wars series, Jaws, Close Encounters of the Third Kind, Superman: The Movie, E.T. the Extra-Terrestrial, the Indiana Jones series, the first two Home Alone films, the first two Jurassic Park films, Schindler’s List, and the first three Harry Potter films. Williams has been associated with director Steven Spielberg since 1974, composing music for all but three of his feature films. Other notable works by Williams include theme music for the 1984 Summer Olympic Games, NBC Sunday Night Football, “The Mission” theme used by NBC News, the television series Lost in Space and Land of the Giants, and the incidental music for the first season of Gilligan’s Island. Williams has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. From 1980 to 1993, he served as the Boston Pops’s principal conductor, and is currently the orchestra’s laureate conductor.
Williams has won 23 Grammy Awards, seven British Academy Film Awards, five Academy Awards, and four Golden Globe Awards. With 51 Academy Award nominations, Williams is the second most-nominated individual, after Walt Disney. In 2005, the American Film Institute selected Williams’s score to 1977’s Star Wars as the greatest American film score of all time. The soundtrack to Star Wars was additionally preserved by the Library of Congress into the National Recording Registry, for being “culturally, historically, or aesthetically significant”. Williams was inducted into the Hollywood Bowl’s Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004 and the AFI Life Achievement Award in 2016. Williams composed the score for eight of the top twenty highest-grossing films at the U.S. box office (adjusted for inflation).
Big Eye Louis Nelson Day
“Big Eye” Louis Nelson Delisle (28 January 1885 – 20 August 1949) was an early twentieth-century Dixieland jazz clarinetist in New Orleans, Louisiana. He also played string bass, banjo, and accordion professionally on occasion.
Nelson Delisle was born into a family who were Creoles of Color. He spent most of his life in New Orleans, Louisiana.
He studied clarinet with the elder Lorenzo Tio.
By the age of 15, Delisle was working professionally in the music venues of Storyville, an area of brothels and clubs. He developed an early style of hot playing in the earliest days of jazz, and was an important influence on such later New Orleans jazz clarinetists as Johnny Dodds and Jimmie Noone.
In his early career “Big Eye” often played a C clarinet, as opposed to the more common B♭; the C was also used by other New Orleans clarinetists of the era, such as Alcide Nunez.
In 1917, Delisle joined the reconstituted Original Creole Orchestra that included Freddie Keppard and Bill Johnson. The band had disbanded in Boston in the spring of that year but was reassembled in New York City in the fall of the same year. Big Eye replaced clarinetist George Baquet, who had toured with the group in vaudeville. After a short while, Big Eye was replaced by Jimmie Noone. Big Eye was the regular clarinetist with the Jones & Collins Astoria Hot Eight but did not play on their 1929 recording sessions.