Buster Brown (August 15, 1911 – January 31, 1976) was an American blues and R&B singer best known for his hit, “Fannie Mae“.
Brown was born in Cordele, Georgia. In the 1930s and 1940s he played harmonica at local clubs and made a few non-commercial recordings. These included “War Song” and “I’m Gonna Make You Happy” (1943), which were recorded when he played at the folk festival at Fort Valley (GA) State Teachers College, for the Library of Congress’ Folk Music Archive.
Brown moved to New York in 1956, where he was discovered by Fire Records owner Bobby Robinson. In 1959, at almost fifty years of age, Brown recorded the rustic blues, “Fannie Mae“, which featured Brown’s harmonica playing and whoops, which went to # 38 in the US Top 40, and to #1 on the R&B chart in April 1960. His remake of Louis Jordan‘s “Is You Is or Is You Ain’t My Baby” reached # 81 on the pop charts later in 1960, but did not make the R&B chart. “Sugar Babe” was his only other hit, in 1962, reaching # 19 on the R&B chart and # 99 on the pop chart.
In later years he recorded for Checker Records and for numerous small record labels. He also co-wrote the song “Doctor Brown” with J. T. Brown, which was later covered by Fleetwood Mac on their 1968 album, Mr. Wonderful.
He enjoyed further attention in 1973 when his song “Fannie Mae” was included in the film American Graffiti and its accompanying soundtrack album.
see full post...Performing the last in a series of performances of Second Chance by Zamya Theater working with the Homeless community. Sunday August 14th 2pm at the Downtown Minneapolis Street Art Festival. In front to the Walgreens on Nicollet between 6th & 7th. Music with Carlisle Evans Peck and mick laBriola.
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The Pinwheel Galaxy (also known as Messier 101, M101 or NGC 5457) is a face-on spiral galaxy 21 million light-years away from Earth in the constellation Ursa Major. It was discovered by French astronomer Pierre Méchain in 1781. M101 is a large galaxy, with a diameter of 170,000 light-years and has a high population of H II regions, many of which are very large and bright. M101 is asymmetrical due to the tidal forces from interactions with its companion galaxies. These gravitational interactions compress interstellar hydrogen gas, which then triggers strong star formation activity in M101’s spiral arms that can be detected in ultraviolet images.
Ben Hirsh Sidran (born August 14, 1943) is an American jazz and rock keyboardist, producer, label owner, and music writer. Early in his career he was a member of the Steve Miller Band and is the father of Grammy-nominated musician, composer and performer Leo Sidran.
He was born in Chicago, Illinois, United States. Sidran was raised in Racine, Wisconsin, and attended the University of Wisconsin–Madison in 1961, where he became a member of The Ardells with Steve Miller and Boz Scaggs. When Miller and Scaggs left Wisconsin for the West Coast, Sidran stayed behind to earn a degree in English literature. After graduating in 1966, he enrolled in the University of Sussex, England, to pursue a PhD. While in England, he was a session musician for Eric Clapton, The Rolling Stones, Peter Frampton, and Charlie Watts.
see full post...James Edward Wormworth III (born August 14, 1937, in Utica, New York) is an American jazz drummer. He was described by Leonard Feather in 1960 edition of The Encyclopedia of Jazz as “One of the most promising young drummers on the New York scene. He is the father of drummer James Wormworth and bassist Tracy Wormworth.
Born in Utica, New York, Jimmy Wormworth was the son of the African-American jazz drummer and pianist James Wormworth II and Ann Mariani, the sister of the Utica tenor saxophonist Dick Mariani. He began studying drums with George Claesgens in Utica in 1947 and was playing professionally in upstate New York while still in his teens.
Wormworth went on to tour Europe with American combos in 1956 and 1957, toured with Nellie Lutcher from February 1958, began working with Les Jazz Modes in 1958 and with Lou Donaldsonand Phineas Newborn from 1958 until 1959. Between January and May 1959 he worked with Mal Waldron in the house band at the New York club the Five Spot and began touring with Lambert, Hendricks and Ross in October 1959.
https://www.youtube.com/watch?v=hP6rTW2dfAI
see full post...Edwin James Costa (August 14, 1930 – July 28, 1962) was an American jazz pianist, vibraphonist, composer and arranger. In 1957, he was chosen as DownBeat jazz critics’ new star on piano and vibes – the first time that one artist won two categories in the same year. He became known for his percussive, driving piano style that concentrated on the lower octaves of the keyboard.
Costa had an eight-year recording career, during which he appeared on more than 100 albums; five of these were under his own leadership. As a sideman, he appeared in orchestras led by Manny Albam, Gil Evans, Woody Herman and others; played in smaller groups led by musicians including Tal Farlow, Coleman Hawkins, Gunther Schuller, and Phil Woods; and accompanied vocalists including Tony Bennett and Chris Connor. Costa died, aged 31, in a car accident in New York City.
Eddie Costa was born in Atlas, Pennsylvania, near Mount Carmel, in Northumberland County. He was taught and influenced on piano by his older, musically trained brother, Bill, and a local piano teacher. Eddie took paid jobs as a pianist from the age of 15. In contrast to his piano training, he was self-taught on vibes. In 1949, Costa played and toured for a few months with violinist Joe Venuti. He then worked for his brother in New York until, in 1951, Costa was drafted into the army. During his time in the armed forces, Costa performed in Japan and Korea. Upon release after two years, Costa again worked around the New York area, including for bands led by Kai Winding, Johnny Smith, and Don Elliott.
see full post...Hezekiah Leroy Gordon Smith (August 14, 1909 – September 25, 1967), better known as Stuff Smith, was an American jazz violinist. He is well known for the song “If You’re a Viper” (the original title was “You’se a Viper”). Smith was, along with Stéphane Grappelli, Michel Warlop, Svend Asmussen, Ray Nance and Joe Venuti, one of jazz music’s preeminent violinists of the swing era.
He was born in Portsmouth, Ohio, United States in 1909, and studied violin with his father. Smith cited Louis Armstrong as his primary influence and inspiration to play jazz, and like Armstrong, was a vocalist as well as instrumentalist. In the 1920s, he played in Texas as a member of Alphonse Trent‘s band. After moving to New York City he performed regularly with his sextet at the Onyx Club starting in 1935, and also with Coleman Hawkins, Charlie Parker, Dizzy Gillespie, and later, Sun Ra.
see full post...Between October 2019 and February 2020 the brightness of the star Betelgeuse has dropped by more than a factor of three. New observations by the NASA/ESA Hubble Space Telescope and the robotic STELLA telescope of the Leibniz Institute for Astrophysics Potsdam (AIP) now provide an explanation for the phenomenon.
Thanks to new observational data obtained with the Hubble Space Telescope, an international team has now identified a dust cloud as the probable cause of the dimming: Scientists believe that the star unleashed superhot plasma from an upwelling of a large convection cell on the star’s surface, similar to rising hot bubbles in boiling water, only many hundred times the size of our Sun. The material then passed through the hot atmosphere to the colder outer layers of the star. There it cooled down and the resulting huge dust cloud blocked the light from about a quarter of the star’s surface, beginning in late 2019. By April 2020, the star had returned to its normal brightness.
The Hubble observations are part of a three-year Hubble study to monitor variations in the star’s outer atmosphere. The timeline that has been produced since then provided important new clues to the mechanism behind the dimming. Hubble observed the layers above the star’s surface, which are so hot that they emit mostly in the ultraviolet region of the spectrum.
Mulgrew Miller (August 13, 1955 – May 29, 2013 Greenwood, MS) was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on.
After leaving university he was pianist with the Duke Ellington Orchestra for three years, then accompanied vocalist Betty Carter. Three-year stints with trumpeter Woody Shaw and with drummer Art Blakey‘s high-profile Jazz Messengers followed, by the end of which Miller had formed his own bands and begun recording under his own name. He was then part of drummer Tony Williams‘ quintet from its foundation, while continuing to play and record with numerous other leaders, mostly in small groups. Miller was Director of Jazz Studies at William Paterson University from 2005, and continued to play and tour internationally with other high-profile figures in the music until his death from a stroke at the age of 57.
see full post...Joe Puma (August 13, 1927 – May 31, 2000) was an American jazz guitarist.
Puma was born in the Bronx, New York. His first professional experience came with Joe Roland in 1949–50. He played in the band led by Cy Coleman. He acted as a session musician for many jazz musicians during the 1950s, including Louie Bellson, Artie Shaw‘s Gramercy Five, Eddie Bert, Herbie Mann, Mat Mathews, Chris Connor, and Paul Quinichette, Lee Konitz, and Dick Hyman; he also recorded extensively as a leader at this time. In the 1960s, he worked with Morgana King, Bobby Hackett, Gary Burton, and Carmen McRae, and between 1972 and 1977 he and Chuck Wayne led an ensemble. He continued to perform and teach into the late 1990s.
see full post...Sir George Albert Shearing, OBE (13 August 1919 – 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 titles, including the jazz standards “Lullaby of Birdland” and “Conception“, and had multiple albums on the Billboard charts during the 1950s, 1960s, 1980s and 1990s. He died of heart failure in New York City, at the age of 91. Born in Battersea, London, Shearing was the youngest of nine children. He was born blind to working-class parents: his father delivered coal and his mother cleaned trains in the evening. He started to learn piano at the age of three and began formal training at Linden Lodge School for the Blind, where he spent four years.
see full post...Anna Mae Winburn (née Darden; August 13, 1913 – September 30, 1999) was an influential American vocalist and jazz bandleader who flourished beginning in the mid-1930s. An African American, she is best known for having directed the International Sweethearts of Rhythm, an all-female big band that was perhaps one of the few – and one of the most – racially integrated dance-bands of the swing era.
Her first known publicized performance was singing with the studio band of Radio WOWO, Fort Wayne. She worked at various clubs in Indiana, including the Chateau Lido in Indianapolis (where she appeared under the pseudonym Anita Door).
see full post...“Big Chief” Russell Moore (August 13, 1912 – December 15, 1983) was an American jazz trombonist. Moore, a Pima tribe member, grew up on a Native American reservation before moving to Chicago and then Los Angeles where he learned to play various instruments eventually settling on trombone. Throughout his career, Moore worked with an array of artists including Frank Sinatra, Lionel Hampton, Alberta Hunter and Pee Wee Russell as well as recording under his own name. He is best remembered for his work as a member of Louis Armstrong’s band.
Moore was born in Gila Crossing, Arizona inside the Gila River Indian Community reservation in 1912 and belonged to the Pima tribe. He was one of five children born to mother Amy Bending Moore and father José Newton Moore. Musical performances were important to community life on the reservation particularly due to the inaccessibility of record players and radios. Moore’s exposure to music from local school bands as well as traditional Pima music sparked an interest in music from a young age.
see full post...A star cluster around 2 million years young surrounded by natal clouds of dust and glowing gas, Messier 16 (M16) is also known as The Eagle Nebula. This beautifully detailed image of the region adopts the colorful Hubble palette and includes cosmic sculptures made famous in Hubble Space Telescope close-ups of the starforming complex. Described as elephant trunks or Pillars of Creation, dense, dusty columns rising near the center are light-years in length but are gravitationally contracting to form stars. Energetic radiation from the cluster stars erodes material near the tips, eventually exposing the embedded new stars. Extending from the ridge of bright emission left of center is another dusty starforming column known as the Fairy of Eagle Nebula. M16 lies about 7,000 light-years away, an easy target for binoculars or small telescopes in a nebula rich part of the sky toward the split constellation Serpens Cauda(the tail of the snake). As framed, this telescopic portrait of the Eagle Nebula is about 70 light-years across.
