Michel Petrucciani (French pronunciation: ​[miʃɛl petʁutʃani]; Italian: [petrutˈtʃaːni]; 28 December 1962 – 6 January 1999) was a French jazz pianist. From birth he had osteogenesis imperfecta, a genetic disease that causes brittle bones and, in his case, short stature. He became one of the most accomplished jazz pianists of his generation despite his health condition.

Michel Petrucciani came from an Italo-French family (his grandfather was from Naples) with a musical background. His father Tony played guitar, his brother Louis played bass, and his brother Philippe also plays the guitar. Michel was born with osteogenesis imperfecta, which is a genetic disease that causes brittle bones and, in his case, short stature. It is also often linked to pulmonary ailments. The disease caused his bones to fracture over 100 times before he reached adolescence and kept him in pain throughout his entire life. “I have pain all the time. I’m used to having hurt arms,” he said. In Michel’s early career, his father and brother occasionally carried him because he could not walk far on his own unaided. In certain respects he considered his disability an advantage, as he got rid of distractions like sports that other boys tended to become involved in. And he hints that his disability was helpful in other parts of his life. He said: “Sometimes I think someone upstairs saved me from being ordinary.

Charles Neville (December 28, 1938 – April 26, 2018) was an American R&B and jazz musician best known as part of The Neville Brothers. Known onstage as “Charlie the horn man”, his saxophone playing helped earn the group a Grammy Award for best pop instrumental performance.

The second oldest of the four Neville brothers, Charles Neville was born in New Orleans on December 28, 1938 to Arthur Lanon Neville Sr. and Amelia (Landry) Neville and was raised in the Calliope housing project with his musical brothers, Art, Aaron, and Cyril. Their uncle, George “Big Chief Jolly” Landry, was lead singer of the Mardi Gras Indian group The Wild Tchoupitoulas. Charles left home when he was 15 to play saxophone with the Rabbit’s Foot Minstrel Show. When back in New Orleans, he played in the house band at the Dew Drop Inn.

He served in the Navy from 1956 to 1958 and discovered the music scene on Beale Street while stationed in Memphis, Tennessee, later touring with B.B. King and Bobby (Blue) Bland.

Edmund Leonard Thigpen (December 28, 1930 – January 13, 2010) was an American jazz drummer, best known for his work with the Oscar Peterson trio from 1959 to 1965. Thigpen also performed with the Billy Taylor trio from 1956 to 1959.

Born in Chicago, Illinois, United States, Thigpen was raised in Los Angeles, California, and attended Thomas Jefferson High School, where Art Farmer, Dexter Gordon and Chico Hamilton also attended. After majoring in sociology at Los Angeles City College, Thigpen returned to East St. Louis for one year to pursue music while living with his father who had been playing with Andy Kirk‘s Clouds of Joy. His father, Ben Thigpen, was a drummer who played with Andy Kirk for sixteen years during the 1930s and 1940s.

Thigpen first worked professionally in New York City with the Cootie Williams orchestra from 1951 to 1952 at the Savoy Ballroom. During this time he played with musicians such as Dinah Washington, Gil Mellé, Oscar Pettiford, Eddie Vinson, Paul Quinichette, Ernie Wilkins, Charlie Rouse, Lennie Tristano, Jutta Hipp, Johnny Hodges, Dorothy Ashby, Bud Powell, and Billy Taylor.

https://www.youtube.com/watch?v=LMjJITMQvcM

Earl Kenneth Hines, also known as Earl “Fatha“ Hines (December 28, 1903 – April 22, 1983 Duquesne, Pennsylvania), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, “one of a small number of pianists whose playing shaped the history of jazz”.

The trumpeter Dizzy Gillespie (a member of Hines’s big band, along with Charlie Parker) wrote, “The piano is the basis of modern harmony. This little guy came out of Chicago, Earl Hines. He changed the style of the piano. You can find the roots of Bud Powell, Herbie Hancock, all the guys who came after that. If it hadn’t been for Earl Hines blazing the path for the next generation to come, it’s no telling where or how they would be playing now. There were individual variations but the style of … the modern piano came from Earl Hines.”

The pianist Lennie Tristano said, “Earl Hines is the only one of us capable of creating real jazz and real swing when playing all alone.” Horace Silversaid, “He has a completely unique style. No one can get that sound, no other pianist”. Erroll Garner said, “When you talk about greatness, you talk about Art Tatum and Earl Hines”.

Count Basie said that Hines was “the greatest piano player in the world.

Tracy Nelson (born December 27, 1944) is an American country and blues singer. She has been involved in the recording of over 20 albums in her recording career, which started in 1965.

Nelson was born and grew up in Madison, Wisconsin, United States. There, she first learned about R&B music from nighttime listening to WLACradio from Nashville, Tennessee. In her teens, Nelson sang folk music in coffeehouses and with The Fuller-Wood Singers group, and was lead singer in The Fabulous Imitations band. She attended the University of Wisconsin as a social science major.

Thelonious Sphere “T. S.” Monk III (born December 27, 1949) is an American jazz drummer, composer and bandleader. He is the son of jazz pianist Thelonious Monk.

Born in New York City, he began his music career early in his life, honing his skills throughout the 1970s. Monk’s destiny was sealed when Art Blakey gave him his first drum set at the age of 15, and began lessons with Max Roach. After earning a reputation in school as a rabble-rouser (and graduating), the young Monk joined his father’s trio and toured with his dad until the elder Monk’s retirement in 1975. Monk then launched into the music that had captivated him and his generation, R&B. He first toured with a group called Natural Essence and afterward, along with his sister Barbara, formed his own band.

By the dawning of the 1980s, he had formed his eponymous band, which featured him on drums and occasional lead vocals. The group’s début album, 1980’s House of Music, featured several hits that placed on the Billboard R&B chart, including “Bon Bon Vie (Gimme the Good Life)“, which featured Monk on lead vocals, and “Candidate for Love”. The tracks peaked at No. 63 and No. 58 respectively, in the UK Singles Chart. The band went on to release two more albums throughout the early 1980s, though singles released from these albums did not fare as well as those on the début. The band broke up shortly thereafter.

Johnny Frigo (December 27, 1916 – July 4, 2007) was an American jazz violinist and bassist. He appeared in the 1940s as a violinist before working as a bassist. He returned to the violin in the 1980s and enjoyed a comeback, recording several albums as a leader.

Frigo was born in Chicago and studied violin for three years beginning at age seven. In high school he started to play double bass in dance orchestras. In 1942 he played with Chico Marx‘s orchestra and performed a comedy routine on violin with Marx on piano. He entered the United States Coast Guard during World War II and played in a band on Ellis Island with Al Haig and Kai Winding.

After a brief turn at active service near the end of the war he moved to New Jersey. He toured with Jimmy Dorsey‘s band from 1945 to 1947, later forming the Soft Winds trio with Dorsey’s guitarist Herb Ellis and pianist Lou Carter. During this time he wrote the music and lyrics to “Detour Ahead”,which has been recorded by Billie Holiday, Sarah Vaughan, Ella Fitzgerald, Bill Evans, and Carola. During that time, he also wrote the sardonic swing tune “I Told Ya I Love Ya, Now Get Out” which was recorded by June Christy and the Stan Kenton Orchestra. Chicago jazz vocalist Erin McDougaldrecorded the song 50 years later on her album The Auburn Collection (2004).

Dardanelle Breckenbridge or Breckenridge (December 27, 1917 – August 8, 1997), was an American jazz musician known for performing with Lionel Hampton in the 1940s, and later as a solo artist under the name Dardanelle.

Dardanelle was a talented pianist, vibraphonist, and singer who was raised in a musical family. She studied music at Louisiana State University, holding a major, and worked as a house pianist at a local radio station. By the late 1930s she started to appear professionally on the national jazz scene. During the 1940s she led her own Dardanelle Trio, with various collaboraters, initially with bassist Paul Edenfield and guitarist Tal Farlow. The trio recorded much music and became a regular fixture at New York’s Copacabana. During this time she was featured in the 1946 short theatrical musical “Soundies Presents Happy Cat” directed by William Forest Crouch and distributed by RCA Records. By the 1950s Dardanelle moved to Chicago and paused music in favour of raising a family.

There’s a big new telescope in space. This one, the James Webb Space Telescope (JWST), not only has a mirror over five times larger than Hubble‘s in area, but can see better in infrared light. The featured picture shows JWST high above the Earth just after being released by the upper stage of an Ariane V rocket, launched yesterday from French Guiana. Over the next month, JWST will move out near the Sun-Earth L2 point where it will co-orbit the Sun with the Earth. During this time and for the next five months, JWST will unravel its segmented mirror and an array of sophisticated scientific instruments — and test them. If all goes well, JWST will start examining galaxies across the universe and planets orbiting stars across our Milky Way Galaxy in the summer of 2022.

George Winston (born December 26, 1949) is an American pianist. He was born in Michigan and raised mainly in Montana (Miles City and Billings),as well as Mississippi and Florida. He is best known for his solo piano recordings. Each of several of his albums from the early 1980s have sold millions of copies. He plays in three styles: the melodic approach he developed that he calls “rural folk piano”; stride piano, primarily inspired by Thomas “Fats” Waller and Teddy Wilson; and his primary interest, New Orleans R&B piano, influenced by James Booker, Professor Longhair, and Henry Butler.

When growing up, Winston’s musical interests lay with instrumentals of the R&B, rock, pop, and jazz genres, especially those by organists. After hearing The Doors in 1967, he was inspired to start playing the organ. In 1971, he switched to solo piano after hearing stride pianists Thomas “Fats” Waller, Teddy Wilson, and later Earl Hines, Donald Lambert, and Cleo Brown.

Winston attended Stetson University in DeLand, Florida, in the 1960s, where he majored in sociology. While he did not complete his undergraduate degree, following his rise to prominence the university awarded him an honorary doctor of arts degree.

Doug Hammond (born December 26, 1942) is an American free funk/avant-garde jazz drummer, composer, poet, producer, and professor. His first major release was Reflections in the Sea of Nurnen on Tribe Records in 1975.

He has worked with musicians including Earl Hooker, Sonny Rollins, Charles Mingus, Sammy Price, Donald Byrd, Wolfgang Dauner, Ornette Coleman, Steve Coleman, Nina Simone, Betty Carter, Marion Williams, Paquito D’Rivera, Arnett Cobb, James Blood Ulmer and Arthur Blythe.

In 2010 Doug Hammond wrote and conducted “Acknowledgement Suite” with Dwight Adams, Jean Toussaint, Roman Filiú, Howard Curtis, Wendell Harrison, Dick Griffin, Stéphane Payen, Kirk Lightsey and Arron James.

He was a professor at the Anton Bruckner Private University in Linz.

János Kőrössy (26 December 1926 – 21 January 2013) was a Romanian jazz musician of Hungarian descent. He was a piano player, composer and arranger.

He was born to an ethnic Hungarian family in Cluj. His first teacher was pianist and conductor Teodor Cosma, of whom he said, “I owe him everything, and for me the beginning is everything, the rest comes by itself.” Kőrössy was noted for combining the musical language typical of jazz with elements of local folk music, a trend referred to as ethno jazz. He arranged in jazz-style George Enescu‘s Romanian Rhapsody No. 1.

Kőrössy’s first name is spelled in many different ways: Hansel, Jancy, Jancsy, Iancsi, Yancy and Yancey. He became a well known jazz musician in the European Eastern bloc in the 1960s, appearing at the International Jazz Festivals in Prague (1960), Warsaw (1961) and Budapest (1962). In 1969 he moved to West Germany and subsequently relocated to the United States, settling in Atlanta, Georgia. He played in Atlanta and in 1981 performed with Zoot Sims. After the Romanian Revolution, he returned to Romania, appearing in 1993 at the Costineşti and Galaţi jazz festivals and 2001 at the International Jazz Festival in Bucharest.