Eugene Joseph Wright (May 29, 1923 – December 30, 2020) was an American jazz bassist who was a member of the Dave Brubeck Quartet.
Wright was a cornetist at high school and led the 16-piece band Dukes of Swing in his 20s. He was largely self-taught on bass until his early 30s, when he studied privately with Paul Gregory and others. Walter Page was Wright’s idol.
He became more successful at the peak of the swing era, with bandleaders including Count Basie and Erroll Garner. Playing with Billie Holiday and Charlie Parker, after the swing era ended, he demonstrated his versatility in bebop with such musicians as Sonny Stitt as well as in Latin jazz with Cal Tjader.
He also played with Lonnie Simmons, Gene Ammons, and Arnett Cobb in the late ’40s and early ’50s, then worked with Buddy DeFranco from 1952 to 1955, touring Europe with him. He played in the Red Norvo trio in 1955 and toured Australia with them. He was featured in a film short with Charlie Barnet.
Wright’s highest profile association was with the Dave Brubeck Quartet, which he joined in 1958. He remained with Brubeck until 1968, as part of the classic line-up with Paul Desmond and Joe Morello, and featured in the quartet’s standards “Take Five” and “Blue Rondo à la Turk“. He recorded more than 30 albums with the group. Brubeck himself wrote that Wright “grounded the group”, allowing them “to play other tempos and do polyrhythmic things and he wouldn’t budge from this grounded beat”.
see full post...Freddie Redd (May 29, 1928 – March 17, 2021) was an American hard-bop pianist and composer. He is best known for writing music to accompany The Connection (1959), a play by Jack Gelber. According to Peter Watrous, writing in The New York Times: “Mr. Redd hung out at jam sessions in the 1950s and played with many of the major figures, Sonny Rollins to Art Blakey, and worked regularly with Charles Mingus. When things got tough, he just moved on, living in Guadalajara, Mexico, and in Paris and London.”
Redd was born and grew up in New York City; after losing his father at the age of one, he was raised by his mother, who moved around Harlem, Brooklyn and other neighborhoods. An autodidact, he began playing the piano at a young age and took to studying jazz seriously when he was 18, after a friend played him a record of “Shaw ‘Nuff” by Charlie Parker and Dizzy Gillespie during his military service in Korea (1946–1949).
Upon discharge from the Army in 1949, he worked with drummer Johnny Mills, and then in New York played with Tiny Grimes, Cootie Williams, Oscar Pettiford and the Jive Bombers. In 1954, he played with Art Blakey. Redd toured Sweden in 1956 with Ernestine Anderson and Rolf Ericson.
Redd’s most successful project was in the late 1950s when he was invited to compose the music for The Living Theatre‘s New York stage production of The Connection, which was also used in the subsequent 1961 film. In both play and film he performed as an actor and musician. The theater production was a modest hit and the troupe toured the United States and Europe, performing in New York City, London, and Paris. Redd also led a Blue Note album of his music for the play, featuring on alto sax Jackie McLean, who had also appeared in the play. Redd’s success in the theater production, however, did not advance his career in the United States, and shortly afterwards he moved to Europe, spending time in Denmark and France.
see full post...In 185 AD, Chinese astronomers recorded the appearance of a new star in the Nanmen asterism. That part of the sky is identified with Alpha and Beta Centauri on modern star charts. The new star was visible for months and is thought to be the earliest recorded supernova. This deep image shows emission nebula RCW 86, understood to be the remnant of that stellar explosion. The narrowband data trace gas ionized by the still expanding shock wave. Space-based images indicate an abundance of the element iron and lack of a neutron star or pulsar in the remnant, suggesting that the original supernova was Type Ia. Unlike the core collapse supernova explosion of a massive star, a Type Ia supernova is a thermonuclear detonation on a a white dwarf star that accretes material from a companion in a binary star system. Near the plane of our Milky Way galaxy and larger than a full moon on the sky this supernova remnant is too faint to be seen by eye though. RCW 86 is some 8,000 light-years distant and around 100 light-years across.
Leland Bruce “Lee” Sklar (born May 28, 1947) is an American electric bassist and session musician. He was a member of the Los Angeles-based instrumental group The Section, who served as the de factohouse band of Asylum Records and were one of the progenitors of the soft rock sound prevalent on top-40 radio in the 1970s and 1980s. Besides appearing as the backing band on numerous recordings by artists such as James Taylor, Jackson Browne, Carole King, and Linda Ronstadt, The Section released three solo albums of instrumental rock. Both in The Section and separately, Sklar has contributed to over 2,000 albums as a session and touring musician. He has toured with James Taylor, Phil Collins, Toto, Lyle Lovett and other major acts. He has also been recorded on many soundtracks to motion pictures and television shows.
Sklar was born May 28, 1947 in Milwaukee, Wisconsin. When Leland was four, his family and he moved to Van Nuys, California, a central San Fernando Valley neighborhood in the northwest section of metropolitan Los Angeles. At five, he was inspired to take up classical piano by watching Liberace on his TV show. Sklar’s natural talents saw him winning competitions and awards from the Hollywood Bowl Association. By age twelve, Sklar was burning out on piano and was diverted to a Kay upright bass by his junior high school orchestra teacher, Mr. Ted Lynn. While attending Birmingham High School (class of 1965), Sklar gave up the bass drum in the marching band and became a drum major. He went to Redlands University in the summer to drum major school. He still has his baton.
see full post...Russell Donald Freeman (May 28, 1926 – June 27, 2002 Chicago) was a bebop and cool jazz pianist and composer.
Initially, Freeman was classically trained. His reputation as a jazz pianist grew in the 1940s after working with Art Pepper and Shorty Rogers. He played with Charlie Parker on the 1947 “Home Cooking” jazz session. Numerous collaborations followed in the 1950s with Chet Baker, Shelly Manne, and Art Pepper. These collaborations included the Jazz Immortal LP recorded with Russ Freeman and jazz trumpeter Clifford Brown in 1954, which included leading musicians Brown and Zoot Sims. On the Jazz Immortal LP, Russ Freeman was able to play in a combo that recorded many Clifford Brown compositions.
see full post...Aaron Thibeaux “T-Bone” Walker (May 28, 1910 – March 16, 1975) was an American blues musician, composer, songwriter and bandleader, who was a pioneer and innovator of the jump blues, West Coast blues, and electric blues sounds. In 2018 Rolling Stone magazine ranked him number 67 on its list of “The 100 Greatest Guitarists of All Time”.
Aaron Thibeaux Walker was born in Linden, Texas, of African-American and Cherokee descent. His parents, Movelia Jimerson and Rance Walker, were both musicians. His stepfather, Marco Washington, taught him to play the guitar, ukulele, banjo, violin, mandolin, and piano.
Walker began his career as a teenager in Dallas in the 1920s. His mother and stepfather (a member of the Dallas String Band) were musicians, and Blind Lemon Jefferson, a family friend, sometimes came over for dinner. Walker left school at the age of 10, and by 15 he was a professional performer on the blues circuit. Initially, he was Jefferson’s protégé and would guide him around town for his gigs. In 1929, Walker made his recording debut with Columbia Records, billed as Oak Cliff T-Bone, releasing the single “Wichita Falls Blues” backed with “Trinity River Blues”. Oak Cliff is the community in which he lived at the time, and T-Bone is a corruption of his middle name. The pianist Douglas Fernell played accompaniment on the record. Walker married Vida Lee in 1935; the couple had three children.
By the age of 25, Walker was working in clubs on Central Avenue, in Los Angeles, sometimes as the featured singer and as guitarist with Les Hite‘s orchestra. In 1940 he recorded with Hite for the Varsity label, but he was featured only as a singer.
see full post...Andrew Dewey Kirk (May 28, 1898 – December 11, 1992 Newport, KY) was an American jazz saxophonist and tubist who led the Twelve Clouds of Joy, a band popular during the swing era.
He was born in Newport, Kentucky, United States. Kirk grew up in Denver, Colorado, where he was tutored by Wilberforce Whiteman, Paul Whiteman‘s father. Kirk started his musical career playing with George Morrison’s band, but then went on to join Terrence Holder‘s Dark Clouds of Joy. In 1929, he was elected leader after Holder departed. Renaming the band Clouds of Joy, Kirk also relocated the band from Dallas, Texas, to Kansas City, Missouri. Although named the Clouds of Joy, the band has also been known as the Twelve Clouds of Joy due to the number of musicians in the band. They set up in the Pla-Mor Ballroom on the junction of 32nd and Main in Kansas City and made their first recording for Brunswick Records that same year.[2] Mary Lou Williams came in as pianist at the last moment, but she impressed Brunswick’s Dave Kapp, so she became a member of the band.
After their first recordings in 1929–1930, they grew popular as they epitomized the Kansas City jazz sound. In mid-1936, he was signed to Decca and made scores of popular records until 1946. He presumably disbanded and reformed his band during that six-year recording layoff, as his 1929–1930 Brunswick appeared to have sold well enough to stay in the catalog through the period and 1933-34 pressings (with the mid-1930s label variations) have been seen.
In 1938, Kirk and band held the top spot of the Billboard chart for 12 weeks with “I Won’t Tell a Soul (I Love You)”, written by Hughie Charles and Ross Parker, featuring Pha Terrell on vocals. In 1942, Kirk and His Clouds of Joy recorded “Take It and Git”, which on October 24, 1942, became the first single to hit number one on the Harlem Hit Parade, the predecessor to the Billboard R&B chart. In 1943, with June Richmond on vocals, he had a number 4 hit with “Hey Lawdy Mama“.
https://www.youtube.com/watch?v=hBJzOjdP2vo
see full post...The North America Nebula (NGC 7000 or Caldwell 20) is an emission nebula in the constellation Cygnus, close to Deneb (the tail of the swan and its brightest star). The shape of the nebularesembles that of the continent of North America, complete with a prominent Gulf of Mexico.
On October 24, 1786, William Herschel observing from Slough, England, noted a “faint milky nebulosity scattered over this space, in some places pretty bright.” The most prominent region was catalogued by his son John Herschel on August 21, 1829. It was listed in the New General Catalogue as NGC 7000, where it is described as a “faint, most extremely large, diffuse nebulosity.” In 1890, the pioneering German astrophotographer Max Wolf noticed this nebula’s characteristic shape on a long-exposure photograph, and dubbed it the North America Nebula. In his study of nebulae on the Palomar Sky Survey plates in 1959, American astronomer Stewart Sharpless realised that the North America Nebula is part of the same interstellar cloud of ionizedhydrogen (H II region) as the Pelican Nebula, separated by a dark band of dust, and listed the two nebulae together in his second list of 313 bright nebulae as Sh2-117. American astronomer Beverly T. Lynds catalogued the obscuring dust cloud as L935 in her 1962 compilation of dark nebulae. Dutch radio astronomer Gart Westerhout detected the HII region Sh2-117 as a strong radio emitter, 3° across, and it appears as W80 in his 1958 catalogue of radio sources in the band of the Milky Way.
Dee Dee Bridgewater (née Denise Garrett, May 27, 1950) is an American jazz singer. She is a three-time Grammy Award-winning singer-songwriter, as well as a Tony Award-winning stage actress. For 23 years, she was the host of National Public Radio’s syndicated radio show JazzSet with Dee Dee Bridgewater. She is a United Nations Goodwill Ambassador for the Food and Agriculture Organization.
Born Denise Eileen Garrett in Memphis, Tennessee, she was raised Catholic in Flint, Michigan. Her father, Matthew Garrett, was a jazz trumpeter and teacher at Manassas High School, and through his playing, she was exposed to jazz early on. At the age of sixteen, she was a member of a Rock and R&B trio, singing in clubs in Michigan. At 18, she studied at Michigan State University before she went to the University of Illinois at Urbana-Champaign. With the school’s jazz band, she toured the Soviet Union in 1969.
The next year, she met trumpeter Cecil Bridgewater, and after their marriage, they moved to New York City, where Cecil played in Horace Silver‘s band. In the early 1970s, Bridgewater joined the Thad Jones-Mel Lewis Jazz Orchestra as lead vocalist. This marked the beginning of her jazz career, and she performed with many of the great jazz musicians of the time, such as Sonny Rollins, Dizzy Gillespie, Dexter Gordon, Max Roach, Rahsaan Roland Kirk, Wayne Garfield, and others. She performed at the Monterey Jazz Festival in 1973. In 1974, her first solo album, entitled Afro Blue, appeared, and she performed on Broadway in the musical The Wiz. For her role as Glinda the Good Witch she won a Tony Award in 1975 as “Best Featured Actress”, and the musical also won the 1976 Grammy Award for Best Musical Show Album.
https://www.youtube.com/watch?v=i8_YRzDxpe4
see full post...Niels-Henning Ørsted Pedersen (Danish pronunciation: [ne̝lsˈhene̝ŋ ˈɶɐ̯steð ˈpʰeðɐsn̩], 27 May 1946 – 19 April 2005), also known by his abbreviated nickname NHØP, was a Danish jazz double bassist.
The Montmartre was a regular stop-off for touring American Jazz stars, and as a member of the house band, the young Ørsted Pedersen performed with saxophonists such as Sonny Rollins, Dexter Gordon, Rahsaan Roland Kirk and Stan Getz, and pianist Bill Evans, with whom he toured in Europe in 1965. During the 1960s, Ørsted Pedersen played with a series of other important American jazzmen who were touring or resident in Denmark, including Ben Webster,[4] Brew Moore, Bud Powell, Count Basie, Roy Eldridge, Dizzy Gillespie, Jackie McLean, and vocalist Ella Fitzgerald. He also played with Jean-Luc Ponty, and became the bassist of choice whenever a big-name musician was touring Copenhagen. He was awarded Best Bass Player of the Year by DownBeat Critics’ Poll in 1981.
see full post...Ramsey Emmanuel Lewis Jr. (born May 27, 1935) is an American jazz composer, pianist and radio personality. Lewis has recorded over 80 albums and has received five gold records and three Grammy Awards so far in his career.
Ramsey Lewis was born in Chicago, Illinois, to Ramsey Lewis Sr. and Pauline Lewis. He began taking piano lessons at the age of four. Lewis would eventually join a jazz group called the clefs. He later formed the Ramsey Lewis Trio with drummer Isaac “Red” Holt and bassist Eldee Young.[1] They eventually joined up with Chess Records. During 1956 the trio issued their debut album, Ramsey Lewis and his Gentle-men of Swing.[3] Following their 1965 hit “The In Crowd” (the single reached No. 5 on the pop charts, and the album No. 2) they concentrated more on pop material. Young and Holt left in 1966 to form Young-Holt Unlimited and were replaced by Cleveland Eaton and Maurice White. White left to form Earth, Wind & Fire and was replaced by Morris Jennings in 1970. Later, Frankie Donaldson and Bill Dickens replaced Jennings and Eaton; Felton Crews also appeared on many 1980’s releases.
By 1966, Lewis was one of the nation’s most successful jazz pianists, topping the charts with “The In Crowd”, “Hang On Sloopy“, and “Wade in the Water“. All three singles each sold over one million copies and were awarded gold discs. Many of his recordings attracted a large non-jazz audience. In the 1970s, Lewis often played electric piano, although by later in the decade he was sticking to acoustic and using an additional keyboardist in his groups.
In 1994, Lewis appeared on the Red Hot Organization‘s compilation album, Stolen Moments: Red Hot + Cool, alongside other prominent jazz artists Herbie Hancock and Roy Ayers. The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African American community, was heralded as “Album of the Year” by TIME magazine.
https://www.youtube.com/watch?v=UQNJcsEtMYo
see full post...Kenny Dennis (born May 27, 1930) is a Philadelphia-born American jazz drummer. He has played on albums for Nancy Wilson, Sonny Stitt, Sonny Rollins, Johnny Griffin, Oscar Brown Jr., Charles Mingus, Billy Taylor, and Mal Waldron.
Dennis began his musical career in the United States Army Band, playing drums in three bands from 1948-1952. After being discharged, he connected with junior high school mate, pianist Ray Bryant and became part of The Ray Bryant Trio along with Jimmy Rowser on bass. They became the house trio at the North Philadelphia Jazz Club, Blue Note where they played for such jazz artists as Kai Winding, Chris Connor and Sonny Stitt. His career next took him to New York, where he worked with artists including Miles Davis, Phineas Newborn, Jr., Billy Taylor, Erroll Garner, Charles Mingus and Sonny Rollins.
see full post...Clifford Everett “Bud” Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton‘s Innovations in Modern Music Orchestra and throughout the decade worked in various small jazz combos. He spent the 1960s as a first-call studio musician in Hollywood. In the 1970s and 1980s, he performed regularly with the L. A. Four. Shank ultimately abandoned the flute to focus exclusively on playing jazz on the alto saxophone. He also recorded on tenor and baritone sax. His most famous recording is probably the version of “Harlem Nocturne” used as the theme song in Mickey Spillane’s Mike Hammer. He is also well known for the alto flute solo on the song “California Dreamin’” recorded by The Mamas & the Papas in 1965. Bud Shank was born in Dayton, Ohio, United States.[1] He began with clarinet in Vandalia, Ohio, but had switched to saxophone before attending the University of North Carolina. While at UNC, Shank was initiated into the Pi Kappa Alpha fraternity. In 1946, he worked with Charlie Barnet before moving on to Kenton and the West coast jazz scene. He also had a strong interest in what might now be termed world music, playing Brazilian-influenced jazz with Laurindo Almeida in 1953 and 1954. In 1958, he is the first American jazz musician to record in Italy, with an Italian jazz orchestra conducted by Ezio Leoni(aka Len Mercer), paving the way for Chet Baker and others who would follow Shank’s tracks recording in Milan with Maestro Leoni. His world music collaborations continued in 1962, fusing jazz with Indian traditions in collaboration with Indian composer and sitar player Ravi Shankar
see full post...Soleá (Soleares) por Buleriás is, as it’s name suggests, a Soleares with the pace and drive of a Bulerías. Often considered a hybrid form, Soléa por bulerías (also called Soleares por bulerías) is more like a point on the continuum between Soleares and Bulerías. Determining just where that point is can be a source of contention among professionals and aficionados. There are resources that state quite definitely that it is a sped up soleares and others that make it clear that it’s a slowed down bulerías. Adding to the potential for confusion, there are different names for this form: Bulería por Soleá, Soleabulería, Bulerías al golpe and Bulería pa escuchar.
see full post...Magnificent spiral galaxy NGC 4565 is viewed edge-on from planet Earth. Also known as the Needle Galaxy for its narrow profile, bright NGC 4565 is a stop on many telescopic tours of the northern sky, in the faint but well-groomed constellation Coma Berenices. This sharp, colorful image reveals the galaxy’s boxy, bulging central core cut by obscuring dust lanes that lace NGC 4565’s thin galactic plane. NGC 4565 itself lies about 40 million light-years distant and spans some 100,000 light-years. Easily spotted with small telescopes, sky enthusiasts consider NGC 4565 to be a prominent celestial masterpiece Messier missed.
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